[Page 142: Reprint of Marmor Norfolciensc. A.D. 1739.]
Marmor Norfolciense became exceedingly scarce, so that I, for many years, endeavoured in vain to procure a copy of it. At last I was indebted to the malice of one of Johnson’s numerous petty adversaries, who, in 1775, published a new edition of it, ‘with Notes and a Dedication to SAMUEL JOHNSON, LL.D. by TRIBUNUS;’ in which some puny scribbler invidiously attempted to found upon it a charge of inconsistency against its authour, because he had accepted of a pension from his present Majesty, and had written in support of the measures of government. As a mortification to such impotent malice, of which there are so many instances towards men of eminence, I am happy to relate, that this telum imbelle[404] did not reach its exalted object, till about a year after it thus appeared, when I mentioned it to him, supposing that he knew of the republication. To my surprize, he had not yet heard of it. He requested me to go directly and get it for him, which I did. He looked at it and laughed, and seemed to be much diverted with the feeble efforts of his unknown adversary, who, I hope, is alive to read this account. ‘Now (said he) here is somebody who thinks he has vexed me sadly; yet, if it had not been for you, you rogue, I should probably never have seen it.’
[Page 143: ‘Paper-sparing Pope.’ Ætat 30.]
As Mr. Pope’s note concerning Johnson, alluded to in a former page, refers both to his London, and his Marmor Norfolciense, I have deferred inserting it till now. I am indebted for it to Dr. Percy, the Bishop of Dromore, who permitted me to copy it from the original in his possession. It was presented to his Lordship by Sir Joshua Reynolds, to whom it was given by the son of Mr. Richardson the painter, the person to whom it is addressed. I have transcribed it with minute exactness, that the peculiar mode of writing, and imperfect spelling of that celebrated poet, may be exhibited to the curious in literature. It justifies Swift’s epithet of ‘paper-sparing Pope[405]’ for it is written on a slip no larger than a common message-card, and was sent to Mr. Richardson, along with the Imitation of Juvenal.
‘This is imitated by one Johnson who put in for a Publick-school in Shropshire,[406] but was disappointed. He has an infirmity of the convulsive kind, that attacks him sometimes, so as to make him a sad Spectacle. Mr. P. from the Merit of this Work which was all the knowledge he had of him endeavour’d to serve him without his own application; & wrote to my Ld gore, but he did not succeed. Mr. Johnson published afterwds another Poem in Latin with Notes the whole very Humerous call’d the Norfolk Prophecy.[407]’
‘P.’
Johnson had been told of this note; and Sir Joshua Reynolds informed him of the compliment which it contained, but, from delicacy, avoided shewing him the paper itself. When Sir Joshua observed to Johnson that he seemed very desirous to see Pope’s note, he answered, ‘Who would not be proud to have such a man as Pope so solicitous in inquiring about him?’
[Page 144: Johnson’s tricks of body. A.D. 1739.]
The infirmity to which Mr. Pope alludes, appeared to me also, as I have elsewhere[408] observed, to be of the convulsive kind, and of the nature of that distemper called St. Vitus’s dance; and in this opinion I am confirmed by the description which Sydenham gives of that disease. ‘This disorder is a kind of convulsion. It manifests itself by halting or unsteadiness of one of the legs, which the patient draws after him like an ideot. If the hand of the same side be applied to the breast, or any other part of the body, he cannot keep it a moment in the same posture, but it will be drawn into a different one by a convulsion, notwithstanding all his efforts to the contrary.’ Sir Joshua Reynolds, however, was of a different opinion, and favoured me with the following paper.
[Page 145: His dread of solitude. Ætat 30.]
‘Those motions or tricks of Dr. Johnson are improper’y called convulsions[409]. He could sit motionless, when he was told so to do, as well as any other man; my opinion is that it proceeded from a habit which he had indulged himself in, of accompanying his thoughts with certain untoward actions, and those actions always appeared to me as if they were meant to reprobate some part of his past conduct. Whenever he was not engaged in conversation, such thoughts were sure to rush into his mind; and, for this reason, any company, any employment whatever, he preferred to being alone[410]. The great business of his life (he said) was to escape from himself; this disposition he considered as the disease of his mind, which nothing cured but company.
‘One instance of his absence and particularity, as it is characteristick of the man, may be worth relating. When he and I took a journey together into the West, we visited the late Mr. Banks, of Dorsetshire; the conversation turning upon pictures, which Johnson could not well see, he retired to a corner of the room, stretching out his right leg as far as he could reach before him, then bringing up his left leg, and stretching his right still further on. The old gentleman observing him, went up to him, and in a very courteous manner assured him, that though it was not a new house, the flooring was perfectly safe. The Doctor started from his reverie, like a person waked out of his sleep, but spoke not a word.’
While we are on this subject, my readers may not be displeased with another anecdote, communicated to me by the same friend, from the relation of Mr. Hogarth.
[Page 146: Hogarth meets Johnson. A.D. 1739.]
[Page 147: George the Second’s cruelty. Ætat 30.]
Johnson used to be a pretty frequent visitor at the house of Mr. Richardson, authour of Clarissa, and other novels of extensive reputation. Mr. Hogarth came one day to see Richardson, soon after the execution of Dr. Cameron, for having taken arms for the house of Stuart in 1745-6; and being a warm partisan of George the Second, he observed to Richardson[411], that certainly there must have been some very unfavourable circumstances lately discovered in this particular case, which had induced the King to approve of an execution for rebellion so long after the time when it was committed, as this had the appearance of putting a man to death in cold blood[412], and was very unlike his Majesty’s usual clemency. While he was talking, he perceived a person standing at a window in the room, shaking his head, and rolling himself about in a strange ridiculous manner. He concluded that he was an ideot, whom his relations had put under the care of Mr. Richardson, as a very good man. To his great surprize, however, this figure stalked forwards to where he and Mr. Richardson were sitting, and all at once took up the argument, and burst out into an invective against George the Second, as one, who, upon all occasions, was unrelenting and barbarous[413]; mentioning many instances, particularly, that when an officer of high rank had been acquitted by a Court Martial, George the Second had with his own hand, struck his name off the list. In short, he displayed such a power of eloquence, that Hogarth looked at him with astonishment, and actually imagined that this ideot had been at the moment inspired. Neither Hogarth nor Johnson were made known to each other at this interview[414].
[1740[415]: ÆTAT. 31.]—In 1740 he wrote for the Gentleman’s Magazine the ‘Preface[416],’[dagger] ‘Life of Sir Francis Drake,’[*] and the first parts of those of ‘Admiral Blake[417],’[*] and of ‘Philip Baretier[418],’ both which he finished the following year. He also wrote an ‘Essay on Epitaphs[419],’ and an ‘Epitaph on Philips, a Musician,’[420] which was afterwards published with some other pieces of his, in Mrs. Williams’s Miscellanies. This Epitaph is so exquisitely beautiful, that I remember even Lord Kames, strangely prejudiced as he was against Dr. Johnson, was compelled to allow it very