ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen

and desert aspect. Some were utterly empty; lines of neat, appalling residences, trim and garnished as if for occupation, edging the white glaring road; and not a soul was abroad, and not a sound broke their stillness. It was a picture of the desolation of midnight lighted up, but empty and waste as the most profound and solemn hours before the day. Other of these by-roads, of older settlement, were furnished with more important houses, standing far back from the pavement, each in a little wood of greenery, and thus one might look down as through a forest vista, and see a way smooth and guarded with low walls and yet untrodden, and all a leafy silence. Here and there in some of these echoing roads a figure seemed lazily advancing in the distance, hesitating and delaying, as if lost in the labyrinth. It was difficult to say which were the more dismal, these deserted streets that wandered away to right and left, or the great main thoroughfare with its narcotic and shadowy life. For the latter appeared vast, interminable, grey, and those who traveled by it were scarcely real, the bodies of the living, but rather the uncertain and misty shapes that come and go across the desert in an Eastern tale, when men look up from the sand and see a caravan pass them, all in silence, without a cry or a greeting. So they passed and repassed each other on those pavements, appearing and vanishing, each intent on his own secret, and wrapped in obscurity. One might have sworn that not a man saw his neighbor who met him or jostled him, that here every one was a phantom for the other, though the lines of their paths crossed and recrossed, and their eyes stared like the eyes of live men. When two went by together, they mumbled and cast distrustful glances behind them as though afraid all the world was an enemy, and the pattering of feet was like the noise of a shower of rain. Curious appearances and simulations of life gathered at points in the road, for at intervals the villas ended and shops began in a dismal row, and looked so hopeless that one wondered who could buy. There were women fluttering uneasily about the greengrocers, and shabby things in rusty black touched and retouched the red lumps that an unshaven butcher offered, and already in the corner public there was a confused noise, with a tossing of voices that rose and fell like a Jewish chant, with the senseless stir of marionettes jerked into an imitation of gaiety. Then, in crossing a side street that seemed like grey mid-winter in stone, he trespassed from one world to another, for an old decayed house amidst its garden held the opposite corner. The laurels had grown into black skeletons, patched with green drift, the ilex gloomed over the porch, the deodar had blighted the flower-beds. Dark ivies swarmed over an elm-tree, and a brown clustering fungus sprang in gross masses on the lawn, showing where the roots of dead trees moldered. The blue verandah, the blue balcony over the door, had faded to grey, and the stucco was blotched with ugly marks of weather, and a dank smell of decay, that vapor of black rotten earth in old town gardens, hung heavy about the gates. And then a row of musty villas had pushed out in shops to the pavement, and the things in faded black buzzed and stirred about the limp cabbages, and the red lumps of meat.

      It was the same terrible street, whose pavements he had trodden so often, where sunshine seemed but a gaudy light, where the fume of burning bricks always drifted. On black winter nights he had seen the sparse lights glimmering through the rain and drawing close together, as the dreary road vanished in long perspective. Perhaps this was its most appropriate moment, when nothing of its smug villas and skeleton shops remained but the bright patches of their windows, when the old house amongst its moldering shrubs was but a dark cloud, and the streets to the north and south seemed like starry wastes, beyond them the blackness of infinity. Always in the daylight it had been to him abhorred and abominable, and its grey houses and purlieus had been fungus-like sproutings, an efflorescence of horrible decay.

