“Madame is in her boudoir, and cannot see any one at present, sir,” said the servant. “She gave me no answer; but if you will go into the dining-room, there is some one already there.”
Rastignac was impressed with a sense of the formidable power of the lackey who can accuse or condemn his masters by a word; he coolly opened the door by which the man had just entered the ante-chamber, meaning, no doubt, to show these insolent flunkeys that he was familiar with the house; but he found that he had thoughtlessly precipitated himself into a small room full of dressers, where lamps were standing, and hot-water pipes, on which towels were being dried; a dark passage and a back staircase lay beyond it. Stifled laughter from the ante-chamber added to his confusion.
“This way to the drawing-room, sir,” said the servant, with the exaggerated respect which seemed to be one more jest at his expense.
Eugene turned so quickly that he stumbled against a bath. By good luck, he managed to keep his hat on his head, and saved it from immersion in the water; but just as he turned, a door opened at the further end of the dark passage, dimly lighted by a small lamp. Rastignac heard voices and the sound of a kiss; one of the speakers was Mme. de Restaud, the other was Father Goriot. Eugene followed the servant through the dining-room into the drawing-room; he went to a window that looked out into the courtyard, and stood there for a while. He meant to know whether this Goriot was really the Goriot that he knew. His heart beat unwontedly fast; he remembered Vautrin’s hideous insinuations. A well-dressed young man suddenly emerged from the room almost as Eugene entered it, saying impatiently to the servant who stood at the door: “I am going, Maurice. Tell Madame la Comtesse that I waited more than half an hour for her.”
Whereupon this insolent being, who, doubtless, had a right to be insolent, sang an Italian trill, and went towards the window where Eugene was standing, moved thereto quite as much by a desire to see the student’s face as by a wish to look out into the courtyard.
“But M. le Comte had better wait a moment longer; madame is disengaged,” said Maurice, as he returned to the ante-chamber.
Just at that moment Father Goriot appeared close to the gate; he had emerged from a door at the foot of the back staircase. The worthy soul was preparing to open his umbrella regardless of the fact that the great gate had opened to admit a tilbury, in which a young man with a ribbon at his button-hole was seated. Father Goriot had scarcely time to start back and save himself. The horse took fright at the umbrella, swerved, and dashed forward towards the flight of steps. The young man looked round in annoyance, saw Father Goriot, and greeted him as he went out with constrained courtesy, such as people usually show to a money-lender so long as they require his services, or the sort of respect they feel it necessary to show for some one whose reputation has been blown upon, so that they blush to acknowledge his acquaintance. Father Goriot gave him a little friendly nod and a good-natured smile. All this happened with lightning speed. Eugene was so deeply interested that he forgot that he was not alone till he suddenly heard the Countess’ voice.
“Oh! Maxime, were you going away?” she said reproachfully, with a shade of pique in her manner. The Countess had not seen the incident nor the entrance of the tilbury. Rastignac turned abruptly and saw her standing before him, coquettishly dressed in a loose white cashmere gown with knots of rose-colored ribbon here and there; her hair was carelessly coiled about her head, as is the wont of Parisian women in the morning; there was a soft fragrance about her—doubtless she was fresh from a bath;—her graceful form seemed more flexible, her beauty more luxuriant. Her eyes glistened. A young man can see everything at a glance; he feels the radiant influence of woman as a plant discerns and absorbs its nutriment from the air; he did not need to touch her hands to feel their cool freshness. He saw faint rose tints through the cashmere of the dressing gown; it had fallen slightly open, giving glimpses of a bare throat, on which the student’s eyes rested. The Countess had no need of the adventitious aid of corsets; her girdle defined the outlines of her slender waist; her throat was a challenge to love; her feet, thrust into slippers, were daintily small. As Maxime took her hand and kissed it, Eugene became aware of Maxime’s existence, and the Countess saw Eugene.
“Oh! is that you M. de Rastignac? I am very glad to see you,” she said, but there was something in her manner that a shrewd observer would have taken as a hint to depart.
Maxime, as the Countess Anastasie had called the young man with the haughty insolence of bearing, looked from Eugene to the lady, and from the lady to Eugene; it was sufficiently evident that he wished to be rid of the latter. An exact and faithful rendering of the glance might be given in the words: “Look here, my dear; I hope you intend to send this little whipper-snapper about his business.”
The Countess consulted the young man’s face with an intent submissiveness that betrays all the secrets of a woman’s heart, and Rastignac all at once began to hate him violently. To begin with, the sight of the fair carefully arranged curls on the other’s comely head had convinced him that his own crop was hideous; Maxime’s boots, moreover, were elegant and spotless, while his own, in spite of all his care, bore some traces of his recent walk; and, finally, Maxime’s overcoat fitted the outline of his figure gracefully, he looked like a pretty woman, while Eugene was wearing a black coat at half-past two. The quick-witted child of the Charente felt the disadvantage at which he was placed beside this tall, slender dandy, with the clear gaze and the pale face, one of those men who would ruin orphan children without scruple. Mme. de Restaud fled into the next room without waiting for Eugene to speak; shaking out the skirts of her dressing-gown in her flight, so that she looked like a white butterfly, and Maxime hurried after her. Eugene, in a fury, followed Maxime and the Countess, and the three stood once more face to face by the hearth in the large drawing-room. The law student felt quite sure that the odious Maxime found him in the way, and even at the risk of displeasing Mme. de Restaud, he meant to annoy the dandy. It had struck him all at once that he had seen the young man before at Mme. de Beauseant’s ball; he guessed the relation between Maxime and Mme. de Restaud; and with the youthful audacity that commits prodigious blunders or achieves signal success, he said to himself, “This is my rival; I mean to cut him out.”
Rash resolve! He did not know that M. le Comte Maxime de Trailles would wait till he was insulted, so as to fire first and kill his man. Eugene was a sportsman and a good shot, but he had not yet hit the bulls’s eye twenty times out of twenty-two. The young Count dropped into a low chair by the hearth, took up the tongs, and made up the fire so violently and so sulkily, that Anastasie’s fair face suddenly clouded over. She turned to Eugene, with a cool, questioning glance that asked plainly, “Why do you not go?” a glance which well-bred people regard as a cue to make their exit.
Eugene assumed an amiable expression.
“Madame,” he began, “I hastened to call upon you——”
He stopped short. The door opened, and the owner of the tilbury suddenly appeared. He had left his hat outside, and did not greet the Countess; he looked meditatively at Rastignac, and held out his hand to Maxime with a cordial “Good morning,” that astonished Eugene not a little. The young provincial did not understand the amenities of a triple alliance.
“M. de Restaud,” said the Countess, introducing her husband to the law student.
Eugene bowed profoundly.
“This gentleman,” she continued, presenting Eugene to her husband, “is M. de Rastignac; he is related to Mme. la Vicomtesse de Beauseant through the Marcillacs; I had the pleasure of meeting him at her last ball.”
Related to Mme. la Vicomtesse de Beauseant through the Marcillacs! These words, on which the countess threw ever so slight an emphasis, by reason of the pride that the mistress of a house takes in showing that she only receives people of distinction as visitors in her house, produced