"Monsieur Franqulin, inventor of electricity. This
illustrious savant, after having made several voyages around the
world, died on the Sandwich Islands and was devoured by savages,
of whom not a single fragment was ever recovered."
Electricity seems destined to play a most important part in the
arts and industries. The question of its economical application to
some purposes is still unsettled, but experiment has already proved
that it will propel a street car better than a gas jet and give more
light than a horse.
ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection. The most famous English example begins somewhat like this:
The cur foretells the knell of parting day;
The loafing herd winds slowly o'er the lea;
The wise man homeward plods; I only stay
To fiddle-faddle in a minor key.
ELOQUENCE, n. The art of orally persuading fools that white is the color that it appears to be. It includes the gift of making any color appear white.
ELYSIUM, n. An imaginary delightful country which the ancients foolishly believed to be inhabited by the spirits of the good. This ridiculous and mischievous fable was swept off the face of the earth by the early Christians—may their souls be happy in Heaven!
EMANCIPATION, n. A bondman's change from the tyranny of another to the despotism of himself.
He was a slave: at word he went and came;
His iron collar cut him to the bone.
Then Liberty erased his owner's name,
Tightened the rivets and inscribed his own.
G.J.
EMBALM, v.i. To cheat vegetation by locking up the gases upon which it feeds. By embalming their dead and thereby deranging the natural balance between animal and vegetable life, the Egyptians made their once fertile and populous country barren and incapable of supporting more than a meagre crew. The modern metallic burial casket is a step in the same direction, and many a dead man who ought now to be ornamenting his neighbor's lawn as a tree, or enriching his table as a bunch of radishes, is doomed to a long inutility. We shall get him after awhile if we are spared, but in the meantime the violet and rose are languishing for a nibble at his glutoeus maximus.
EMOTION, n. A prostrating disease caused by a determination of the heart to the head. It is sometimes accompanied by a copious discharge of hydrated chloride of sodium from the eyes.
ENCOMIAST, n. A special (but not particular) kind of liar.
END, n. The position farthest removed on either hand from the Interlocutor.
The man was perishing apace
Who played the tambourine;
The seal of death was on his face—
'Twas pallid, for 'twas clean.
"This is the end," the sick man said
In faint and failing tones.
A moment later he was dead,
And Tambourine was Bones.
Tinley Roquot
ENOUGH, pro. All there is in the world if you like it.
Enough is as good as a feast—for that matter
Enougher's as good as a feast for the platter.
Arbely C. Strunk
ENTERTAINMENT, n. Any kind of amusement whose inroads stop short of death by injection.
ENTHUSIASM, n. A distemper of youth, curable by small doses of repentance in connection with outward applications of experience. Byron, who recovered long enough to call it "entuzy-muzy," had a relapse, which carried him off—to Missolonghi.
ENVELOPE, n. The coffin of a document; the scabbard of a bill; the husk of a remittance; the bed-gown of a love-letter.
ENVY, n. Emulation adapted to the meanest capacity.
EPAULET, n. An ornamented badge, serving to distinguish a military officer from the enemy—that is to say, from the officer of lower rank to whom his death would give promotion.
EPICURE, n. An opponent of Epicurus, an abstemious philosopher who, holding that pleasure should be the chief aim of man, wasted no time in gratification from the senses.
EPIGRAM, n. A short, sharp saying in prose or verse, frequently characterized by acidity or acerbity and sometimes by wisdom. Following are some of the more notable epigrams of the learned and ingenious Dr. Jamrach Holobom:
We know better the needs of ourselves than of others. To
serve oneself is economy of administration.
In each human heart are a tiger, a pig, an ass and a
nightingale. Diversity of character is due to their unequal
activity.
There are three sexes; males, females and girls.
Beauty in women and distinction in men are alike in this:
they seem to the unthinking a kind of credibility.
Women in love are less ashamed than men. They have less to be
ashamed of.
While your friend holds you affectionately by both your hands
you are safe, for you can watch both his.
EPITAPH, n. An inscription on a tomb, showing that virtues acquired by death have a retroactive effect. Following is a touching example:
Here lie the bones of Parson Platt,
Wise, pious, humble and all that,
Who showed us life as all should live it;
Let that be said—and God forgive it!
ERUDITION, n. Dust shaken out of a book into an empty skull.
So wide his erudition's mighty span,
He knew Creation's origin and plan
And only came by accident to grief—
He thought, poor man, 'twas right to be a thief.
Romach Pute
ESOTERIC, adj. Very particularly abstruse and consummately occult. The ancient philosophies were of two kinds,—exoteric, those that the philosophers themselves could partly understand, and esoteric, those that nobody could understand. It is the latter that have most profoundly affected modern thought and found greatest acceptance in our time.
ETHNOLOGY, n. The science that treats of the various tribes of Man, as robbers, thieves, swindlers, dunces, lunatics, idiots and ethnologists.
EUCHARIST, n. A sacred feast of the religious sect of Theophagi.
A dispute once unhappily arose among the members of this sect as
to what it was that they ate. In this controversy some five hundred
thousand have already been slain, and the question is still unsettled.
EULOGY, n. Praise of a person who has either the advantages of wealth and power, or the consideration to be dead.