      But on that bright morning neither the dreadful street nor those who moved about it appalled him. He returned joyously to his den, and reverently laid out the paper on his desk. The world about him was but a grey shadow hovering on a shining wall; its noises were faint as the rustling of trees in a distant wood. The lovely and exquisite forms of those who served the Amber Venus were his distinct, clear, and manifest visions, and for one amongst them who came to him in a fire of bronze hair his heart stirred with the adoration of love. She it was who stood forth from all the rest and fell down prostrate before the radiant form in amber, drawing out her pins in curious gold, her glowing brooches of enamel, and pouring from a silver box all her treasures of jewels and precious stones, chrysoberyl and sardonyx, opal and diamond, topaz and pearl. And then she stripped from her body her precious robes and stood before the goddess in the glowing mist of her hair, praying that to her who had given all and came naked to the shrine, love might be given, and the grace of Venus. And when at last, after strange adventures, her prayer was granted, then when the sweet light came from the sea, and her lover turned at dawn to that bronze glory, he saw beside him a little statuette of amber. And in the shrine, far in Britain where the black rains stained the marble, they found the splendid and sumptuous statue of the Golden Venus, the last fine robe of silk that the lady had dedicated falling from her fingers, and the jewels lying at her feet. And her face was like the lady's face when the sun had brightened it on that day of her devotion.

      The bronze mist glimmered before Lucian's eyes; he felt as though the soft floating hair touched his forehead and his lips and his hands. The fume of burning bricks, the reek of cabbage water, never reached his nostrils that were filled with the perfume of rare unguents, with the breath of the violet sea in Italy. His pleasure was an inebriation, an ecstasy of joy that destroyed all the vile Hottentot kraals and mud avenues as with one white lightning flash, and through the hours of that day he sat enthralled, not contriving a story with patient art, but rapt into another time, and entranced by the urgent gleam in the lady's eyes.

      The little tale of The Amber Statuette had at last issued from a humble office in the spring after his father's death. The author was utterly unknown; the author's Murray was a wholesale stationer and printer in process of development, so that Lucian was astonished when the book became a moderate success. The reviewers had been sadly irritated, and even now he recollected with cheerfulness an article in an influential daily paper, an article pleasantly headed: "Where are the disinfectants?"

      And then—but all the months afterwards seemed doubtful, there were only broken revelations of the laborious hours renewed, and the white nights when he had seen the moonlight fade and the gaslight grow wan at the approach of dawn.

      He listened. Surely that was the sound of rain falling on sodden ground, the heavy sound of great swollen drops driven down from wet leaves by the gust of wind, and then again the strain of boughs sang above the tumult of the air; there was a doleful noise as if the storm shook the masts of a ship. He had only to get up and look out of the window and he would see the treeless empty street, and the rain starring the puddles under the gas-lamp, but he would wait a little while.

      He tried to think why, in spite of all his resolutions, a dark horror seemed to brood more and more over all his mind. How often he had sat and worked on just such nights as this, contented if the words were in accord though the wind might wail, though the air were black with rain. Even about the little book that he had made there seemed some taint, some shuddering memory that came to him across the gulf of forgetfulness. Somehow the remembrance of the offering to Venus, of the phrases that he had so lovingly invented, brought back again the dusky figures that danced in the orgy, beneath the brassy glittering lamps; and again the naphtha flares showed the way to the sad house in the fields, and the red glare lit up the mildewed walls and the black hopeless windows. He gasped for breath, he seemed to inhale a heavy air that reeked of decay and rottenness, and the odor of the clay was in his nostrils.

      That unknown cloud that had darkened his thoughts grew blacker and engulfed him, despair was heavy upon him, his heart fainted with a horrible dread. In a moment, it seemed, a veil would be drawn away and certain awful things would appear.

      He strove to rise from his chair, to cry out, but he could not. Deep, deep the darkness closed upon him, and the storm sounded far away. The Roman fort surged up, terrific, and he saw the writhing boughs in a ring, and behind them a glow and heat of fire. There were hideous shapes that swarmed in the thicket of the oaks; they called and beckoned to him, and rose into the air, into the flame that was smitten from heaven about the walls. And amongst them was the form of the beloved, but jets of flame issued from her breasts, and beside her was a horrible old woman, naked; and they, too, summoned him to mount the hill.

      He heard Dr. Burrows whispering of the strange things that had been found in old Mrs. Gibbon's