One of his first acts was to take from a cabinet a miniature of his father encircled with jewels, and to invoke the aid of the paternal spirit. Refreshment and a bath restored him to some of his usual strength; and he looked forward with almost childish delight to one night to be spent in peace under the roof of his father’s house. This was not permitted. Ere midnight the great bell sounded: his rival entered as master, with the Marchese Spina. The result may be divined. The Marchese appeared more indignant than the false Eboli. He insisted that the unfortunate youth should be imprisoned. The portrait, whose setting was costly, found on him, proved him guilty of robbery. He was given into the hands of the police, and thrown into a dungeon. I will not dwell on the subsequent scenes. He was tried by the tribunal, condemned as guilty, and sentenced to the galleys for life.
On the eve of the day when he was to be removed from the Neapolitan prison to work on the roads in Calabria, his rival visited him in his dungeon. For some moments both looked at the other in silence. The impostor gazed on the prisoner with mingled pride and compassion: there was evidently a struggle in his heart. The answering glance of Ferdinand was calm, free, and dignified. He was not resigned to his hard fate, but he disdained to make any exhibition of despair to his cruel and successful foe. A spasm of pain seemed to wrench the bosom of the false one; and he turned aside, striving to recover the hardness of heart which had hitherto supported him in the prosecution of his guilty enterprise. Ferdinand spoke first.
“What would the triumphant criminal with his innocent victim?”
His visitant replied haughtily, “Do not address such epithets to me, or I leave you to your fate: I am that which I say I am.”
“To me this boast!” cried Ferdinand scornfully; “but perhaps these walls have ears.”
“Heaven, at least, is not deaf,” said the deceiver; “favouring Heaven, which knows and admits my claim. But a truce to this idle discussion. Compassion—a distaste to see one so very like myself in such ill condition—a foolish whim, perhaps, on which you may congratulate yourself—has led me hither. The bolts of your dungeon are drawn; here is a purse of gold; fulfil one easy condition, and you are free.”
“And that condition?”
“Sign this paper.”
He gave to Ferdinand a writing, containing a confession of his imputed crimes. The hand of the guilty youth trembled as he gave it; there was confusion in his mien, and a restless uneasy rolling of his eye. Ferdinand wished in one mighty word, potent as lightning, loud as thunder, to convey his burning disdain of this proposal: but expression is weak, and calm is more full of power than storm. Without a word, he tore the paper in two pieces and threw them at the feet of his enemy.
With a sudden change of manner, his visitant conjured him, in voluble and impetuous terms, to comply. Ferdinand answered only by requesting to be left alone. Now and then a half word broke uncontrollably from his lips; but he curbed himself. Yet he could not hide his agitation when, as an argument to make him yield, the false Count assured him that he was already married to Adalinda. Bitter agony thrilled poor Ferdinand’s frame; but he preserved a calm mien, and an unaltered resolution. Having exhausted every menace and every persuasion, his rival left him, the purpose for which he came unaccomplished. On the morrow, with many others, the refuse of mankind, Count Ferdinando Eboli was led in chains to the unwholesome plains of Calabria, to work there at the roads.
I must hurry over some of the subsequent events, for a detailed account of them would fill volumes. The assertion of the usurper of Ferdinand’s right, that he was already married to Adalinda, was, like all else he said, false. The day was, however, fixed for their union, when the illness and the subsequent death of the Marchese Spina delayed its celebration. Adalinda retired during the first months of mourning to a castle belonging to her father not far from Arpino, a town of the kingdom of Naples, in the midst of the Apennines, about 50 miles from the capital. Before she went, the deceiver tried to persuade her to consent to a private marriage. He was probably afraid that, in the long interval that was about to ensue before he could secure her, she would discover his imposture. Besides, a rumour had gone abroad that one of the fellow-prisoners of Ferdinand, a noted bandit, had escaped, and that the young count was his companion in flight. Adalinda, however, refused to comply with her lover’s entreaties, and retired to her seclusion with an old aunt, who was blind and deaf, but an excellent duenna. The false Eboli seldom visited his mistress; but he was a master in his art, and subsequent events showed that he must have spent all his time, disguised, in the vicinity of the castle. He contrived by various means, unsuspected at the moment, to have all Adalinda’s servants changed for creatures of his own; so that, without her being aware of the restraint, she was, in fact, a prisoner in her own house. It is impossible to say what first awakened her suspicions concerning the deception put upon her. She was an Italian, with all the habitual quiescence and lassitude of her countrywomen in the ordinary routine of life, and with all their energy and passion when roused. The moment the doubt darted into her mind she resolved to be assured. A few questions relative to scenes that had passed between poor Ferdinand and herself sufficed for this. They were asked so suddenly and pointedly that the pretender was thrown off his guard; he looked confused, and stammered in his replies. Their eyes met; he felt that he was detected, and she saw that he perceived her now confirmed suspicions. A look such as is peculiar to an impostor—a glance that deformed his beauty, and filled his usually noble countenance with the hideous lines of cunning and cruel triumph—completed her faith in her own discernment. “How,” she thought, “could I have mistaken this man for my own gentle Eboli?” Again their eyes met. The peculiar expression of his terrified her, and she hastily quitted the apartment.
Her resolution was quickly formed. It was of no use to attempt to explain her situation to her old aunt. She determined to depart immediately for Naples, throw herself at the feet of Gioacchino, and to relate and obtain credit for her strange history. But the time was already lost when she could have executed this design. The contrivances of the deceiver were complete—she found herself a prisoner. Excess of fear gave her boldness, if not courage. She sought her jailor. A few minutes before she had been a young and thoughtless girl, docile as a child, and as unsuspecting; now she felt as if she had suddenly grown old in wisdom, and that the experience of years had been gained in that of a few seconds.
During their interview she was wary and firm, while the instinctive power of innocence over guilt gave majesty to her demeanour. The contriver of her ills for a moment cowered beneath her eye. At first he would by no means allow that he was not the person he pretended to be, but the energy and eloquence of truth bore down his artifice, so that, at length driven into a corner, he turned—a stag at bay. Then it was her turn to quail, for the superior energy of a man gave him the mastery. He declared the truth: he was the elder brother of Ferdinand, a natural son of the old Count Eboli. His mother, who had been wronged, never forgave her injurer, and bred her son in deadly hate for his parent, and a belief that the advantages enjoyed by his more fortunate brother were rightfully his own. His education was rude; but he had an Italian’s subtle talents, swiftness of perception, and guileful arts.
“It would blanch your cheek,” he said to his trembling auditress, “could I describe all that I have suffered to achieve my purpose. I would trust to none—I executed all myself. It was a glorious triumph, but due to my perseverance and my fortitude, when I and my usurping brother stood—I, the noble, he, the degraded outcast—before our sovereign.”
Having rapidly detailed his history, he now sought to win the favourable ear of Adalinda, who stood with averted and angry looks. He tried by the varied shows of passion and tenderness to move her heart. Was he not, in truth, the object of her love? Was it not he who scaled her balcony at Villa Spina? He recalled scenes of mutual overflow of feeling to her mind, thus urging arguments the most potent with a delicate woman. Pure blushes tinged her