“No. All I saw was a remarkably good-looking fool-boy with the pride of Satan and a set of nice new drawing-room manners that he probably couldn't use more than half an hour at a time without busting.”
“Then what—”
“Mothers are right,” said Morgan. “Do you think this young George is the same sort of creature when he's with his mother that he is when he's bulldozing your boy Fred? Mothers see the angel in us because the angel is there. If it's shown to the mother, the son has got an angel to show, hasn't he? When a son cuts somebody's throat the mother only sees it's possible for a misguided angel to act like a devil—and she's entirely right about that!”
Kinney laughed, and put his hand on his friend's shoulder. “I remember what a fellow you always were to argue,” he said. “You mean Georgie Minafer is as much of an angel as any murderer is, and that Georgie's mother is always right.”
“I'm afraid she always has been,” Morgan said lightly.
The friendly hand remained upon his shoulder. “She was wrong once, old fellow. At least, so it seemed to me.”
“No,” said Morgan, a little awkwardly. “No—”
Kinney relieved the slight embarrassment that had come upon both of them: he laughed again. “Wait till you know young Georgie a little better,” he said. “Something tells me you're going to change your mind about his having an angel to show, if you see anything of him!”
“You mean beauty's in the eye of the beholder, and the angel is all in the eye of the mother. If you were a painter, Fred, you'd paint mothers with angels' eyes holding imps in their laps. Me, I'll stick to the Old Masters and the cherubs.”
Mr. Kinney looked at him musingly. “Somebody's eyes must have been pretty angelic,” he said, “if they've been persuading you that Georgie Minafer is a cherub!”
“They are,” said Morgan heartily. “They're more angelic than ever.” And as a new flourish of music sounded overhead he threw away his cigarette, and jumped up briskly. “Good-bye, I've got this dance with her.”
“With whom?”
“With Isabel!”
The grizzled Mr. Kinney affected to rub his eyes. “It startles me, your jumping up like that to go and dance with Isabel Amberson! Twenty years seem to have passed—but have they? Tell me, have you danced with poor old Fanny, too, this evening?”
“Twice!”
“My Lord!” Kinney groaned, half in earnest. “Old times starting all over again! My Lord!”
“Old times?” Morgan laughed gaily from the doorway. “Not a bit! There aren't any old times. When times are gone they're not old, they're dead! There aren't any times but new times!”
And he vanished in such a manner that he seemed already to have begun dancing.
Chapter VII
The appearance of Miss Lucy Morgan the next day, as she sat in George's fast cutter, proved so charming that her escort was stricken to soft words instantly, and failed to control a poetic impulse. Her rich little hat was trimmed with black fur; her hair was almost as dark as the fur; a great boa of black fur was about her shoulders; her hands were vanished into a black muff; and George's laprobe was black. “You look like—” he said. “Your face looks like—it looks like a snowflake on a lump of coal. I mean a—a snowflake that would be a rose-leaf, too!”
“Perhaps you'd better look at the reins,” she returned. “We almost upset just then.”
George declined to heed this advice. “Because there's too much pink in your cheeks for a snowflake,” he continued. “What's that fairy story about snow-white and rose-red—”
“We're going pretty fast, Mr. Minafer!”
“Well, you see, I'm only here for two weeks.”
“I mean the sleigh!” she explained. “We're not the only people on the street, you know.”
“Oh, they'll keep out of the way.”
“That's very patrician charioteering, but it seems to me a horse like this needs guidance. I'm sure he's going almost twenty miles an hour.”
“That's nothing,” said George; but he consented to look forward again. “He can trot under three minutes, all right.” He laughed. “I suppose your father thinks he can build a horseless carriage to go that fast!”
“They go that fast already, sometimes.”
“Yes,” said George; “they do—for about a hundred feet! Then they give a yell and burn up.”
Evidently she decided not to defend her father's faith in horseless carriages, for she laughed, and said nothing. The cold air was polka-dotted with snowflakes, and trembled to the loud, continuous jingling of sleighbells. Boys and girls, all aglow and panting jets of vapour, darted at the passing sleighs to ride on the runners, or sought to rope their sleds to any vehicle whatever, but the fleetest no more than just touched the flying cutter, though a hundred soggy mittens grasped for it, then reeled and whirled till sometimes the wearers of those daring mittens plunged flat in the snow and lay a-sprawl, reflecting. For this was the holiday time, and all the boys and girls in town were out, most of them on National Avenue.
But there came panting and chugging up that flat thoroughfare a thing which some day was to spoil all their sleigh-time merriment—save for the rashest and most disobedient. It was vaguely like a topless surry, but cumbrous with unwholesome excrescences fore and aft, while underneath were spinning leather belts and something that whirred and howled and seemed to stagger. The ride-stealers made no attempt to fasten their sleds to a contrivance so nonsensical and yet so fearsome. Instead, they gave over their sport and concentrated all their energies in their lungs, so that up and down the street the one cry shrilled increasingly: “Git a hoss! Git a hoss! Git a hoss! Mister, why don't you git a hoss?” But the mahout in charge, sitting solitary on the front seat, was unconcerned—he laughed, and now and then ducked a snowball without losing any of his good-nature. It was Mr. Eugene Morgan who exhibited so cheerful a countenance between the forward visor of a deer-stalker cap and the collar of a fuzzy gray ulster. “Git a hoss!” the children shrieked, and gruffer voices joined them. “Git a hoss! Git a hoss! Git a hoss!”
George Minafer was correct thus far: the twelve miles an hour of such a machine would never over-take George's trotter. The cutter was already scurrying between the stone pillars at the entrance to Amberson Addition.
“That's my grandfather's,” said George, nodding toward the Amberson Mansion.
“I ought to know that!” Lucy exclaimed. “We stayed there late enough last night: papa and I were almost the last to go. He and your mother and Miss Fanny Minafer got the musicians to play another waltz when everybody else had gone downstairs and the fiddles were being put away in their cases. Papa danced part of it with Miss Minafer and the rest with your mother. Miss Minafer's your aunt, isn't she?”
“Yes; she lives with us. I tease her a good deal.”
“What about?”
“Oh, anything handy—whatever's easy to tease an old maid about.”
“Doesn't she mind?”
“She usually has sort of a grouch on me,” laughed George. “Nothing much. That's our house just beyond grandfather's.” He waved a sealskin gauntlet to indicate the house Major Amberson had built for Isabel as a wedding gift. “It's almost the same as grandfather's, only not as large and hasn't got a regular ballroom. We gave the dance, last night, at grandfather's on account of the ballroom, and because I'm the only grandchild, you know. Of course, some day that'll be my house, though I expect my mother will most likely go on living where she does now, with father and Aunt