The Complete Works of Samuel Taylor Coleridge: Poems, Plays, Essays, Lectures, Autobiography & Personal Letters (Illustrated). Samuel Taylor Coleridge. Читать онлайн. Newlib. NEWLIB.NET

Автор: Samuel Taylor Coleridge
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141] [They run … GLYCINE, and she shrieks without: then

       enter, &c. 1817, 1828, 1829.

      The shriek came thence. [Clash of swords, and BETHLEN’S voice heard

       from behind the scenes; GLYCINE enters

       alarmed; then, as seeing LASKA’S bow

       and arrows.

      1817, 1828, 1829.

      [After 146] [She seizes … following her. Lively and irregular

       music, and Peasants with hunting spears, &c. 1817, 1828, 1829.]

      [After 162] Re-enter, as the Huntsmen pass off, BATHORY, &c. 1817,

       1828, 1829.

      [Before 163] Glycine (leaning on Bethlen). 1817, 1828, 1829.

      [Before 166] Bathory (to Bethlen exultingly). 1817, 1828, 1829.

      [Linenote Before 181: Bethlen (hastily). 1817, 1828, 1829.

      Bathory. Hail … my king! [Triumphantly.

      1817, 1828, 1829.

      Has scattered them! [Horns heard as from different places at a

       distance.

      1817, 1828, 1829.

      [After 209] [Thunder again. 1817, 1828, 1829.

      [After 211] [Pointing without to the body of PESTALUTZ. 1817, 1828,

       1829.

      [After 215] [Exeunt … GLYCINE, ANDREAS, having in haste dropt his

       sword. Manet BATHORY. 1817, 1828, 1829.

       1829.

      I’ll drag it hither. [Exit BATHORY. After awhile several Hunters

       cross the stage as scattered. Some time

       after, enter KIUPRILI in his disguise,

       fainting with fatigue, and as pursued.

      1817, 1828, 1829.

      Shall be my trust. [Then speaking as to ZAPOLYA in the Cavern.

       Haste! … flee!

      [He enters the Cavern, and then returns in alarm.

      1817, 1828, 1829.

      Thou art parcel of my native land. [Then observing the sword.

      1817, 1828, 1829.

      [After 239] [Then observing KIUPRILI. 1817, 1828, 1829.

      [After 245] [As he retires, in rushes CASIMIR. 1817, 1828, 1829.

       1829.

      [After 256] [BATHORY points to the Cavern, whence KIUPRILI advances.

       1817, 1828, 1829.

      [Before 259] Casimir (discovering Kiuprili). 1817, 1828, 1829.

      [Before 261] Bathory (to Kiuprili). 1817, 1828, 1829.

       1828, 1829.

      [Before 266] Kiuprili (in a tone of pity). 1817, 1828, 1829.

      [After 275] [KIUPRILI and CASIMIR embrace; they all retire to the

       Cavern supporting KIUPRILI. CASIMIR as by accident drops his robe, and

      BATHORY throws it over the body of PESTALUTZ. 1817, 1828, 1829.

      [Before 276] Emerick (entering). 1817, 1828, 1829.

      As gods or wood-nymphs! — [Then sees the body of PESTALUTZ,

       covered by CASIMIR’S cloak.

      1817, 1828, 1829.

      [After 288] [As EMERICK moves towards the body, enter from the Cavern

      CASIMIR and BATHORY. 1817, 1828, 1829.

      [Before 289] Bathory (pointing to where the noise is, and aside to

       Casimir). 1817, 1828, 1829.

      [Before 291] Emerick (aside, not perceiving Casimir and Bathory, and

       looking at the dead body). 1817, 1828, 1829.

      [After 293] [Uncovers the face, and starts. 1817, 1828, 1829.

      [Before 308] Rudolph and Bathory (entering). 1817, 1828, 1829.

      [After 316] [Exeunt CASIMIR into the Cavern. The rest on the opposite

       side. 1817, 1828, 1829.

      [Before 317] Scene changes to a splendid Chamber, &c. 1817, 1828,

       1829.

      [After 337] [Shouts … without. Then enter KIUPRILI …

       Attendants, after the clamour has subsided. 1817, 1828, 1829.

      Behold, your Queen! [Enter from opposite side, ZAPOLYA, &c.

      1817, 1828, 1829.

       1829.

      [After 382] [To ANDREAS. 1817, 1828, 1829.

       &c. 1817, 1828, 1829.

      [After 398] FINIS. 1817.

      The Translations:

       Table of Contents

       Table of Contents

       PREFACE TO THE FIRST EDITION

       ACT I

       SCENE I

       SCENE II

       SCENE III

       SCENE IV

       SCENE V

       SCENE VI

       SCENE VII

       SCENE VIII

       SCENE IX

       SCENE X

       SCENE XI

       SCENE XII

       ACT II

       SCENE I

       SCENE II

       SCENE