To some extent, mythology is only the most ancient history and biography. So far from being false or fabulous in the common sense, it contains only enduring and essential truth, the I and you, the here and there, the now and then, being omitted. Either time or rare wisdom writes it. Before printing was discovered, a century was equal to a thousand years. The poet is he who can write some pure mythology to-day without the aid of posterity. In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence for our classical dictionary,—and then, perchance, have stuck up their names to shine in some corner of the firmament. We moderns, on the other hand, collect only the raw materials of biography and history, "memoirs to serve for a history," which itself is but materials to serve for a mythology. How many volumes folio would the Life and Labors of Prometheus have filled, if perchance it had fallen, as perchance it did first, in days of cheap printing! Who knows what shape the fable of Columbus will at length assume, to be confounded with that of Jason and the expedition of the Argonauts. And Franklin,—there may be a line for him in the future classical dictionary, recording what that demigod did, and referring him to some new genealogy. "Son of——and——. He aided the Americans to gain their independence, instructed mankind in economy, and drew down lightning from the clouds."
The hidden significance of these fables which is sometimes thought to have been detected, the ethics running parallel to the poetry and history, are not so remarkable as the readiness with which they may be made to express a variety of truths. As if they were the skeletons of still older and more universal truths than any whose flesh and blood they are for the time made to wear. It is like striving to make the sun, or the wind, or the sea symbols to signify exclusively the particular thoughts of our day. But what signifies it? In the mythus a superhuman intelligence uses the unconscious thoughts and dreams of men as its hieroglyphics to address men unborn. In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun's rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.
As we said before, the Concord is a dead stream, but its scenery is the more suggestive to the contemplative voyager, and this day its water was fuller of reflections than our pages even. Just before it reaches the falls in Billerica, it is contracted, and becomes swifter and shallower, with a yellow pebbly bottom, hardly passable for a canal-boat, leaving the broader and more stagnant portion above like a lake among the hills. All through the Concord, Bedford, and Billerica meadows we had heard no murmur from its stream, except where some tributary runnel tumbled in,—
Some tumultuous little rill,
Purling round its storied pebble,
Tinkling to the selfsame tune,
From September until June,
Which no drought doth e'er enfeeble.
Silent flows the parent stream,
And if rocks do lie below,
Smothers with her waves the din,
As it were a youthful sin,
Just as still, and just as slow.
But now at length we heard this staid and primitive river rushing to her fall, like any rill. We here left its channel, just above the Billerica Falls, and entered the canal, which runs, or rather is conducted, six miles through the woods to the Merrimack, at Middlesex, and as we did not care to loiter in this part of our voyage, while one ran along the tow-path drawing the boat by a cord, the other kept it off the shore with a pole, so that we accomplished the whole distance in little more than an hour. This canal, which is the oldest in the country, and has even an antique look beside the more modern railroads, is fed by the Concord, so that we were still floating on its familiar waters. It is so much water which the river lets for the advantage of commerce. There appeared some want of harmony in its scenery, since it was not of equal date with the woods and meadows through which it is led, and we missed the conciliatory influence of time on land and water; but in the lapse of ages, Nature will recover and indemnify herself, and gradually plant fit shrubs and flowers along its borders. Already the kingfisher sat upon a pine over the water, and the bream and pickerel swam below. Thus all works pass directly out of the hands of the architect into the hands of Nature, to be perfected.
It was a retired and pleasant route, without houses or travellers, except some young men who were lounging upon a bridge in Chelmsford, who leaned impudently over the rails to pry into our concerns, but we caught the eye of the most forward, and looked at him till he was visibly discomfited. Not that there was any peculiar efficacy in our look, but rather a sense of shame left in him which disarmed him.
It is a very true and expressive phrase, "He looked daggers at me," for the first pattern and prototype of all daggers must have been a glance of the eye. First, there was the glance of Jove's eye, then his fiery bolt, then, the material gradually hardening, tridents, spears, javelins, and finally, for the convenience of private men, daggers, krisses, and so forth, were invented. It is wonderful how we get about the streets without being wounded by these delicate and glancing weapons, a man can so nimbly whip out his rapier, or without being noticed carry it unsheathed. Yet it is rare that one gets seriously looked at.
As we passed under the last bridge over the canal, just before reaching the Merrimack, the people coming out of church paused to look at us from above, and apparently, so strong is custom, indulged in some heathenish comparisons; but we were the truest observers of this sunny day. According to Hesiod,
"The seventh is a holy day,
For then Latona brought forth golden-rayed Apollo,"
and by our reckoning this was the seventh day of the week, and not the first. I find among the papers of an old Justice of the Peace and Deacon of the town of Concord, this singular memorandum, which is worth preserving as a relic of an ancient custom. After reforming the spelling and grammar, it runs as follows: "Men that travelled with teams on the Sabbath, Dec. 18th, 1803, were Jeremiah Richardson and Jonas Parker, both of Shirley. They had teams with rigging such as is used to carry barrels, and they were travelling westward. Richardson was questioned by the Hon. Ephraim Wood, Esq., and he said that Jonas Parker was his fellow-traveller, and he further said that a Mr. Longley was his employer, who promised to bear him out." We were the men that were gliding northward, this Sept. 1st, 1839, with still team, and rigging not the most convenient to carry barrels, unquestioned by any Squire or Church Deacon and ready to bear ourselves out if need were. In the latter part of the seventeenth century, according to the historian of Dunstable, "Towns were directed to erect 'a cage' near the meeting-house, and in this all offenders against the sanctity of the Sabbath were confined." Society has relaxed a little from its strictness, one would say, but I presume that there is not less religion than formerly. If the ligature is found to be loosened in one part, it is only drawn the tighter in another.
You can hardly convince a man of an error in a lifetime, but must content yourself with the reflection that the progress of science is slow. If he is not convinced, his grandchildren may be. The geologists tell us that it took one hundred years to prove that fossils are organic, and one hundred and fifty more, to prove that they are not to be referred to the Noachian deluge. I am not sure but I should betake myself in extremities to the liberal divinities of Greece, rather than to my country's God. Jehovah, though with us he has acquired new attributes, is more absolute and unapproachable, but hardly more divine, than Jove. He is not so much of a gentleman, not so gracious and catholic, he does not exert so intimate and genial an influence on nature, as many a god of the Greeks. I should fear the infinite power and inflexible justice of the almighty mortal, hardly as yet apotheosized, so wholly masculine, with no Sister Juno, no Apollo, no Venus, nor Minerva, to intercede for me. The Grecian are youthful and erring and fallen gods, with the vices of men, but in many important respects essentially of the divine race. In my Pantheon, Pan still reigns in his pristine glory, with his ruddy face, his flowing beard, and his shaggy body, his pipe and his crook, his nymph Echo, and his chosen daughter Iambe; for the great god Pan is not dead, as was rumored. No god ever dies. Perhaps of all the gods of New England and of ancient Greece, I am most constant