The rock was very hard, but when it did break it broke in good-sized pieces. Now with hammer, now with pick, he worked till he was weary, then rested, and then set to again. He could not tell how the day went, as he had no light but the lamping of Lina's eyes. The darkness hampered him greatly, for he would not let Lina come close enough to give him all the light she could, lest he should strike her. So he had, every now and then, to feel with his hands to know how he was getting on, and to discover in what direction to strike: the exact spot was a mere imagination.
He was getting very tired and hungry, and beginning to lose heart a little, when out of the ground, as if he had struck a spring of it, burst a dull, gleamy, lead-coloured light, and the next moment he heard a hollow splash and echo. A piece of rock had fallen out of the floor, and dropped into water beneath. Already Lina, who had been lying a few yards off all the time he worked, was on her feet and peering through the hole. Curdie got down on his hands and knees, and looked. They were over what seemed a natural cave in the rock, to which apparently the river had access, for, at a great distance below, a faint light was gleaming upon water. If they could but reach it, they might get out; but even if it was deep enough, the height was very dangerous. The first thing, whatever might follow, was to make the hole larger. It was comparatively easy to break away the sides of it, and in the course of another hour he had it large enough to get through.
And now he must reconnoitre. He took the rope they had tied him with—for Curdie's hindrances were always his furtherance—and fastened one end of it by a slip-knot round the handle of his pickaxe, then dropped the other end through, and laid the pickaxe so that, when he was through himself, and hanging on to the edge, he could place it across the hole to support him on the rope. This done, he took the rope in his hands, and, beginning to descend, found himself in a narrow cleft widening into a cave. His rope was not very long, and would not do much to lessen the force of his fall—he thought with himself—if he should have to drop into the water; but he was not more than a couple of yards below the dungeon when he spied an opening on the opposite side of the cleft: it might be but a shallow hole, or it might lead them out. He dropped himself a little below its level, gave the rope a swing by pushing his feet against the side of the cleft, and so penduled himself into it. Then he laid a stone on the end of the rope that it should not forsake him, called to Lina, whose yellow eyes were gleaming over the mattock-grating above, to watch there till he returned, and went cautiously in.
It proved a passage, level for some distance, then sloping gently up. He advanced carefully, feeling his way as he went. At length he was stopped by a door—a small door, studded with iron. But the wood was in places so much decayed that some of the bolts had dropped out, and he felt sure of being able to open it. He returned, therefore, to fetch Lina and his mattock. Arrived at the cleft, his strong miner arms bore him swiftly up along the rope and through the hole into the dungeon. There he undid the rope from his mattock, and making Lina take the end of it in her teeth, and get through the hole, he lowered her—it was all he could do, she was so heavy. When she came opposite the passage, with a slight push of her tail she shot herself into it, and let go the rope, which Curdie drew up. Then he lighted his candle and searching in the rubbish found a bit of iron to take the place of his pickaxe across the hole. Then he searched again in the rubbish, and found half an old shutter. This he propped up leaning a little over the hole, with a bit of stick, and heaped against the back of it a quantity of the loosened earth. Next he tied his mattock to the end of the rope, dropped it, and let it hang. Last, he got through the hole himself, and pulled away the propping stick, so that the shutter fell over the hole with a quantity of earth on the top of it. A few motions of hand over hand, and he swung himself and his mattock into the passage beside Lina. There he secured the end of the rope, and they went on together to the door.
Chapter XVII.
The Wine-Cellar
He lighted his candle and examined it. Decayed and broken as it was, it was strongly secured in its place by hinges on the one side, and either lock or bolt, he could not tell which, on the other. A brief use of his pocket-knife was enough to make room for his hand and arm to get through, and then he found a great iron bolt—but so rusty that he could not move it. Lina whimpered. He took his knife again, made the hole bigger, and stood back. In she shot her small head and long neck, seized the bolt with her teeth, and dragged it grating and complaining back. A push then opened the door. It was at the foot of a short flight of steps. They ascended, and at the top Curdie found himself in a space which, from the echo to his stamp, appeared of some size, though of what sort he could not at first tell, for his hands, feeling about, came upon nothing. Presently, however, they fell on a great thing: it was a wine-cask.
"Curdie was just setting out to explore the place when he heard steps coming down a stair."
He was just setting out to explore the place by a thorough palpation, when he heard steps coming down a stair. He stood still, not knowing whether the door would open an inch from his nose or twenty yards behind his back. It did neither. He heard the key turn in the lock, and a stream of light shot in, ruining the darkness, about fifteen yards away on his right.
A man carrying a candle in one hand and a large silver flagon in the other, entered, and came towards him. The light revealed a row of huge wine-casks, that stretched away into the darkness of the other end of the long vault. Curdie retreated into the recess of the stair, and peeping round the corner of it, watched him, thinking what he could do to prevent him from locking them in. He came on and on, until Curdie feared he would pass the recess and see them. He was just preparing to rush out, and master him before he should give alarm, not in the least knowing what he should do next, when, to his relief, the man stopped at the third cask from where he stood. He set down his light on the top of it, removed what seemed a large vent-peg, and poured into the cask a quantity of something from the flagon. Then he turned to the next cask, drew some wine, rinsed the flagon, threw the wine away, drew and rinsed and threw away again, then drew and drank, draining to the bottom. Last of all, he filled the flagon from the cask he had first visited, replaced then the vent-peg, took up his candle, and turned towards the door.
"There is something wrong here!" thought Curdie.
"Speak to him, Lina," he whispered.
The sudden howl she gave made Curdie himself start and tremble for a moment. As to the man, he answered Lina's with another horrible howl, forced from him by the convulsive shudder of every muscle of his body, then reeled gasping to and fro, and dropped his candle. But just as Curdie expected to see him fall dead he recovered himself, and flew to the door, through which he darted, leaving it open behind him. The moment he ran, Curdie stepped out, picked up the candle still alight, sped after him to the door, drew out the key, and then returned to the stair and waited. In a few minutes he heard the sound of many feet and voices. Instantly he turned the tap of the cask from which the man had been drinking, set the candle beside it on the floor, went down the steps and out of the little door, followed by Lina, and closed it behind them.
Through the hole in it he could see a little, and hear all. He could see how the light of many candles filled the place, and could hear how some two dozen feet ran hither and thither through the echoing cellar; he could hear the clash of iron, probably spits and pokers, now and then; and at last heard how, finding nothing remarkable except the best wine running to waste, they all turned on the butler, and accused him of having fooled them with a drunken dream. He did his best to defend himself, appealing to the evidence of their own senses that he was as sober as they were. They replied that a fright was no less a fright that the cause was imaginary, and a dream no less a dream that the fright had waked him from it. When he discovered, and triumphantly adduced as corroboration, that the key was gone from the door, they said it merely showed how drunk he had been—either that or how frightened, for he had certainly dropped it. In vain he protested that he had never taken it out of the lock—that he never did when he went in, and certainly had not this time stopped to do so when he came out; they asked him why he had to go to the cellar at such