Therefore a torrent of sadness deep,
Through the strains of thy triumph is heard to sweep.
The sadness is ours. The Indian poet Calidas says in the Sacontala: "Perhaps the sadness of men on seeing beautiful forms and hearing sweet music arises from some faint remembrance of past joys, and the traces of connections in a former state of existence." As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music. That harmony which exists naturally between the hero's moods and the universe the soldier would fain imitate with drum and trumpet. When we are in health all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. Marching is when the pulse of the hero beats in unison with the pulse of Nature, and he steps to the measure of the universe; then there is true courage and invincible strength.
Plutarch says that "Plato thinks the gods never gave men music, the science of melody and harmony, for mere delectation or to tickle the ear; but that the discordant parts of the circulations and beauteous fabric of the soul, and that of it that roves about the body, and many times, for want of tune and air, breaks forth into many extravagances and excesses, might be sweetly recalled and artfully wound up to their former consent and agreement."
Music is the sound of the universal laws promulgated. It is the only assured tone. There are in it such strains as far surpass any man's faith in the loftiness of his destiny. Things are to be learned which it will be worth the while to learn. Formerly I heard these
Rumors from an Aeolian Harp.
There is a vale which none hath seen,
Where foot of man has never been,
Such as here lives with toil and strife,
An anxious and a sinful life.
There every virtue has its birth,
Ere it descends upon the earth,
And thither every deed returns,
Which in the generous bosom burns.
There love is warm, and youth is young,
And poetry is yet unsung,
For Virtue still adventures there,
And freely breathes her native air.
And ever, if you hearken well,
You still may hear its vesper bell,
And tread of high-souled men go by,
Their thoughts conversing with the sky.
According to Jamblichus, "Pythagoras did not procure for himself a thing of this kind through instruments or the voice, but employing a certain ineffable divinity, and which it is difficult to apprehend, he extended his ears and fixed his intellect in the sublime symphonies of the world, he alone hearing and understanding, as it appears, the universal harmony and consonance of the spheres, and the stars that are moved through them, and which produce a fuller and more intense melody than anything effected by mortal sounds."
Travelling on foot very early one morning due east from here about twenty miles, from Caleb Harriman's tavern in Hampstead toward Haverhill, when I reached the railroad in Plaistow, I heard at some distance a faint music in the air like an Aeolian harp, which I immediately suspected to proceed from the cord of the telegraph vibrating in the just awakening morning wind, and applying my ear to one of the posts I was convinced that it was so. It was the telegraph harp singing its message through the country, its message sent not by men, but by gods. Perchance, like the statue of Memnon, it resounds only in the morning, when the first rays of the sun fall on it. It was like the first lyre or shell heard on the sea-shore,—that vibrating cord high in the air over the shores of earth. So have all things their higher and their lower uses. I heard a fairer news than the journals ever print. It told of things worthy to hear, and worthy of the electric fluid to carry the news of, not of the price of cotton and flour, but it hinted at the price of the world itself and of things which are priceless, of absolute truth and beauty.
Still the drum rolled on, and stirred our blood to fresh extravagance that night. The clarion sound and clang of corselet and buckler were heard from many a hamlet of the soul, and many a knight was arming for the fight behind the encamped stars.
"Before each van
Prick forth the aery knights, and couch their spears
Till thickest legions close; with feats of arms
From either end of Heaven the welkin burns."
———————
Away! away! away! away!
Ye have not kept your secret well,
I will abide that other day,
Those other lands ye tell.
Has time no leisure left for these,
The acts that ye rehearse?
Is not eternity a lease
For better deeds than verse?
'T is sweet to hear of heroes dead,
To know them still alive,
But sweeter if we earn their bread,
And in us they survive.
Our life should feed the springs of fame
With a perennial wave.
As ocean feeds the babbling founts
Which find in it their grave.
Ye skies drop gently round my breast,
And be my corselet blue,
Ye earth receive my lance in rest,
My faithful charger you;
Ye stars my spear-heads in the sky,
My arrow-tips ye are;
I see the routed foemen fly,
My bright spears fixed are.
Give me an angel for a foe,
Fix now the place and time,
And straight to meet him I will go
Above the starry chime.
And with our clashing bucklers' clang
The heavenly spheres shall ring,
While bright the northern lights shall hang
Beside our tourneying.
And if she lose her champion true,
Tell Heaven not despair,
For I will be her champion new,
Her fame I will repair.
There was a high wind this night, which we afterwards learned had been still more violent elsewhere, and had done much injury to the cornfields far and near; but we only heard it sigh from time to time, as if it had no license to shake the foundations of our tent; the pines murmured, the water rippled, and the tent rocked a little, but we only laid our ears closer to the ground, while the blast swept on to alarm other men, and long before sunrise we were ready to pursue our voyage as usual.