The pomp swept slowly across the grass: the archdeacon had got hold of Mr. Dixon, and they were discussing the misdeeds of some clergyman in the rural deanery.
"I can scarce credit it," said Mr. Dixon.
"Oh, I assure you, there can be no doubt. We have witnesses. There can be no question that there was a procession at Llanfihangel on the Sunday before Easter; the choir and minister went round the church, carrying palm branches in their hands."
"Very shocking."
"It has distressed the bishop. Martin is a hard-working man enough, and all that, but those sort of things can't be tolerated. The bishop told me that he had set his face against processions."
"Quite right: the bishop is perfectly right. Processions are unscriptural."
"It's the thin end of the wedge, you know, Dixon."
"Exactly. I have always resisted anything of the kind here."
"Right. Principiis obsta, you know. Martin is so imprudent. There's a way of doing things."
The "scriptural" procession led by Lord Beamys broke up when the stalls were reached, and gathered round the nobleman as he declared the bazaar open.
Lucian was sitting on a garden-seat, a little distance off, looking dreamily before him. And all that he saw was a swarm of flies clustering and buzzing about a lump of tainted meat that lay on the grass. The spectacle in no way interrupted the harmony of his thoughts, and soon after the opening of the bazaar he went quietly away, walking across the fields in the direction of the ancient mounds he desired to inspect.
All these journeys of his to Caermaen and its neighborhood had a peculiar object; he was gradually leveling to the dust the squalid kraals of modern times, and rebuilding the splendid and golden city of Siluria. All this mystic town was for the delight of his sweetheart and himself; for her the wonderful villas, the shady courts, the magic of tessellated pavements, and the hangings of rich stuffs with their intricate and glowing patterns. Lucian wandered all day through the shining streets, taking shelter sometimes in the gardens beneath the dense and gloomy ilex trees, and listening to the plash and trickle of the fountains. Sometimes he would look out of a window and watch the crowd and color of the market-place, and now and again a ship came up the river bringing exquisite silks and the merchandise of unknown lands in the Far East. He had made a curious and accurate map of the town he proposed to inhabit, in which every villa was set down and named. He drew his lines to scale with the gravity of a surveyor, and studied the plan till he was able to find his way from house to house on the darkest summer night. On the southern slopes about the town there were vineyards, always under a glowing sun, and sometimes he ventured to the furthest ridge of the forest, where the wild people still lingered, that he might catch the golden gleam of the city far away, as the light quivered and scintillated on the glittering tiles. And there were gardens outside the city gates where strange and brilliant flowers grew, filling the hot air with their odor, and scenting the breeze that blew along the streets. The dull modern life was far away, and people who saw him at this period wondered what was amiss; the abstraction of his glance was obvious, even to eyes not over-sharp. But men and women had lost all their power of annoyance and vexation; they could no longer even interrupt his thought for a moment. He could listen to Mr. Dixon with apparent attention, while he was in reality enraptured by the entreating music of the double flute, played by a girl in the garden of Avallaunius, for that was the name he had taken. Mr. Dixon was innocently discoursing archeology, giving a brief résumé of the view expressed by Mr. Wyndham at the last meeting of the antiquarian society.
"There can be no doubt that the temple of Diana stood there in pagan times," he concluded, and Lucian assented to the opinion, and asked a few questions which seemed pertinent enough. But all the time the flute notes were sounding in his ears, and the ilex threw a purple shadow on the white pavement before his villa. A boy came forward from the garden; he had been walking amongst the vines and plucking the ripe grapes, and the juice had trickled down over his breast. Standing beside the girl, unashamed in the sunlight, he began to sing one of Sappho's love songs. His voice was as full and rich as a woman's, but purged of all emotion; he was an instrument of music in the flesh. Lucian looked at him steadily; the white perfect body shone against the roses and the blue of the sky, clear and gleaming as marble in the glare of the sun. The words he sang burned and flamed with passion, and he was as unconscious of their meaning as the twin pipes of the flute. And the girl was smiling. The vicar shook hands and went on, well pleased with his