Lunch is different. People make a point of lunch, or else declare off, and don't come home at all. Those who do not comply with this rule are Foolish Virgins—and serve them right! Our own experience, an extended one, points to the impossibility of being too late for breakfast. There may be a case—but!...
Anyhow, the same human interest does not attach to the question of who is, or isn't, coming to lunch. And as for tea, nobody cares a brass farthing; because you can get tea somewhere else. On the other hand, dinner is a serious matter, and you must make your mind up; and either come, or not.
This tedious excursion into the ethics of Breakfast is all owing to everybody coming down so late at 101, Grosvenor Square, on the morning after the last chapter. The story is, as it were, kept waiting, and may as well indulge in a few reflections. Samuel, the young man who brought the chessboard at Royd, had to wait, and seemed able to do so without change of countenance. He very likely reflected, for all that.
It may have struck Samuel, when Miss Arkroyd made her appearance first of those expected by him, that when this young lady said, "Oh, nobody!" on entering, she did not seem sorry, and picked up her share of the morning's post from her plate to read nearer the fire quite resignedly. It was getting colder again, and folk were pledging themselves not to wonder if the wind were to go round to the north.
Judith looked at the outside of her mother's and sister's letters. Sibyl's interested her most; and she looked them all through carefully, numerous though they were. Why does one look at the directions on other people's letters? So Judith thought to herself, as she got disgusted with the monotony of the text on Sibyl's, and her inability to suggest any emendations. She was very honourable, for she read nothing but a signature or two on the numerous postcards. She was, in fact, only acting under the impulse which prompts the least inquisitive of us all, when we have undertaken to post a letter for a friend, to read the address upon it carefully before we insert it into the inexorable box, and feel inside to see that it hasn't stuck. Judith did not answer the question she asked herself; yet her reading of the same address again and again called more for explanation than that of the letter-poster; for the latter may be put on his oath in the end, if a letter fails to reach.
There were so many to "Miss Sybil Arkroyd" that she had become confused over the spelling of the name by the time its owner's footstep was heard on the stairs. However, she wasn't going to pretend she hadn't been reading them. "There's one for you from Betty Inglis," she said incidentally; and picking up her own letters from the table, took them with her to read by the fire. It was a morning to make the hardiest give in to the temptation of a hundred-weight of best Wallsend, blazing. Judith enjoyed it; so much so that a sense of a russet Liberty serge, baking, crept into the atmosphere as she sought in vain for an inlet into an envelope cruelly gummed to its uttermost corner. When will envelope-makers have compassion for their customers' correspondents?
"You're scorching, Ju. Or you will be directly." So spoke Sibyl, reading a letter attentively, and speaking through her absorption as to a world without. "Who was that?... No—don't make the tea yet, Elphinstone. Coffee for me. You're coffee, I suppose, Ju?..."
"Yes, coffee. Who was what?"
"Who was that in your cab last night?... Well, you made noise enough! Of course I could hear! I'm not deaf." The letter is read by now, being short, and Sibyl has come out into the world to hear the answer to her question.
But Judith is deep in half-a-quire of illegibility, after an episode of a fork-point, and some impatience. "It's an old dress," she says, and then ignores Sibyl altogether for a term, in favour of the letter. Her eyebrows had moved in connection with the cab-inquiry, up to the point of detection by a sharp younger sister. "I had no cab, dear," she says at last. "I came in Mr. Challis's cab." This is quite a long time after.
"Has Mr. Challis a cab?"
"You know perfectly well what I mean, Sib."
Sibyl knows, but has become absorbed in a second letter. So she leaves her tongue, as her representative, to say fragmentarily, "Hansom-cab off the rank," and then retires altogether into the letter for a moment. However, she comes out presently to say, "The question is, was it Mr. Challis? I suppose it was, though, or it couldn't have been Mr. Challis's cab ... oh no!—I'm not finding fault. It's all perfectly right as far as I'm concerned."
The respectable domestics have been in momentary abeyance, and the conversation has been more suggestive than it would have been in their presence. The reappearance of Mr. Elphinstone, with the gist of two breakfasts, causes an automatic adjournment of the subject. The day's appointments make up the talk, during his presence.
But so late was the quorum of the total breakfast—in fact, it was doubtful whether two of the constituent cujusses would appear at all—that Sibyl got ample opportunity for resuming the conversation exactly where it left off, at least a quarter-of-an-hour having elapsed.
"It's all perfectly right as far as I'm concerned," she repeated. "As long as Marianne doesn't mind!" The Christian name may have been an intentional impertinence.
"There is nothing for Marianne to mind, Sibyl."
Sibyl changes her ground unscrupulously. "It doesn't matter to me as long as I'm not his wife. But a hansom-cab is a hansom-cab, and you know it as well as I do."
"I know it, dear." Judith speaks serenely. The attack is too puerile to call for resentment. "They try one's nerves and destroy one's skirts, getting in and out."
Sibyl's style has not been worthy of her Square, or Mr. Elphinstone. There was too much of the lowlier air of Seven Dials in the suggestion that a hansom-cab would promote an irregular flirtation to do more than provoke a smile. Charlotte Eldridge, even, would have condemned it as the bald scoff of inexperience.
But there was more maturity and force in Sibyl's next speech. "I want to know, are you going to tell the madre about it or not?" Judith flushed angrily as she answered her with: "I have told you, Sibyl, that as soon as there is something to tell, I will tell it at once to anyone it concerns. Mamma certainly!"
"How far has it gone?—that's what I want to find out."
"How far has what gone?"
"You needn't look so furious, Ju. Do let's talk quietly. You know perfectly well what I mean. This talk about a trial-performance." The imputation that Judith looked furious was a sporting venture. No doubt she felt furious, thought Sibyl; and how was she to know she didn't show it?
"I told you days ago there was no talk of a trial-performance."
Sibyl restrained herself visibly—too visibly for the prospects of peace. After some thirty seconds of self-command, she reworded her question mechanically. "The talk about something that was not to be a trial-performance." The forms of the court were complied with, without admission of previous lack of clearness. This was shown in a parti pris of facial immobility. A licked lip, a scratched nose, an eye-blink, would have marred its dramatic force.
"You needn't look so stony over it, Sib. There's no mystery of any sort, and I can tell you about it in three words. Alfred Challis is anxious ... what?"
"Nothing—go on!"
"Mr. Challis is anxious that I should get up enough of Aminta Torrington's part to give Mr. Magnus an idea.... No!—Sibyl. Mr. Magnus is not vulgar, and I think him picturesque. He smokes too many very large cigars perhaps, and they don't improve his complexion. But what objection there can possibly be to diamond shirt-studs...."
Sibyl interrupted. "You may just as well tell it all out, Ju. What do you mean by 'enough'?"
"What do I mean by enough? Do be intelligible, Dandelion dear!" Judith is patronizing.
"I wish you wouldn't call me by that hatefully foolish name. Yes—what do you mean by 'enough'? Does it mean that what Mr. Magnus