Arthur laughed.
"Why not? It is as good as any."
"But to right the oppressed? To do justice to the unjustly accused, eh? To redress wrongs—ah, my son! that is noble. That, Don Arturo—it is that has made you and your colleagues dear to me—dear to those who have been the helpless victims of your courts—your corregidores."
"Yes, yes," interrupted Arthur, hastily, shedding the Father's praise with an habitual deft ease that was not so much the result of modesty as a certain conscious pride that resented any imperfect tribute. "Yes, I suppose it pays as well, if not better, in the long run. 'Honesty is the best policy,' as our earliest philosophers say."
"Pardon?" queried the Padre.
Arthur, intensely amused, made a purposely severe and literal translation of Franklin's famous apothegm, and then watched Father Felipe raise his eyes and hands to the ceiling in pious protest and mute consternation.
"And these are your American ethics?" he said at last.
"They are, and in conjunction with manifest destiny, and the star of Empire, they have brought us here, and—have given me the honour of your acquaintance," said Arthur in English.
Father Felipe looked at his friend in hopeless bewilderment. Arthur instantly became respectful and Spanish. To change the subject and relieve the old man's evident embarrassment, he at once plunged into a humorous description of his adventure of the morning. The diversion was only partially successful. Father Felipe became at once interested, but did not laugh. When the young man had concluded he approached him, and laying his soft hand on Arthur's curls, turned his face upward toward him with a parental gesture that was at once habitual and professional, and said—
"Look at me here. I am an old man, Don Arturo. Pardon me if I think I have some advice to give you that may be worthy your hearing. Listen, then! You are one of those men capable of peculiarly affecting and being affected by women. So! Pardon," he continued, gently, as a slight flush rose into Arthur's cheek, despite the smile that came as quickly to his face. "Is it not so? Be not ashamed, Don Arturo! It is not here," he added, with a poetical gesture toward the wall of the refectory, where hung the painted effigy of the blessed St Anthony; "it is not here that I would undervalue or speak lightly of their influence. The widow is rich, eh?—handsome, eh? impulsive? You have no heart in the profession you have chosen. What then? You have some in the instincts—what shall I say—the accomplishments and graces you have not considered worthy of a practical end! You are a natural lover. Pardon! You have the four S's—'Sáno, solo, solicito, y secreto.' Good! Take an old man's advice, and make good use of them. Turn your weaknesses—eh? perhaps it is too strong a word!—the frivolities and vanities of your youth into a power for your old age! Eh?"
Arthur smiled a superior smile. He was thinking of the horror with which the old man had received the axiom he had recently quoted. He threw himself back in his chair in an attitude of burlesque sentiment, and said, with simulated heroics—
"But what, O my Father! what if a devoted, exhausting passion for somebody else already filled my heart? You would not advise me to be false to that? Perish the thought!"
Father Felipe did not smile. A peculiar expression passed over his broad, brown, smoothly shaven face, and the habitual look of childlike simplicity and deferential courtesy faded from it. He turned his small black eyes on Arthur, and said—
"Do you think you are capable of such a passion, my son? Have you had an attachment that was superior to novelty or self-interest?"
Arthur rose a little stiffly.
"As we are talking of one of my clients and one of your parishioners, are we not getting a little too serious, Father? At all events, save me from assuming a bashful attitude towards the lady with whom I am to have a business interview to-morrow. And now about the papers, Father," continued Arthur, recovering his former ease. "I suppose the invisible fair one has supplied you with all the necessary documents and the fullest material for a brief. Go on. I am all attention."
"You are wrong again, son," said Father Felipe. "It is a matter in which she has shown even more than her usual disinclination to talk. I believe but for my interference, she would have even refused to press the claim. As it is, I imagine she wishes to make some compromise with the thief—pardon me!—the what do you say? eh? the pre-emptor! But I have nothing to do with it. All the papers, all the facts are in the possession of your friend, Mrs. Sepulvida. You are to see her. Believe me, my friend, if you have been disappointed in not finding your Indian client, you will have a charming substitute—and one of your own race and colour—in the Donna Maria. Forget, if you can, what I have said—but you will not. Ah, Don Arturo! I know you better than yourself! Come. Let us walk in the garden. You have not seen the vines. I have a new variety of grape since you were here before."
"I find nothing better than the old Mission grape, Father," said Arthur, as they passed down the branching avenue of olives.
"Ah! Yet the aborigines knew it not and only valued it when found wild for the colouring matter contained in its skin. From this, with some mordant that still remains a secret with them, they made a dye to stain their bodies and heighten their copper hue. You are not listening, Don Arturo, yet it should interest you, for it is the colour of your mysterious client, the Donna Dolores."
Thus chatting, and pointing out the various objects that might interest Arthur, from the overflowing boughs of a venerable fig tree to the crack made in the adobe wall of the church by the last earthquake, Father Felipe, with characteristic courteous formality, led his young friend through the ancient garden of the Mission. By degrees, the former ease and mutual confidence of the two friends returned, and by the time that Father Felipe excused himself for a few moments to attend to certain domestic arrangements on behalf of his new guest perfect sympathy had been restored.
Left to himself, Arthur strolled back until opposite the open chancel door of the church. Here he paused, and, in obedience to a sudden impulse, entered. The old church was unchanged—like all things in San Antonio—since the last hundred years; perhaps there was little about it that Arthur had not seen at the other Missions. There were the old rafters painted in barbaric splendour of red and brown stripes; there were the hideous, waxen, glass-eyed saints, leaning forward helplessly and rigidly from their niches; there was the Virgin Mary in a white dress and satin slippers, carrying the infant Saviour in the opulence of lace long-clothes; there was the Magdalen in the fashionable costume of a Spanish lady of the last century. There was the usual quantity of bad pictures; the portrait, full length, of the patron saint himself, so hideously and gratuitously old and ugly that his temptation by any self-respecting woman appeared more miraculous than his resistance; the usual martyrdoms in terrible realism; the usual "Last Judgments" in frightful accuracy of detail.
But there was one picture under the nave which attracted Arthur's listless eyes. It was a fanciful representation of Junipero Serra preaching to the heathen. I am afraid that it was not the figure of that most admirable and heroic missionary which drew Arthur's gaze; I am quite certain that it was not the moral sentiment of the subject, but rather the slim, graceful, girlish, half-nude figure of one of the Indian converts who knelt at Father Junipero Serra's feet, in childlike but touching awe and contrition. There was such a depth of penitential supplication in the young girl's eyes—a penitence so pathetically inconsistent with the absolute virgin innocence and helplessness of the exquisite little figure, that Arthur felt his heart beat quickly as he gazed. He turned quickly to the other picture—look where he would, the eyes of the little acolyte seemed to follow and subdue him.
I think I have already intimated that his was not a reverential nature. With a quick imagination and great poetic sensibility nevertheless, the evident intent of the picture, or even the sentiment of the place, did not touch his heart or brain. But he still half-unconsciously dropped into a seat, and, leaning both arms over the screen before him, bowed his head against the oaken panel. A soft hand laid upon his shoulder suddenly aroused him.
He