Her young friends hailed with heartfelt joy her return from her seclusion; she joined in all their amusements; who could sing the canzones of those times, or relate a pathetic tale, like Euthanasia? Besides she was so prudent, so wise, and so kind, that her assistance was perpetually claimed and afforded in every little misfortune or difficulty of her friends.
But the age of thoughtlessness and fearless enjoyment passed away, and Euthanasia advanced to womanhood. At this period a succession of events deprived her of her mother and her two brothers, so that she remained sole heiress of the possessions of her family. Independent and powerful, she was as a queen in Valperga and the surrounding villages; at Florence she was considered one of its first citizens; and, if power, wealth and respect could have satisfied her, she must have been happy. She had wept bitterly the death of her relations; she grieved for the loss of her brothers, and felt only pain at being advanced to their place. Yet her mind acquired new dignity, and the virtues of her heart new fervour, from the entire independence of her situation, and the opportunities she possessed of doing good. There was none to gainsay her actions, except the rigid censorship of her own reason, and the opinion of her fellow — citizens, to whose love and esteem she aspired. Most of her time was now spent among her dependents at Valperga; the villages under her jurisdiction became prosperous; and the peasantry were proud that their countess preferred her residence among them to the gaieties of Florence. In the winter she visited her friends of that town; and many a noble, who hoped to rival Dante Alighieri or Guido Cavalcanti, sang of the miraculous change of seasons that had been operated on his city; — that their summers were dreary, bare, and deserted, while the soul of loveliness dwelt among them during the formerly dull months of winter.
It is said that during this period she had never loved; she admired the illustrious and energetic spirits of Florence, and she bestowed her affections on several whose virtue and talents claimed by right that meed; but she had never loved. It appears wonderful, that one so sensitive of heart and imagination should have attained her twenty-second year without having experienced the tyranny of that passion; but, if it be true, how tremendous must be the force of that power, which could finally break down the barriers piled by reason and accustomed coldness, and deluge her soul with the sweet waters of earthly love!
She had just entered her twenty-second year, when Castruccio in 1314 returned to Lucca; when under his auspices, the greatest enemy of Florence became master of the neighbour city; when war was declared between the two states, and Castruccio was in arms against the Florentines. The summer was now far advanced; and she hastened to her solitude at Valperga. She was hurt at heart; one of her dearest dreams, the excellence of Castruccio, was overthrown; and she wished for a while to shut out from her thoughts all memory of the world, which appeared to bring tumult and discord to trouble her tranquillity. She was unable to do this: she was too well known, and too much loved, not to be sought by those with whom she was acquainted; and she was startled to hear from all sides eulogiums of the talents and soldiership of Castruccio, those of the Ghibelines mingled with hope, those of the Guelphs with fear.
Is there not a principle in the human mind that foresees the change about to occur to it? Is there not a feeling which would warn the soul of peril, were it not at the same time a sure prophecy that that peril is not to be avoided? So felt Euthanasia: and during her evening meditations she often enquired from her own heart, why the name of Castruccio made her cheeks glow; and why praise or dispraise of him seemed to electrify her frame: why a nameless inquietude pervaded her thoughts, before so calm: why, tenderly as she dwelt on the recollection of her infant playmate, she dreaded so much now to see him? And then, strange to say, being thus agitated and fearful, she saw him; and calm more still than the serene depths of a windless heaven, redescended on her soul, and wrapped it in security and joy.
It was not until October, while Euthanasia still lingered at Valperga, that Castruccio took up his abode in Lucca. He returned thither, covered with glory, but highly discontented with Uguccione who feared him, and, while he shewed him outward honour, took every occasion to thwart his desires, and to deprive him of all power and voice in his council. But Castruccio was at the head of a large party, who could ill brook the rude arrogance of Uguccione, and the unmasked presumption of his sons. This party augmented every day; it was watched, insulted, and harassed; but all the Ghibeline youth of Lucca made it their boast to attend the person, and partake the counsels of Castruccio.
The winter months were spent in apparent idleness, but in reality in deep plotting on the part of Castruccio. Uguccione was at Pisa, and his son, Francesco, could ill understand the wiles of the pupil of Alberto Scoto. He saw his frank countenance, and watched his gay demeanour; but the conclusion of his observations was, that although Castruccio was careless of danger, and ambitious of glory, he was too fond of pleasure, and of too ingenuous a disposition, to enter into any deep scheme, or to form even the wish of usurping the power of the state.
Castruccio stood on the tower of the Antelminelli palace; young Arrigo Guinigi was at his side; he was surrounded by half a dozen of his most intimate associates, and after having for a while discussed their plans of political conduct, they remained silent. Castruccio was separated from the rest of the group; the tower of Antelminelli overlooked the town of Lucca, and being raised far above its narrow, dark streets, appeared, together with the numerous towers of the city, as forming a separate and more agreeable town for the nobles over the heads of the meaner inhabitants. The valley was stretched around the city; its fields bare of vegetation, and spotted with black patches of leafless woods; and the view was terminated by the hills, crowned with snow, and their sides clothed with the dark verdure of the ilex, while from among their folds peeped the white walls of villages and castles.
Castruccio fixed his eye on one of these castles. The forgotten scenes of his youth thronged into his memory, and oppressed him with their numbers and life; the low voice of his mother sounded in his ears; the venerable form of Adimari stood before him, and it seemed to him as if the slender fingers of the infant Euthanasia pressed his hand. He turned suddenly round, and asked: “Does she still live there?” — pointing to the castle.
“Who? The countess of Valperga?”
“Aye, and her daughter Euthanasia?” Many years had elapsed since he had pronounced that name; he felt his whole frame thrill to its musical sound.
“The present countess,” replied Vanni Mordecastelli, “is young and unmarried” —
“And her name is Euthanasia,” continued count Ludovico de’ Fondi; “she is the daughter of Messer Antonio dei Adimari, who while he lived was one of the leaders of the Guelph party at Florence; and through her mother she possess the castle and villages of Valperga.”
“Aye,” cried a youth, “and they say that Ranieri della Fagginola pretends to her hand. It is not well, that the credulity of a woman, who will listen to the first fine speeches that are addressed her, should cause so strong a hold as the castle of Valperga to pass into the hands of that insufferable nest of traitors.”
“You are ignorant of whom you talk,” said the aged Fondi, “when you speak thus lightly of the young countess of Valperga. She is a lady of great prudence, beauty, and learning; and, although for years she has been sought by the first nobles of Italy, she glories in her independence and solitude. She mingles little with the citizens of this town; her friends reside at Florence, where she often passes many months, associating with its first families.”
“Is she as beautiful, as she is said to be?” asked young Arrigo Guinigi.
“Indeed she is lovely to a miracle; but her manners almost make you forget her beauty; they are so winning and graceful. Unfortunately she does not belong to our party, but is as strongly attached to the Pope’s as the countess Matilda of old.”
“Aye, these women are so easily cajoled by priests.”
“Nay, Moncello, you will still be in the wrong, if you apply common rules to the conduct of the countess Euthanasia. She is attached to the cause of the freedom of Florence, and not to the power of her Popes. When I