A law was made that no light should be left in the Child's Room at night,—simply because the Child was afraid of the dark. His fear of the dark was judged to be a mental disorder requiring severe treatment. But the treatment aggravated the disorder. Previously I had been accustomed to sleep in a well-lighted room, with a nurse to take care of me. I thought that I should die of fright when sentenced to lie alone in the dark, and—what seemed to me then abominably cruel—actually locked into my room, the most dismal room of the house. Night after night when I had been warmly tucked into bed, the lamp was removed; the key clicked in the lock; the protecting light and the footsteps of my guardian receded together. Then an agony of fear would come upon me. Something in the black air would seem to gather and grow—(I thought that I could even hear it grow)—till I had to scream. Screaming regularly brought punishment; but it also brought back the light, which more than consoled for the punishment. This fact being at last found out, orders were given to pay no further heed to the screams of the Child.
Why was I thus insanely afraid? Partly because the dark had always been peopled for me with shapes of terror. So far back as memory extended, I had suffered from ugly dreams; and when aroused from them I could always see the forms dreamed of, lurking in the shadows of the room. They would soon fade out; but for several moments they would appear like tangible realities. And they were always the same figures.... Sometimes, without any preface of dreams, I used to see them at twilight-time,—following me about from room to room, or reaching long dim hands after me, from story to story, up through the interspaces of the deep stairways.
I had complained of these haunters only to be told thatI must never speak of them, and that they did not exist. I had complained to everybody in the house; and everybody in the house had told me the very same thing. But there was the evidence of my eyes! The denial of that evidence I could explain only in two ways:—Either the shapes were afraid of big people, and showed themselves to me alone, because I was little and weak; or else the entire household had agreed, for some ghastly reason, to say what was not true. This latter theory seemed to me the more probable one, because I had several times perceived the shapes when I was not unattended;—and the consequent appearance of secrecy frightened me scarcely less than the visions did. Why was I forbidden to talk about what I saw, and even heard,—on creaking stairways,—behind wavering curtains?
"Nothing will hurt you,"—this was the merciless answer to all my pleadings not to be left alone at night. But the haunters did hurt me. Only—they would wait until after I had fallen asleep, and so into their power,—for they possessed occult means of preventing me from rising or moving or crying out.
Needless to comment upon the policy of locking me up alone with these fears in a black room. Unutterably was I tormented in that room—for years! Therefore I felt relatively happy when sent away at last to a children's boarding-school, where the haunters very seldom ventured to show themselves.
They were not like any people that I had ever known. They were shadowy dark-robed figures, capable of atrocious self-distortion,—capable, for instance, of growing up to the ceiling, and then across it, and then lengthening themselves, head-downwards, along the opposite wall. Only their faces were distinct; and I tried not to look at their faces. I tried also in my dreams—or thought that I tried—to awaken myself from the sight of them by pulling at my eyelids with my fingers; but the eyelids would remain closed, as if sealed.... Many years afterwards, the frightful plates in Orfila's Traité des Exhumés, beheld for the first time, recalled to me with a sickening start the dream-terrors of childhood. But to understand the Child's experience, you must imagine Orfila's drawings intensely alive, and continually elongating or distorting, as in some monstrous anamorphosis.
Nevertheless the mere sight of those nightmare-faces was not the worst of the experiences in the Child's Room. The dreams always began with a suspicion, or sensation of something heavy in the air,—slowly quenching will,—slowly numbing my power to move. At such times I usually found myself alone in a large unlighted apartment; and, almost simultaneously with the first sensation of fear, the atmosphere of the room would become suffused, half-way to the ceiling, with a sombre-yellowish glow, making objects dimly visible,—though the ceiling itself remained pitch-black. This was not a true appearance of light: rather it seemed as if the black air were changing color from beneath.... Certain terrible aspects of sunset, on the eve of storm, offer like effects of sinister color.... Forthwith I would try to escape,—(feeling at every step a sensation as of wading),—and would sometimes succeed in struggling half-way across the room;—but there I would always find myself brought to a standstill,—paralyzed by some innominable opposition. Happy voices I could hear in the next room;—I could see light through the transom over the door that I had vainly endeavored to reach;—I knew that one loud cry would save me. But not even by the most frantic effort could I raise my voice above a whisper.... And all this signified only that the Nameless was coming,—was nearing,—was mounting the stairs. I could hear the step,—booming like the sound of a muffled drum,—and I wondered why nobody else heard it. A long, long time the haunter would take to come,—malevolently pausing after each ghastly footfall. Then, without a creak, the bolted door would open,—slowly, slowly,—and the thing would enter, gibbering soundlessly,—and put out hands,—and clutch me,—and toss me to the black ceiling,—and catch me descending to toss me up again, and again, and again.... In those moments the feeling was not fear: fear itself had been torpified by the first seizure. It was a sensation that has no name in the language of the living. For every touch brought a shock of something infinitely worse than pain,—something that thrilled into the innermost secret being of me,—a sort of abominable electricity, discovering unimagined capacities of suffering in totally unfamiliar regions of sentiency.... This was commonly the work of a single tormentor; but I can also remember having been caught by a group, and tossed from one to another,—seemingly for a time of many minutes.
III
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WHENCE THE FANCY OF those shapes? I do not know. Possibly from some impression of fear in earliest infancy; possibly from some experience of fear in other lives than mine. That mystery is forever insoluble. But the mystery of the shock of the touch admits of a definite hypothesis.
First, allow me to observe that the experience of the sensation itself cannot be dismissed as "mere imagination." Imagination means cerebral activity: its pains and its pleasures are alike inseparable from nervous operation, and their physical importance is sufficiently proved by their physiological effects. Dream-fear may kill as well as other fear; and no emotion thus powerful can be reasonably deemed undeserving of study.
One remarkable fact in the problem to be considered is that the sensation of seizure in dreams differs totally from all sensations familiar to ordinary waking life. Why this differentiation? How interpret the extraordinary massiveness and depth of the thrill?
I have already suggested that the dreamer's fear is most probably not a reflection of relative experience, but represents the incalculable total of ancestral experience of dream-fear. If the sum of the experience of active life be transmitted by inheritance, so must likewise be transmitted the summed experience of the life of sleep. And in normal heredity either class of transmissions would probably remain distinct.
Now, granting this hypothesis, the sensation of dream-seizure would have had its beginnings in the earliest phases of dream-consciousness,—long prior to the apparition of man. The first creatures capable of thought and fear must often have dreamed of being caught by their natural enemies. There could not have been much imagining of pain in these primal dreams. But higher nervous development in later forms of being would have been accompanied with larger susceptibility to dream-pain. Still later, with the growth of reasoning-power, ideas of the supernatural would have changed and intensified the character of dream-fear. Furthermore, through all the course of evolution, heredity would have been accumulating the experience of such feeling. Under those forms of imaginative pain evolved through reaction of religious beliefs, there would persist some dim survival of savage primitive fears, and again, under this, a dimmer but incomparably deeper substratum of ancient