The Complete Works of Samuel Taylor Coleridge: Poems, Plays, Essays, Lectures, Autobiography & Personal Letters (Illustrated). Samuel Taylor Coleridge. Читать онлайн. Newlib. NEWLIB.NET

Автор: Samuel Taylor Coleridge
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 9788027230228
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THE FEMALE VAGRANT

       THE DUNGEON.

       SIMON LEE, THE OLD HUNTSMAN.

       LINES WRITTEN IN EARLY SPRING.

       THE NIGHTINGALE.

       LINES WRITTEN WHEN SAILING IN A BOAT AT EVENING.

       LINES WRITTEN NEAR RICHMOND UPON THE THAMES.

       THE IDIOT BOY.

       LOVE.

       THE MAD MOTHER.

       THE ANCIENT MARINER.

       LINES WRITTEN A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS OF THE WYE DURING A TOUR

       VOLUME II

       HART-LEAP

       THE BROTHERS.

       ELLEN IRWIN.

       SONG: SHE DWELT AMONG TH’ UNTRODDENWAYS

       THE WATERFALL AND THE EGLANTINE.

       THE OAK AND THE BROOM.

       LUCY GRAY.

       THE IDLE SHEPHERD-BOYS.

       POOR SUSAN.

       INSCRIPTION FOR THE SPOT WHERE THE HERMITAGE STOOD ON ST. HERBERT’S ISLAND, DERWENT-WATER

       INSCRIPTION FOR THE HOUSE ON THE ISLAND AT GRASMERE.

       TO A SEXTON.

       ANDREW JONES.

       THE TWO THIEVES.

       SONG FOR THE WANDERING JEW.

       RUTH.

       LINES WRITTEN WITH A SLATE-PENCIL UPON A STONE, THE LARGEST OF A HEAP LYING NEAR A DESERTED QUARRY, UPON ONE OF THE ISLANDS AT RYDALE.

       THE FOUNTAIN.

       NUTTING.

       WRITTEN IN GERMANY, ON ONE OF THE COLDEST DAYS OF THE CENTURY.

       THE CHILDLESS FATHER.

       THE OLD CUMBERLAND BEGGAR.

       RURAL ARCHITECTURE.

       A POET’S EPITAPH.

       A CHARACTER IN THE ANTITHETICAL MANNER.

       A FRAGMENT

       POEMS ON THE NAMING OF PLACES.

       MICHAEL: A PASTORAL POEM.

      PREFACE

       Table of Contents

      The First Volume of these Poems has already been submitted to general perusal. It was published, as an experiment which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.

      I had formed no very inaccurate estimate of the probable effect of those Poems: I flattered myself that they who should be pleased with them would read them with more than common pleasure: and on the other hand I was well aware that by those who should dislike them they would be read with more than common dislike. The result has differed from my expectation in this only, that I have pleased a greater number, than I ventured to hope I should please.

      For the sake of variety and from a consciousness of my own weakness I was induced to request the assistance of a Friend, who furnished me with the Poems of the ANCIENT MARINER, the FOSTER-MOTHER’S TALE, the NIGHTINGALE, the DUNGEON, and the Poem entitled LOVE. I should not, however, have requested this assistance, had I not believed that the poems of my Friend would in a great measure have the same tendency as my own, and that, though there would be found a difference, there would be found no discordance in the colours of our style; as our opinions on the subject of poetry do almost entirely coincide.

      Several of my Friends are anxious for the success of these Poems from a belief, that if the views, with which they were composed, were indeed realized, a class of Poetry would be produced, well adapted to interest mankind permanently, and not unimportant in the multiplicity and in the quality of its moral relations: and on this account they have advised me to prefix a systematic defence of the theory, upon which the poems were written. But I was unwilling to undertake the task, because I knew that on this occasion the Reader would look coldly upon my arguments, since I might be suspected of having been principally influenced by the selfish and foolish hope of reasoning him into an approbation of these particular Poems: and I was still more unwilling to undertake the task, because