There came to them no word from Cummins now.
He stood for a moment before his lighted door, and then went back, and the word passed softly from one to another that the most beautiful thing in the world was still living her sweet life in that little cabin at the end of the clearing.
"You hear the music in the skies—now, my Melisse?" whispered the man, kneeling beside her again. "It is very pretty to-night!"
"It was not that," repeated the woman.
She attempted to stroke his face, but Cummins saw nothing of the effort, for the hand lay all but motionless. He saw nothing of the fading softness that glowed in the big, loving eyes, for his own eyes were blinded by a hot film. And the woman saw nothing of the hot film, so torture was saved them both. But suddenly the woman quivered, and Cummins heard a thrilling sound.
"It is the music!" she panted. "John, John, it is—the music—of—my— people!"
The man straightened himself, his face turned to the open door. He heard it now! Was it the blessed angels coming for his Melisse? He rose, a sobbing note in his throat, and went, his arms stretched out, to meet them. He had never heard a sound like that—never in all his life in this endless wilderness.
He went from the door out into the night, and, step by step, through the snow toward the black edge of the spruce forest. The sobs fell chokingly from his lips, and his arms were still reaching out to greet this messenger of the God of his beloved; for Cummins was a man of the wild and mannerless ways of a savage world, and he knew not what to make of this sweetness that came to them from out of the depths of the black forest.
"My Melisse! My Melisse!" he sobbed.
A figure came from the shadows, and with the figure came the music, sweet and soft and low. John Cummins stopped and turned his face straight up to the sky. His heart died within him.
The music ceased, and when he looked again the figure was close to him, staggering as it walked, and a face white and thin and starved came with it. It was a boy's face.
"For the museek of the violon—somet'ing to eat!" he heard, and the thin figure swayed and fell almost into his arms. The voice came weak again. "Thees is Jan—Jan Thoreau—and his violon—"
The woman's bloodless face and her great staring dark eyes greeted them as they entered the cabin. As the man knelt beside her again, and lifted her head against his breast, she whispered once more:
"It is the—music—of my people—the violin!"
John Cummins turned his head.
"Play!" he breathed.
"Ah, the white angel is seek—ver' seek," murmured Jan, and he drew his bow gently across the strings of his violin.
From the instrument there came something so soft and sweet that John Cummins closed his eyes as he held the woman against his breast and listened. Not until he opened them again, and felt a strange chill against his cheek, did he know that his beloved's soul had gone from him on the gentle music of Jan Thoreau's violin.
CHAPTER II
MUKEE'S STORY
For many minutes after the last gentle breath had passed from the woman's lips, Jan Thoreau played softly upon his violin. It was the great, heart-broken sob of John Cummins that stopped him. As tenderly as if she had fallen into a sweet sleep from which he feared to awaken her, the man unclasped his arms and lowered his wife's head to the pillow; and with staring black eyes Jan crushed his violin against his ragged breast and watched him as he smoothed back the shimmering hair and looked long and hungrily into the still, white face.
Cummins turned to him, and, in the dim light of the cabin, their eyes met. It was then that Jan Thoreau knew what had happened. He forgot his starvation. He crushed his violin closer, and whispered to himself:
"The white angel ees—gone!"
Cummins rose from the bedside, slowly, like a man who had suddenly grown old. His moccasined feet dragged as he went to the door. They stumbled when he went out into the pale star-glow of the night.
Jan followed, swaying weakly, for the last of his strength had gone in the playing of the violin. Midway in the cabin he paused, and his eyes glowed with a wild, strange grief as he gazed down upon the still face of Cummins' wife, beautiful in death as it had been in life, and with the sweet softness of life still lingering there. Some time, ages and ages ago, he had known such a face, and had felt the great clutching love of it.
Something drew him to where John Cummins had knelt, and he fell upon his knees and gazed hungrily and longingly where John Cummins had gazed. His pulse was beating feebly, the weakness of seven days' starvation blurred his eyes, and unconsciously he sank over the bed and one of his thin hands touched the soft sweep of the woman's hair.
A stifled cry fell from him as he jerked himself rigidly erect; and as if for the desecration of that touch there was but one way of forgiveness, he drew his violin half to his shoulder, and for a few moments played so softly that none but the spirit of the woman and himself could hear.
Cummins had partly closed the door after him; but watchers had seen the opening of it. A door opened here, and another there, and paths of yellow light flashed over the hard-trodden snow as shadowy life came forth to greet what message he brought from the little cabin.
Beyond those flashes of light there was no other movement, and no sound. Dark figures stood motionless. The lonely howl of a sledge-dog ended in a wail of pain as some one kicked it into terrified silence.
The hollow cough of Mukee's father was smothered in the thick fur of his cap as he thrust his head from his little shack in the edge of the forest. A score of eyes watched Cummins as he came out into the snow, and the rough, loyal hearts of those who looked throbbed in fearful anticipation of the word he might be bringing to them.
Sometimes a nation ceases to breathe in the last moments of its dying chief, and the black wings of calamity gather over its people, enshrouding them in a strange gloom and a stranger fear; and so, because the greatest of all tragedies had come into their little world, Cummins' people were speechless in their grief and their waiting for the final word. And when the word came to them at last, and passed from lip to lip, and from one grim, tense face to another, the doors closed again, and the lights went out one by one, until there remained only the yellow eye of the factor's office and the faint glow from the little cabin in which John Cummins knelt with his sobbing face crushed close to that of his dead.
There was no one who noticed Jan Thoreau when he came through the door of the factor's office. His coat of caribou-skin was in tatters. His feet thrust themselves from the toes of his moccasins. His face was so thin and white that it shone with the pallor of death from its frame of straight dark hair. His eyes gleamed like black diamonds. The madness of hunger was in him.
An hour before, death had been gripping at his throat, when he stumbled upon the lights of the post, That night he would have died in the deep snows. Wrapped in its thick coat of bearskin he clutched his violin to his breast, and sank down in a ragged heap beside the hot stove. His eyes traveled about him in fierce demand. There is no beggary among these strong-souled men of the far North, and Jan's lips did not beg. He unwrapped the bearskin, and whispered:
"For the museek of the violon—somet'ing to eat!"
He played, even as the words fell from him, but only for a moment—for the bow slipped from his nerveless grip and his head sank forward upon his breast.
In the half-Cree's eyes there was something of the wild beauty that gleamed in Jan's. For an instant those eyes had met in the savage recognition of blood; and when Jan's head fell weakly, and his violin slipped to the floor, Mukee lifted him in his strong arms and carried