IN SEARCH OF LOST TIME - Complete 7 Book Collection (Modern Classics Series). Marcel Proust

voices that we love, friends from whom we derive to-day our keenest joys, this dread, far from being dissipated, is intensified, if to the grief of such a privation we reflect that there will be added what seems to us now in anticipation an even more cruel grief; not to feel it as a grief at all—to remain indifferent; for if that should occur, our ego would have changed, it would then be not merely the attractiveness of our family, our mistress, our friends that had ceased to environ us, but our affection for them; it would have been so completely eradicated from our heart, in which to-day it is a conspicuous element, that we should be able to enjoy that life apart from them the very thought of which to-day makes us recoil in horror; so that it would be in a real sense the death of ourselves, a death followed, it is true, by resurrection but in a different ego, the life, the love of which are beyond the reach of those elements of the existing ego that are doomed to die. It is they—even the meanest of them, such as our obscure attachments to the dimensions, to the atmosphere of a bedroom—that grow stubborn and refuse, in acts of rebellion which we must recognise to be a secret, partial, tangible and true aspect of our resistance to death, of the long resistance, desperate and daily renewed, to a fragmentary and gradual death such as interpolates itself throughout the whole course of our life, tearing away from us at every moment a shred of ourselves, dead matter on which new cells will multiply, and grow. And for a neurotic nature such as mine, one that is to say in which the intermediaries, the nerves, perform their functions badly—fail to arrest on its way to the consciousness, allow indeed to penetrate there, distinct, exhausting, innumerable, agonising, the plaint of those most humble elements of the personality which are about to disappear—the anxiety and alarm which I felt as I lay outstretched beneath that strange and too lofty ceiling were but the protest of an affection that survived in me for a ceiling that was familiar and low. Doubtless this affection too would disappear, and another have taken its place (when death, and then another life, would, in the guise of Habit, have performed their double task); but until its annihilation, every night it would suffer afresh, and on this first night especially, confronted with a future already realised in which there would no longer be any place for it, it rose in revolt, it tortured me with the sharp sound of its lamentations whenever my straining eyes, powerless to turn from what was wounding them, endeavoured to fasten their gaze upon that inaccessible ceiling.

      But next morning!—after a servant had come to call me, and had brought me hot water, and while I was washing and dressing myself and trying in vain to find the things that I wanted in my trunk, from which I extracted, pell-mell, only a lot of things that were of no use whatever, what a joy it was to me, thinking already of the delights of luncheon and of a walk along the shore, to see in the window, and in all the glass fronts of the bookcases as in the portholes of a ship's cabin, the open sea, naked, unshadowed, and yet with half of its expanse in shadow, bounded by a thin and fluctuant line, and to follow with my eyes the waves that came leaping towards me, one behind another, like divers along a springboard. Every other moment, holding in one hand the starched, unyielding towel, with the name of the hotel printed upon it, with which I was making futile efforts to dry myself, I returned to the window to gaze once more upon that vast amphitheatre, dazzling, mountainous, and upon the snowy crests of its emerald waves, here and there polished and translucent, which with a placid violence, a leonine bending of the brows, let their steep fronts, to which the sun now added a smile without face or features, run forward to their goal, totter and melt and be no more. Window in which I was, henceforward, to plant myself every morning, as at the pane of a mail coach in which one has slept, to see whether, in the night, a long sought mountain-chain has come nearer or withdrawn—only here it was those hills of the sea which, before they come dancing back towards us, are apt to retire so far that often it was only at the end of a long and sandy plain that I would distinguish, miles it seemed away, their first undulations upon a background transparent, vaporous, bluish, like the glaciers that one sees in the backgrounds of the Tuscan Primitives. On other mornings it was quite close at hand that the sun was smiling upon those waters of a green as tender as that preserved in Alpine pastures (among mountains on which the sun spreads himself here and there like a lazy giant who may at any moment come leaping gaily down their craggy sides) less by the moisture of their soil than by the liquid mobility of their