Wandering on through notches which the streams had made, by the side and over the brows of hoar hills and mountains, across the stumpy, rocky, forested, and bepastured country, we at length crossed on prostrate trees over the Amonoosuck, and breathed the free air of Unappropriated Land. Thus, in fair days as well as foul, we had traced up the river to which our native stream is a tributary, until from Merrimack it became the Pemigewasset that leaped by our side, and when we had passed its fountain-head, the Wild Amonoosuck, whose puny channel was crossed at a stride, guiding us toward its distant source among the mountains, and at length, without its guidance, we were enabled to reach the summit of Agiocochook.
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"Sweet days, so cool, so calm, so bright,
The bridal of the earth and sky,
Sweet dews shall weep thy fall to-night,
For thou must die."
Herbert.
When we returned to Hooksett, a week afterward, the melon man, in whose corn-barn we had hung our tent and buffaloes and other things to dry, was already picking his hops, with many women and children to help him. We bought one watermelon, the largest in his patch, to carry with us for ballast. It was Nathan's, which he might sell if he wished, having been conveyed to him in the green state, and owned daily by his eyes. After due consultation with "Father," the bargain was concluded,—we to buy it at a venture on the vine, green or ripe, our risk, and pay "what the gentlemen pleased." It proved to be ripe; for we had had honest experience in selecting this fruit.
Finding our boat safe in its harbor, under Uncannunuc Mountain, with a fair wind and the current in our favor, we commenced our return voyage at noon, sitting at our ease and conversing, or in silence watching for the last trace of each reach in the river as a bend concealed it from our view. As the season was further advanced, the wind now blew steadily from the north, and with our sail set we could occasionally lie on our oars without loss of time. The lumbermen throwing down wood from the top of the high bank, thirty or forty feet above the water, that it might be sent down stream, paused in their work to watch our retreating sail. By this time, indeed, we were well known to the boatmen, and were hailed as the Revenue Cutter of the stream. As we sailed rapidly down the river, shut in between two mounds of earth, the sounds of this timber rolled down the bank enhanced the silence and vastness of the noon, and we fancied that only the primeval echoes were awakened. The vision of a distant scow just heaving in sight round a headland also increased by contrast the solitude.
Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of Nature. The Aegean Sea is but Lake Huron still to the Indian. Also there is all the refinement of civilized life in the woods under a sylvan garb. The wildest scenes have an air of domesticity and homeliness even to the citizen, and when the flicker's cackle is heard in the clearing, he is reminded that civilization has wrought but little change there. Science is welcome to the deepest recesses of the forest, for there too nature obeys the same old civil laws. The little red bug on the stump of a pine,—for it the wind shifts and the sun breaks through the clouds. In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result, but a greater refinement already than is ever attained by man. There is papyrus by the river-side, and rushes for light, and the goose only flies overhead, ages before the studious are born or letters invented, and that literature which the former suggest, and even from the first have rudely served, it may be man does not yet use them to express. Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.
Art is not tame, and Nature is not wild, in the ordinary sense. A perfect work of man's art would also be wild or natural in a good sense. Man tames Nature only that he may at last make her more free even than he found her, though he may never yet have succeeded.
With this propitious breeze, and the help of our oars, we soon reached the Falls of Amoskeag, and the mouth of the Piscataquoag, and recognized, as we swept rapidly by, many a fair bank and islet on which our eyes had rested in the upward passage. Our boat was like that which Chaucer describes in his Dream, in which the knight took his departure from the island,
"To journey for his marriage,
And return with such an host,
That wedded might be least and most. * *
Which barge was as a man's thought,
After his pleasure to him brought,
The queene herself accustomed aye
In the same barge to play,
It needed neither mast ne rother,
I have not heard of such another,
No master for the governance,
Hie sayled by thought and pleasaunce,
Without labor east and west,
All was one, calme or tempest."
So we sailed this afternoon, thinking of the saying of Pythagoras, though we had no peculiar right to remember it, "It is beautiful when prosperity is present with intellect, and when sailing as it were with a prosperous wind, actions are performed looking to virtue; just as a pilot looks to the motions of the stars." All the world reposes in beauty to him who preserves equipoise in his life, and moves serenely on his path without secret violence; as he who sails down a stream, he has only to steer, keeping his bark in the middle, and carry it round the falls. The ripples curled away in our wake, like ringlets from the head of a child, while we steadily held on our course, and under the bows we watched
"The swaying soft,
Made by the delicate wave parted in front,
As through the gentle element we move
Like shadows gliding through untroubled dreams."
The forms of beauty fall naturally around the path of him who is in the performance of his proper work; as the curled shavings drop from the plane, and borings cluster round the auger. Undulation is the gentlest and most ideal of motions, produced by one fluid falling on another. Rippling is a more graceful flight. From a hill-top you may detect in it the wings of birds endlessly repeated. The two waving lines which represent the flight of birds appear to have been copied from the ripple.
The trees made an admirable fence to the landscape, skirting the horizon on every side. The single trees and the groves left standing on the interval appeared naturally disposed, though the farmer had consulted only his convenience, for he too falls into the scheme of Nature. Art can never match the luxury and superfluity of Nature. In the former all is seen; it cannot afford concealed wealth, and is niggardly in comparison; but Nature, even when she is scant and thin outwardly, satisfies us still by the assurance of a certain generosity at the roots. In swamps, where there is only here and there an ever-green tree amid the quaking moss and cranberry beds, the bareness does not suggest poverty. The single-spruce, which I had hardly noticed in gardens, attracts me in such places, and now first I understand why men try to make them grow about their houses. But though there may be very perfect specimens in front-yard plots, their beauty is for the most part ineffectual there, for there is no such assurance of kindred wealth beneath and around them, to make them show to advantage. As we have said, Nature is a greater and more perfect art, the art of God; though, referred to herself, she is genius; and there is a similarity between her operations and man's art even in the details and trifles. When the overhanging pine drops into the water, by the sun and water, and the wind rubbing it against the shore, its boughs are worn into fantastic shapes, and white and smooth, as if turned in a lathe. Man's art has wisely imitated those forms into which all matter is most inclined to run, as foliage