That the tradition is not true no one can say. We know that the memory of an action or tragedy of a character to stir the feelings and impress the imagination may live unrecorded in any locality for long centuries. And more, we know or suppose, from at least one quite familiar instance from Flintshire, that a tradition may even take us back to prehistoric times and find corroboration in our own day.
But of this story what corroboration is there, and what do the books say? I have consulted the county history, and no mention is made of such a tradition, and can only assume that the author had never heard it—that he had not the curious Aubrey mind. He only says that it is a very early church—how early he does not know—and adds that it was built "for the convenience of the inhabitants of the place." An odd statement, seeing that the place has every appearance of having always been what it is, a forest, and that the inhabitants thereof are weasels, foxes, jays and such-like, and doubtless in former days included wolves, boars, roe-deer and stags, beings which, as Walt Whitman truly remarks, do not worry themselves about their souls.
With this question, however, we need not concern ourselves. To me, after stumbling by chance on the little church in that solitary woodland place, the story of its origin was accepted as true; no doubt it had come down unaltered from generation to generation through all those centuries, and it moved my pity yet was a delight to hear, as great perhaps as it had been to listen to the beautiful chimes many times multiplied from the wooded hill. And if I have a purpose in this book, which is without a purpose, a message to deliver and a lesson to teach, it is only this—the charm of the unknown, and the infinitely greater pleasure in discovering the interesting things for ourselves than in informing ourselves of them by reading. It is like the difference in flavour in wild fruits and all wild meats found and gathered by our own hands in wild places and that of the same prepared and put on the table for us. The ever-varying aspects of nature, of earth and sea and cloud, are a perpetual joy to the artist, who waits and watches for their appearance, who knows that sun and atmosphere have for him revelations without end. They come and go and mock his best efforts; he knows that his striving is in vain—that his weak hands and earthy pigments cannot reproduce these effects or express his feeling—that, as Leighton said, "every picture is a subject thrown away." But he has his joy none the less; it is in the pursuit and in the dream of capturing something illusive, mysterious, and inexpressibly beautiful.
Chapter Two: On Going Back
In looking over the preceding chapter it occurred to me that I had omitted something, or rather that it would have been well to drop a word of warning to those who have the desire to revisit a place where they have experienced a delightful surprise. Alas! they cannot have that sensation a second time, and on this account alone the mental image must always be better than its reality. Let the image—the first sharp impression—content us. Many a beautiful picture is spoilt by the artist who cannot be satisfied that he has made the best of his subject, and retouching his canvas to bring out some subtle charm which made the work a success loses it altogether. So in going back, the result of the inevitable disillusionment is that the early mental picture loses something of its original freshness. The very fact that the delightful place or scene was discovered by us made it the shining place it is in memory. And again, the charm we found in it may have been in a measure due to the mood we were in, or to the peculiar aspect in which it came before us at the first, due to the season, to atmospheric and sunlight effects, to some human interest, or to a conjunction of several favourable circumstances; we know we can never see it again in that aspect and with that precise feeling.
On this account I am shy of revisiting the places where I have experienced the keenest delight. For example, I have no desire to revisit that small ancient town among the hills, described in the last chapter; to go on a Sunday evening through that narrow gorge, filled with the musical roar of the church bells; to leave that great sound behind and stand again listening to the marvellous echo from the wooded hill on the other side of the valley. Nor would I care to go again in search of that small ancient lost church in the forest. It would not be early April with the clear sunbeams shining through the old leafless oaks on the floor of fallen yellow leaves with the cuckoo fluting before his time; nor would that straggling procession of villagers appear, headed by an old man in a smock frock with a big book in his hand; nor would I hear for the first time the strange history of the church which so enchanted me.
I will here give an account of yet another of the many well-remembered delightful spots which I would not revisit, nor even look upon again if I could avoid doing so by going several miles out of my way.
It was green open country in the west of England—very far west, although on the east side of the Tamar—in a beautiful spot remote from railroads and large towns, and the road by which I was travelling (on this occasion on a bicycle) ran or serpentined along the foot of a range of low round hills on my right hand, while on my left I had a green valley with other low round green hills beyond it. The valley had a marshy stream with sedgy margins and occasional clumps of alder and willow trees. It was the end of a hot midsummer day; the sun went down a vast globe of crimson fire in a crystal clear sky; and as I was going east I was obliged to dismount and stand still to watch its setting. When the great red disc had gone down behind the green world I resumed my way but went slowly, then slower still, the better to enjoy the delicious coolness which came from the moist valley and the beauty of the evening in that solitary place which I had never looked on before. Nor was there any need to hurry; I had but three or four miles to go to the small old town where I intended passing the night. By and by the winding road led me down close to the stream at a point where it broadened to a large still pool. This was the ford, and on the other side was a small rustic village, consisting of a church, two or three farm-houses with their barns and outbuildings, and a few ancient-looking stone cottages with thatched roofs. But the church was the main thing; it was a noble building with a very fine tower, and from its size and beauty I concluded that it was an ancient church dating back to the time when there was a passion in the West Country and in many parts of England of building these great fanes even in the remotest and most thinly populated parishes. In this I was mistaken through having seen it at a distance from the other side of the ford after the sun had set.
Never, I thought, had I seen a lovelier village with its old picturesque cottages shaded by ancient oaks and elms, and the great church with its stately tower looking dark against the luminous western sky. Dismounting again I stood for some time admiring the scene, wishing that I could make that village my home for the rest of my life, conscious at the same time that is was the mood, the season, the magical hour which made it seem so enchanting. Presently a young man, the first human figure that presented itself to my sight, appeared, mounted on a big carthorse and leading a second horse by a halter, and rode down into the pool to bathe the animals' legs and give them a drink. He was a sturdy-looking young fellow with a sun-browned face, in earth-coloured, working clothes, with a small cap stuck on the back of his round curly head; he probably imagined himself not a bad-looking young man, for while his horses were drinking he laid over on the broad bare backs and bending