light. Anyhow, in that breach which shore and water between them drive through all the rest of the world, for the passage, the accumulation there of light, it is light above all, according to the direction from which it comes and along which our eyes follow it, it is light that shifts and fixes the undulations of the sea. Difference of lighting modifies no less the orientation of a place, constructs no less before our eyes new goals which it inspires in us the yearning to attain, than would a distance in space actually traversed in the course of a long journey. When, in the morning, the sun came from behind the hotel, disclosing to me the sands bathed in light as far as the first bastions of the sea, it seemed to be shewing me another side of the picture, and to be engaging me in the pursuit, along the winding path of its rays, of a journey motionless but ever varied amid all the fairest scenes of the diversified landscape of the hours. And on this first morning the sun pointed out to me far off with a jovial finger those blue peaks of the sea, which bear no name upon any geographer's chart, until, dizzy with its sublime excursion over the thundering and chaotic surface of their crests and avalanches, it came back to take shelter from the wind in my bedroom, swaggering across the unmade bed and scattering its riches over the splashed surface of the basin-stand, and into my open trunk, where by its very splendour and ill-matched luxury it added still further to the general effect of disorder. Alas, that wind from the sea; an hour later, in the great dining-room—while we were having our luncheon, and from the leathern gourd of a lemon were sprinkling a few golden drops on to a pair of soles which presently left on our plates the plumes of their picked skeletons, curled like stiff feathers and resonant as citherns,—it seemed to my grandmother a cruel deprivation not to be able to feel its life-giving breath on her cheek, on account of the window, transparent but closed, which like the front of a glass case in a museum divided us from the beach while allowing us to look out upon its whole extent, and into which the sky entered so completely that its azure had the effect of being the colour of the windows and its white clouds only so many flaws in the glass. Imagining that I was 'seated upon the mole' or at rest in the 'boudoir' of which Baudelaire speaks I asked myself whether his 'Sun's rays upon the sea' were not—a very different thing from the evening ray, simple and superficial as the wavering stroke of a golden pencil—just what at that moment was scorching the sea topaz-brown, fermenting it, turning it pale and milky like foaming beer, like milk, while now and then there hovered over it great blue shadows which some god seemed, for his pastime, to be shifting to and fro by moving a mirror in the sky. Unfortunately, it was not only in its outlook that it differed from our room at Combray, giving upon the houses over the way, this dining-room at Balbec, bare-walled, filled with a sunlight green as the water in a marble font, while a few feet away the full tide and broad daylight erected as though before the gates of the heavenly city an indestructible and moving rampart of emerald and gold. At Combray, since we were known to everyone, I took heed of no one. In life at the seaside one knows only one's own party. I was not yet old enough, I was still too sensitive to have outgrown the desire to find favour in the sight of other people and to possess their hearts. Nor had I acquired the more noble indifference which a man of the world would have felt, with regard to the people who were eating their luncheon in the room, nor to the boys and girls who strolled past the window, with whom I was pained by the thought that I should never be allowed to go on expeditions, though not so much pained as if my grandmother, contemptuous of social formalities and concerned about nothing but my health, had gone to them with the request, humiliating for me to overhear, that they would consent to let me accompany them. Whether they were returning to some villa beyond my ken, or had emerged from it, racquet in hand, on their way to some lawn-tennis court, or were mounted on horses whose hooves trampled and tore my heart, I gazed at them with a passionate curiosity, in that blinding light of the beach by which social distinctions are altered, I followed all their movements through the transparency of that great bay of glass which allowed so much light to flood the room. But it intercepted the wind, and this seemed wrong to my grandmother, who, unable to endure the thought that I was losing the benefit of an hour in the open air, surreptitiously unlatched a pane and at once set flying, with the bills of fare, the newspapers, veils and hats of all the people at the other tables; she herself, fortified by the breath of heaven, remained calm and smiling like Saint Blandina, amid the torrent of invective which, increasing my sense of isolation and