Any ordinary person who died was interred in a manner suitable to their sex and condition, with arrow-heads, hatchets, flint knives, necklaces, rings, bracelets, articles of pottery, &c. The grave was marked by an unhewn stone, which was surrounded with herbs, moss, or flowers. These tombstones were raised up in the plains, by the way-side, and amid the deep shade of the forests. They were guarded by a statue of Tentates, one of whose cheeks was painted white, the other black.
When a chief died, his body was burnt. In order to do this, the body was placed upon a pile of resinous wood, with his weapons of war and of the chase, his charger and dogs, and sometimes even, his slaves. While the flames devoured the body, the bystanders uttered loud cries, and the warriors clashed their shields. The half-calcined bones were enclosed in an urn of coarse earth, rudely ornamented with a few engravings or figures in bas relief. This urn was then deposited beneath a tumulus covered with turf. In southern Gaul it was placed beneath a funeral column.
In order to render complete the idea which we should wish to convey of the outward appearance of the Gauls, we must say a few words about the Druids.
The Druids were the priests of the Gauls, a clergy powerful by reason of their political duties and judicial functions. The Druids led a solitary life in the depth of oak forests and in secluded caves. They wore a distinctive dress, their robes reaching down to the ground. During religious ceremonies they covered their shoulders with a species of white surplice, and upon their pontifical dress was displayed a crescent which had reference to the last phase of the moon. Their feet were furnished with pentagonal wooden sandals; they allowed their hair to grow long, and shaved off their beards. In their hand they carried a sort of white wand, and suspended from their neck an amulet of oval shape set in gold.
We said the Franks proceeded from the mixture of the Gauls with the Iberian natives of the country, joined later on to the Romans, the Greeks, and more recently still to the Alanians, the Goths, the Burgundians, and the Suevians. Having spoken of the Gauls, we shall now proceed to describe the Franks.
The Frank was tall in height, with a very white skin, blue sparkling eyes, and a powerful voice. His face was shaven, save upon the upper lip, which earned a heavy mustachio. His hair, of a beautiful blond colour, was cut behind, and long in front. His dress was so short as not to cover his knees, and fitted tightly, showing plainly the form of the body. He wore a shoulder-belt, ornamented with nails, and plates of silver or inlaid metal. From his girdle hung an iron knife, an axe with short handle and heavy keen iron head (battle-axe), a very sharp ponderous sword, and a pike of medium length, the stout point of which was armed with several barbs or sharp teeth, turned back as in a fish-hook. Before going to battle, the Frank dyed his hair red. The hair itself was frequently held together by a golden net, or a copper circlet; at other times he dressed himself with the spoils of wild beasts.
16.—DRUIDS, GAULS, AND FRANKS.
We are able to extract from historical recitals an exact idea of the Frankish woman. She was powerful, and wore a long robe of dark colour, or bordered with purple. Her arms were left uncovered, and her head was wreathed with flowering broom. Her looks, sometimes fierce, bespoke masculine vigour and a character which did not shrink from sanguinary conflict.
The Celtic and Iberian languages gradually disappeared among the Franks, being replaced by Latin dialects.
The Gauls and Franks, who were subdued by the Romans, received into their blood the Latin element, which rapidly increased. Restrained for a while by the invasions of tribes from the north and east, by Asiatic hordes of Mongolian race, among which we may name the Huns; the Latin element again assumed the ascendant at the commencement of the sixteenth century; men and manners, language and art, bore witness more and more to Latin influence: the fair hair and white skin of the Frank alternating with the black locks and brown skin of the Latin people. Thus it is that the French lost the athletic frame and vigorous limbs of the Gaul, gaining in their stead the suppleness and agility of southern nations. Thus also the French language became gradually formed, modified from Latin dialects.
The existence of a single written language renders it difficult to mark the characteristic distinctions among the French of the present day. We may however, distinguish the French properly so called, who inhabit the lower district of the Loire, and whose dialects are most akin to the written language; the Walloons, in the north, whose pronunciation somewhat approaches that of Teutonic nations; and the Romanians, in the south, where the dialects become confused with those of the Spaniards and Italians. The French of the interior are those who most resemble the Celts; those of the south possess the vivacity of the ancient Iberians or Basques; and those of the north have suffered still more from Teutonic influence, the effect of which is more especially appreciable in Normandy.
Owing to the diversity of his origin, and the different races of men which have been moulded into his type, not omitting also the effect attributed to the great geological variety of the soil of France, where samples of all parts of the earth are to be found, the Frenchman, considered organically, possesses no peculiar physiognomy, which nevertheless does not prevent the complete identification of his French nationality.
From a physical point of view, and setting aside certain extremes, it may be said that the Frenchman is characterised, not so much by special features, as by the mobility and expression of these features. He is neither large nor small, yet his body is in all respects well proportioned; and although he may not be capable of developing great muscular action, he is fully qualified to contend successfully against fatigue and long journeys. Agile and nervous, as prompt in attack as in parrying a blow, full of expedient, supple, and cheerful, skilful both physically and morally, this is the character we shall easily recognise in our typical soldier of the next page.
Considered intellectually, the Frenchman is distinguished by a readiness and activity of conception which is truly unsurpassed. His comprehension is quick and sound. A halo of feeling surrounds this intellectual activity. Add to this a very fair amount of reason, solid judgment, and a veritable passion for order and method, and you have the French character.
To this combination of various qualities must be referred the respect which the French nation entertain for science and art, the admirable order which is found in their museums, and the excellent preservation of their historical monuments. This also goes to explain their excellent organization for public instruction, both in art and science, the forbearing and kindly tone of their philosophy, which above all things seeks the practical rules which govern human action, their excellent judicial system and admirable civil code, which has been copied more or less by all the nations of the New or Old Worlds.
Although the Frenchman respects science, loves the arts, and takes an interest in the productions of thought, it must be admitted that he is loth to take any personal part in them. He is glad to make use of the practical applications of science, and gratefully acknowledges the service they render him; but he shuns the idea of studying the sciences as such, and the very name of savant conveys to his mind a tiresome person. The sciences, which at the end of the last century brought so much honour to France, now languish. Scientific careers are avoided, and in the country of Lavoisier, Laplace, and Cuvier, science is visibly on the decline.
To make science palatable to French readers, the edge of the cup must be coated with honey, and the preceptor must clearly comprehend what dose of the sweetened beverage he may administer, so as not to overtax the powers or present humour of his patient.
We may say the same of the liberal arts. The Frenchman takes delight in artistic works, in fine monuments and buildings, costly statuary, magnificent pictures, engravings, and all the productions of high art; but he does nothing whatever to encourage them. France is at the present day at the head of the fine arts, and her school of painting is without a rival; and yet her artists, whether they be painters or