The Sonnets, Triumphs, and Other Poems of Petrarch. Francesco Petrarca. Читать онлайн. Newlib. NEWLIB.NET

Автор: Francesco Petrarca
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of his affections. A terrible affliction visited the city of Avignon. The heat and the drought were so excessive that almost the whole of the common people went about naked to the waist, and, with frenzy and miserable cries, implored Heaven to put an end to their calamities. Persons of both sexes and of all ages had their bodies covered with scales, and changed their skins like serpents.

      Laura's constitution was too delicate to resist this infectious malady, and her illness greatly alarmed Petrarch. One day he asked her physician how she was, and was told by him that her condition was very dangerous: on that occasion he composed the following sonnet:[E]—

      This lovely spirit, if ordain'd to leave

       Its mortal tenement before its time,

       Heaven's fairest habitation shall receive

       And welcome her to breathe its sweetest clime.

       If she establish her abode between

       Mars and the planet-star of Beauty's queen,

       The sun will be obscured, so dense a cloud

       Of spirits from adjacent stars will crowd

       To gaze upon her beauty infinite.

       Say that she fixes on a lower sphere,

       Beneath the glorious sun, her beauty soon

       Will dim the splendour of inferior stars—

       Of Mars, of Venus, Mercury, and the Moon.

       She'll choose not Mars, but higher place than Mars;

       She will eclipse all planetary light,

       And Jupiter himself will seem less bright.

      I trust that I have enough to say in favour of Petrarch to satisfy his rational admirers; but I quote this sonnet as an example of the worst style of Petrarch's poetry. I make the English reader welcome to rate my power of translating it at the very lowest estimation. He cannot go much further down than myself in the scale of valuation, especially if he has Italian enough to know that the exquisite mechanical harmony of Petrarch's style is beyond my reach. It has been alleged that this sonnet shows how much the mind of Petrarch had been influenced by his Platonic studies; but if Plato had written poetry he would never have been so extravagant.

      Petrarch, on his return from Germany, had found the old Pope, John XXII., intent on two speculations, to both of which he lent his enthusiastic aid. One of them was a futile attempt to renew the crusades, from which Europe had reposed for a hundred years. The other was the transfer of the holy seat to Rome. The execution of this plan, for which Petrarch sighed as if it were to bring about the millennium, and which was not accomplished by another Pope without embroiling him with his Cardinals, was nevertheless more practicable than capturing Jerusalem. We are told by several Italian writers that the aged Pontiff, moved by repeated entreaties from the Romans, as well as by the remorse of his conscience, thought seriously of effecting this restoration; but the sincerity of his intentions is made questionable by the fact that he never fixed himself at Rome. He wrote, it is true, to Rome in 1333, ordering his palaces and gardens to be repaired; but the troubles which continued to agitate the city were alleged by him as too alarming for his safety there, and he repaired to Bologna to wait for quieter times.

      On both of the above subjects, namely, the insane crusades and the more feasible restoration of the papal court to Rome, Petrarch[Pg xxviii] wrote with devoted zeal; they are both alluded to in his twenty-second sonnet.

      The death of John XXII. left the Cardinals divided into two great factions. The first was that of the French, at the head of which stood Cardinal Taillerand, son of the beautiful Brunissende de Foix, whose charms were supposed to have detained Pope Clement V. in France. The Italian Cardinals, who formed the opposite faction, had for their chief the Cardinal Colonna. The French party, being the more numerous, were, in some sort, masters of the election; they offered the tiara to Cardinal de Commenges, on condition that he would promise not to transfer the papal court to Rome. That prelate showed himself worthy of the dignity, by refusing to accept it on such terms.

      To the surprise of the world, the choice of the conclave fell at last on James Founder, said to be the son of a baker at Savordun, who had been bred as a monk of Citeaux, and always wore the dress of the order. Hence he was called the White Cardinal. He was wholly unlike his portly predecessor John in figure and address, being small in stature, pale in complexion, and weak in voice. He expressed his own astonishment at the honour conferred on him, saying that they had elected an ass. If we may believe Petrarch, he did himself no injustice in likening himself to that quadruped; but our poet was somewhat harsh in his judgment of this Pontiff. He took the name of Benedict XII.

      Shortly after his exaltation, Benedict received ambassadors from Rome, earnestly imploring him to bring back the sacred seat to their city; and Petrarch thought he could not serve the embassy better than by publishing a poem in Latin verse, exhibiting Rome in the character of a desolate matron imploring her husband to return to her. Benedict applauded the author of the epistle, but declined complying with its prayer. Instead of revisiting Italy, his Holiness ordered a magnificent and costly palace to be constructed for him at Avignon. Hitherto, it would seem that the Popes had lived in hired houses. In imitation of their Pontiff, the Cardinals set about building superb mansions, to the unbounded indignation of Petrarch, who saw in these new habitations not only a graceless and unchristian spirit of luxury, but a sure indication that their owners had no thoughts of removing to Rome.

      In the January of the following year, Pope Benedict presented our poet with the canonicate of Lombes, with the expectancy of the first prebend which should become vacant. This preferment Petrarch is supposed to have owed to the influence of Cardinal Colonna.

      The troubles which at this time agitated Italy drew to Avignon, in the year 1335, a personage who holds a pre-eminent interest in the life of Petrarch, namely, Azzo da Correggio, who was sent thither by the Scaligeri of Parma. The State of Parma had belonged originally to the popes; but two powerful families, the Rossis and the Correggios, had profited by the quarrels between the church and the empire to usurp the government, and during five-and-twenty years, Gilberto Correggio and Rolando Rossi alternately lost and won the sovereignty, till, at last, the confederate princes took the city, and conferred the government of it on Guido Correggio, the greatest enemy of the Rossis.

      Gilbert Correggio left at his death a widow, the sister of Cane de la Scala, and four sons, Guido, Simone, Azzo, and Giovanni. It is only with Azzo that we are particularly concerned in the history of Petrarch.

      Azzo was born in the year 1303, being thus a year older than our poet. Originally intended for the church, he preferred the sword to the crozier, and became a distinguished soldier. He married the daughter of Luigi Gonzagua, lord of Mantua. He was a man of bold original spirit, and so indefatigable that he acquired the name of Iron-foot. Nor was his energy merely physical; he read much, and forgot nothing—his memory was a library. Azzo's character, to be sure, even with allowance for turbulent times, is not invulnerable at all points to a rigid scrutiny; and, notwithstanding all the praises of Petrarch, who dedicated to him his Treatise on a Solitary Life in 1366, his political career contained some acts of perfidy. But we must inure ourselves, in the biography of Petrarch, to his over-estimation of favourites in the article of morals.

      It was not long ere Petrarch was called upon to give a substantial proof of his regard for Azzo. After the seizure of Parma by the confederate princes, Marsilio di Rossi, brother of Rolando, went to Paris to demand assistance from the French king. The King of Bohemia had given over the government of Parma to him and his brothers, and the Rossi now saw it with grief assigned to his enemies, the Correggios. Marsilio could obtain no succour from the French, who were now busy in preparing for war with the English; so he carried to the Pope at Avignon his complaints against the alleged injustice of the lords of Verona and the Correggios in breaking an express treaty which they had made with the house of Rossi.

      Azzo had the threefold task of defending, before the Pope's tribunal, the lords of Verona, whose envoy he was; the rights of his family, which were attacked; and his own personal character, which was charged with some grave objections. Revering the eloquence and influence of Petrarch, he importuned him to be his public defender. Our poet, as we have seen, had studied the law, but had never followed