3 books to know Coming of Age. Charles Dickens. Читать онлайн. Newlib. NEWLIB.NET

Автор: Charles Dickens
Издательство: Bookwire
Серия: 3 books to know
Жанр произведения: Языкознание
Год издания: 0
isbn: 9783968589275
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for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I loved her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.

      I so shaped out my walk as to arrive at the gate at my old time. When I had rung at the bell with an unsteady hand, I turned my back upon the gate, while I tried to get my breath and keep the beating of my heart moderately quiet. I heard the side door open, and steps come across the court-yard; but I pretended not to hear, even when the gate swung on its rusty hinges.

      Being at last touched on the shoulder, I started and turned. I started much more naturally then, to find myself confronted by a man in a sober grey dress. The last man I should have expected to see in that place of porter at Miss Havisham's door.

      "Orlick!"

      "Ah, young master, there's more changes than yours. But come in, come in. It's opposed to my orders to hold the gate open."

      I entered and he swung it, and locked it, and took the key out. "Yes!" said he, facing round, after doggedly preceding me a few steps towards the house. "Here I am!"

      "How did you come here?"

      "I come her," he retorted, "on my legs. I had my box brought alongside me in a barrow."

      "Are you here for good?"

      "I ain't her for harm, young master, I suppose?"

      I was not so sure of that. I had leisure to entertain the retort in my mind, while he slowly lifted his heavy glance from the pavement, up my legs and arms, to my face.

      "Then you have left the forge?" I said.

      "Do this look like a forge?" replied Orlick, sending his glance all round him with an air of injury. "Now, do it look like it?"

      I asked him how long he had left Gargery's forge?

      "One day is so like another here," he replied, "that I don't know without casting it up. However, I come her some time since you left."

      "I could have told you that, Orlick."

      "Ah!" said he, drily. "But then you've got to be a scholar."

      By this time we had come to the house, where I found his room to be one just within the side door, with a little window in it looking on the court-yard. In its small proportions, it was not unlike the kind of place usually assigned to a gate-porter in Paris. Certain keys were hanging on the wall, to which he now added the gate-key; and his patchwork-covered bed was in a little inner division or recess. The whole had a slovenly confined and sleepy look, like a cage for a human dormouse: while he, looming dark and heavy in the shadow of a corner by the window, looked like the human dormouse for whom it was fitted up—as indeed he was.

      "I never saw this room before," I remarked; "but there used to be no Porter here."

      "No," said he; "not till it got about that there was no protection on the premises, and it come to be considered dangerous, with convicts and Tag and Rag and Bobtail going up and down. And then I was recommended to the place as a man who could give another man as good as he brought, and I took it. It's easier than bellowsing and hammering. That's loaded, that is."

      My eye had been caught by a gun with a brass bound stock over the chimney-piece, and his eye had followed mine.

      "Well," said I, not desirous of more conversation, "shall I go up to Miss Havisham?"

      "Burn me, if I know!" he retorted, first stretching himself and then shaking himself; "my orders ends here, young master. I give this here bell a rap with this here hammer, and you go on along the passage till you meet somebody."

      "I am expected, I believe?"

      "Burn me twice over, if I can say!" said he.

      Upon that, I turned down the long passage which I had first trodden in my thick boots, and he made his bell sound. At the end of the passage, while the bell was still reverberating, I found Sarah Pocket: who appeared to have now become constitutionally green and yellow by reason of me.

      "Oh!" said she. "You, is it, Mr. Pip?"

      "It is, Miss Pocket. I am glad to tell you that Mr. Pocket and family are all well."

      "Are they any wiser?" said Sarah, with a dismal shake of the head; "they had better be wiser, than well. Ah, Matthew, Matthew! You know your way, sir?"

      Tolerably, for I had gone up the staircase in the dark, many a time. I ascended it now, in lighter boots than of yore, and tapped in my old way at the door of Miss Havisham's room. "Pip's rap," I heard her say, immediately; "come in, Pip."

      She was in her chair near the old table, in the old dress, with her two hands crossed on her stick, her chin resting on them, and her eyes on the fire. Sitting near her, with the white shoe that had never been worn, in her hand, and her head bent as she looked at it, was an elegant lady whom I had never seen.

      "Come in, Pip," Miss Havisham continued to mutter, without looking round or up; "come in, Pip, how do you do, Pip? so you kiss my hand as if I were a queen, eh? Well?"

      She looked up at me suddenly, only moving her eyes, and repeated in a grimly playful manner:

      "Well?"

      "I heard, Miss Havisham," said I, rather at a loss, "that you were so kind as to wish me to come and see you, and I came directly."

      "Well?"

      The lady whom I had never seen before, lifted up her eyes and looked archly at me, and then I saw that the eyes were Estella's eyes. But she was so much changed, was so much more beautiful, so much more womanly, in all things winning admiration had made such wonderful advance, that I seemed to have made none. I fancied, as I looked at her, that I slipped hopelessly back into the coarse and common boy again. O the sense of distance and disparity that came upon me, and the inaccessibility that came about her!

      She gave me her hand. I stammered something about the pleasure I felt in seeing her again, and about my having looked forward to it for a long, long time.

      "Do you find her much changed, Pip?" asked Miss Havisham, with her greedy look, and striking her stick upon a chair that stood between them, as a sign to me to sit down there.

      "When I came in, Miss Havisham, I thought there was nothing of Estella in the face or figure; but now it all settles down so curiously into the old—"

      "What? You are not going to say into the old Estella?" Miss Havisham interrupted. "She was proud and insulting, and you wanted to go away from her. Don't you remember?"

      I said confusedly that that was long ago, and that I knew no better then, and the like. Estella smiled with perfect composure, and said she had no doubt of my having been quite right, and of her having been very disagreeable.

      "Is he changed?" Miss Havisham asked her.

      "Very much," said Estella, looking at me.

      "Less coarse and common?" said Miss Havisham, playing with Estella's hair.

      Estella laughed, and looked at the shoe in her hand, and laughed again, and looked at me, and put the shoe down. She treated me as a boy still, but she lured me on.

      We sat in the dreamy room among the old strange influences which had so wrought upon me, and I learnt that she had but just come home from France, and that she was going to London. Proud and wilful as of old, she had brought those qualities into such subjection to her beauty that it was impossible and out of nature—or I thought so—to separate them from her beauty. Truly it was impossible to dissociate her presence from all those wretched hankerings after money and gentility that had disturbed my boyhood—from all those ill-regulated aspirations that had first made me ashamed of home and Joe—from all those visions that had raised her face in the glowing fire, struck it out of the iron on the anvil, extracted it from the darkness of night to look in at the wooden window of the forge and flit