Yes indeed, able and willing to guide all men in all things, so long as he is obeyed as autocrat should be obeyed,—with undoubting submission: only let not ungrateful ministers seek other colleagues than those whom Tom Towers may approve; let church and state, law and physic, commerce and agriculture, the arts of war, and the arts of peace, all listen and obey, and all will be made perfect. Has not Tom Towers an all-seeing eye? From the diggings of Australia to those of California, right round the habitable globe, does he not know, watch, and chronicle the doings of everyone? From a bishopric in New Zealand to an unfortunate director of a Northwest passage, is he not the only fit judge of capability? From the sewers of London to the Central Railway of India,—from the palaces of St Petersburg to the cabins of Connaught, nothing can escape him. Britons have but to read, to obey, and be blessed. None but the fools doubt the wisdom of The Jupiter; none but the mad dispute its facts.
No established religion has ever been without its unbelievers, even in the country where it is the most firmly fixed; no creed has been without scoffers; no church has so prospered as to free itself entirely from dissent. There are those who doubt The Jupiter! They live and breathe the upper air, walking here unscathed, though scorned,—men, born of British mothers and nursed on English milk, who scruple not to say that Mount Olympus has its price, that Tom Towers can be bought for gold!
Such is Mount Olympus, the mouthpiece of all the wisdom of this great country. It may probably be said that no place in this 19th century is more worthy of notice. No treasury mandate armed with the signatures of all the government has half the power of one of those broad sheets, which fly forth from hence so abundantly, armed with no signature at all.
Some great man, some mighty peer,—we’ll say a noble duke,—retires to rest feared and honoured by all his countrymen,—fearless himself; if not a good man, at any rate a mighty man,—too mighty to care much what men may say about his want of virtue. He rises in the morning degraded, mean, and miserable; an object of men’s scorn, anxious only to retire as quickly as may be to some German obscurity, some unseen Italian privacy, or indeed, anywhere out of sight. What has made this awful change? what has so afflicted him? An article has appeared in The Jupiter; some fifty lines of a narrow column have destroyed all his grace’s equanimity, and banished him for ever from the world. No man knows who wrote the bitter words; the clubs talk confusedly of the matter, whispering to each other this and that name; while Tom Towers walks quietly along Pall Mall, with his coat buttoned close against the east wind, as though he were a mortal man, and not a god dispensing thunderbolts from Mount Olympus.
It was not to Mount Olympus that our friend Bold betook himself. He had before now wandered round that lonely spot, thinking how grand a thing it was to write articles for The Jupiter; considering within himself whether by any stretch of the powers within him he could ever come to such distinction; wondering how Tom Towers would take any little humble offering of his talents; calculating that Tom Towers himself must have once had a beginning, have once doubted as to his own success. Towers could not have been born a writer in The Jupiter. With such ideas, half ambitious and half awestruck, had Bold regarded the silent-looking workshop of the gods; but he had never yet by word or sign attempted to influence the slightest word of his unerring friend. On such a course was he now intent; and not without much inward palpitation did he betake himself to the quiet abode of wisdom, where Tom Towers was to be found o’ mornings inhaling ambrosia and sipping nectar in the shape of toast and tea.
Not far removed from Mount Olympus, but somewhat nearer to the blessed regions of the West, is the most favoured abode of Themis. Washed by the rich tide which now passes from the towers of Cæsar to Barry’s halls of eloquence; and again back, with new offerings of a city’s tribute, from the palaces of peers to the mart of merchants, stand those quiet walls which Law has delighted to honour by its presence. What a world within a world is the Temple! how quiet are its “entangled walks,” as someone lately has called them, and yet how close to the densest concourse of humanity! how gravely respectable its sober alleys, though removed but by a single step from the profanity of the Strand and the low iniquity of Fleet Street! Old St Dunstan, with its bell-smiting bludgeoners, has been removed; the ancient shops with their faces full of pleasant history are passing away one by one; the bar itself is to go—its doom has been pronounced by The Jupiter; rumour tells us of some huge building that is to appear in these latitudes dedicated to law, subversive of the courts of Westminster, and antagonistic to the Rolls and Lincoln’s Inn; but nothing yet threatens the silent beauty of the Temple: it is the mediæval court of the metropolis.
Here, on the choicest spot of this choice ground, stands a lofty row of chambers, looking obliquely upon the sullied Thames; before the windows, the lawn of the Temple Gardens stretches with that dim yet delicious verdure so refreshing to the eyes of Londoners. If doomed to live within the thickest of London smoke you would surely say that that would be your chosen spot. Yes, you, you whom I now address, my dear, middle-aged bachelor friend, can nowhere be so well domiciled as here. No one here will ask whether you are out or at home; alone or with friends; here no Sabbatarian will investigate your Sundays, no censorious landlady will scrutinise your empty bottle, no valetudinarian neighbour will complain of late hours. If you love books, to what place are books so suitable? The whole spot is redolent of typography. Would you worship the Paphian goddess, the groves of Cyprus are not more taciturn than those of the Temple. Wit and wine are always here, and always together; the revels of the Temple are as those of polished Greece, where the wildest worshipper of Bacchus never forgot the dignity of the god whom he adored. Where can retirement be so complete as here? where can you be so sure of all the pleasures of society?
It was here that Tom Towers lived, and cultivated with eminent success the tenth Muse who now governs the periodical press. But let it not be supposed that his chambers were such, or so comfortless, as are frequently the gaunt abodes of legal aspirants. Four chairs, a half-filled deal bookcase with hangings of dingy green baize, an old office table covered with dusty papers, which are not moved once in six months, and an older Pembroke brother with rickety legs, for all daily uses; a despatcher for the preparation of lobsters and coffee, and an apparatus for the cooking of toast and mutton chops; such utensils and luxuries as these did not suffice for the wellbeing of Tom Towers. He indulged in four rooms on the first floor, each of which was furnished, if not with the splendour, with probably more than the comfort of Stafford House. Every addition that science and art have lately made to the luxuries of modern life was to be found there. The room in which he usually sat was surrounded by bookshelves carefully filled; nor was there a volume there which was not entitled to its place in such a collection, both by its intrinsic worth and exterior splendour: a pretty portable set of steps in one corner of the room showed that those even on the higher shelves were intended for use. The chamber contained but two works of art:—the one, an admirable bust of Sir Robert Peel, by Power, declared the individual politics of our friend; and the other, a singularly long figure of a female devotee, by Millais, told equally plainly the school of art to which he was addicted. This picture was not hung, as pictures usually are, against the wall; there was no inch of wall vacant for such a purpose: it had a stand or desk erected for its own accommodation; and there on her pedestal, framed and glazed, stood the devotional lady looking intently at a lily as no lady ever looked before.
Our modern artists, whom we style Pre-Raphaelites, have delighted to go back, not only to the finish and peculiar manner, but also to the subjects of the early painters. It is impossible to give them too much praise for the elaborate perseverance with which they have equalled the minute perfections of the masters from whom they take their inspiration: nothing probably can exceed the painting of some of these latter-day pictures. It is, however, singular into what faults they fall as regards their subjects: they are not quite content to take the old stock groups,—a Sebastian with his arrows, a Lucia with her eyes in a dish, a Lorenzo with a gridiron, or the Virgin with two children. But they are anything but happy in their change. As a rule, no figure should be drawn in a position which it is impossible to suppose any figure should maintain. The patient endurance of St Sebastian, the wild ecstasy of St John in the Wilderness, the maternal love of the Virgin, are feelings naturally portrayed by a fixed posture; but the lady with the stiff back