‘And now, last of all, we come back to the note itself. Here it is in facsimile. My possession of it is due to the kindness of Inspector Cleeve, who is pleased to be amused at my amateur inquisitiveness. Read it, Phillipps; you tell me you are interested in obscure inscriptions; here is something for you to decipher.’
Mr. Phillipps, absorbed in spite of himself in the strange circumstances Dyson had related, took the piece of paper, and scrutinized it closely. The handwriting was indeed bizarre in the extreme, and, as Dyson had noted, not unlike the Persian character in its general effect, but it was perfectly legible.
‘Read it aloud,’ said Dyson, and Phillipps obeyed.
‘“Hand did not point in vain. The meaning of the stars is no longer obscure. Strangely enough, the black heaven vanished, or was stolen yesterday, but that does not matter in the least, as I have a celestial globe. Our old orbit remains unchanged; you have not forgotten the number of my sign, or will you appoint some other house? I have been on the other side of the moon, and can bring something to show you.”’
‘And what do you make of that?’ said Dyson.
‘It seems to me mere gibberish,’ said Phillipps; ‘you suppose it has a meaning?’
‘Oh, surely; it was posted three days before the murder; it was found in the murdered man’s pocket; it is written in a fantastic hand which the murdered man himself used for his private memoranda. There must be purpose under all this, and to my mind there is something ugly enough hidden under the circumstances of this case of Sir Thomas Vivian.’
‘But what theory have you formed?’
‘Oh, as to theories, I am still in a very early stage; it is too soon to state conclusions. But I think I have demolished your Italian. I tell you, Phillipps, again the whole thing has an ugly look to my eyes. I cannot do as you do, and fortify myself with cast-iron propositions to the effect that this or that doesn’t happen, and never has happened. You note that the first word in the letter is “hand”. That seems to me, taken with what we know about the hand on the wall, significant enough, and what you yourself told me of the history and meaning of the symbol, its connection with a world-old belief and faiths of dim far-off years, all this speaks of mischief, for me at all events. No; I stand pretty well to what I said to you half in joke that night before we went out. There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.’
‘I cannot follow you in all this,’ said Phillipps; ‘it seems to interest you strangely. What do you propose to do?’
‘My dear, Phillipps,’ replied Dyson, speaking in a lighter tone, ‘I am afraid I shall have to go down a little in the world. I have a prospect of visits to the pawnbrokers before me, and the publicans must not be neglected. I must cultivate a taste for four ale; shag tobacco I already love and esteem with all my heart.’
Search for the Vanished Heaven
For many days after the discussion with Phillipps. Mr. Dyson was resolute in the line of research he had marked out for himself. A fervent curiosity and an innate liking for the obscure were great incentives, but especially in this case of Sir Thomas Vivian’s death (for Dyson began to boggle a little at the word ‘murder’) there seemed to him an element that was more than curious. The sign of the red hand upon the wall, the tool of flint that had given death, the almost identity between the handwriting of the note and the fantastic script reserved religiously, as it appeared, by the doctor for trifling jottings, all these diverse and variegated threads joined to weave in his mind a strange and shadowy picture, with ghastly shapes dominant and deadly, and yet ill-defined, like the giant figures wavering in an ancient tapestry. He thought he had a clue to the meaning of the note, and in his resolute search for the ‘black heaven’, which had vanished, he beat furiously about the alleys and obscure streets of central London, making himself a familiar figure to the pawnbroker, and a frequent guest at the more squalid pot-houses.
For a long time he was unsuccessful, and he trembled at the thought that the ‘black heaven’ might be hid in the coy retirements of Peckham, or lurk perchance in distant Willesden, but finally, improbability, in which he put his trust, came to the rescue. It was a dark and rainy night, with something in the unquiet and stirring gusts that savoured of approaching winter, and Dyson, beating up a narrow street not far from the Gray’s Inn Road, took shelter in an extremely dirty ‘public’, and called for beer, forgetting for the moment his preoccupations, and only thinking of the sweep of the wind about the tiles and the hissing of the rain through the black and troubled air. At the bar there gathered the usual company: the frowsy women and the men in shiny black, those who appeared to mumble secretly together, others who wrangled in interminable argument, and a few shy drinkers who stood apart, each relishing his dose, and the rank and biting flavour of cheap spirit. Dyson was wondering at the enjoyment of it all, when suddenly there came a sharper accent. The folding-doors swayed open, and a middle-aged woman staggered towards the bar, and clutched the pewter rim as if she stepped a deck in a roaring gale. Dyson glanced at her attentively as a pleasing specimen of her class; she was decently dressed in black, and carried a black bag of somewhat rusty leather, and her intoxication was apparent and far advanced. As she swayed at the bar, it was evidently all she could do to stand upright, and the barman, who had iooked at her with disfavour, shook his head in reply to her thick-voiced demand for a drink. The woman glared at him, transformed in a moment to a fury, with bloodshot eyes, and poured forth a torrent of execration, a stream of blasphemies and early English phraseology.
‘Get out of this,’ said the man; ‘shut up and be off, or I’ll send for the police.’
‘Police, you ——’ bawled the woman ‘I’ll —— well give you something to fetch the police for!’ and with a rapid dive into her bag she pulled out some object which she hurled furiously at the barman’s head.
The man ducked down, and the missile flew over his head and smashed a bottle to fragments, while the woman with a peal of horrible laughter rushed to the door, and they could hear her steps pattering fast over the wet stones.
The barman looked ruefully about him.
‘Not much good going after her,’ he said, ‘and I’m afraid what she’s left won’t pay for that bottle of whisky.’ He fumbled amongst the fragments of broken glass, and drew out something dark, a kind of square stone it seemed, which he held up.
‘Valuable cur’osity,’ he said, ‘any gent like to bid?’
The habitues had scarcely turned from their pots and glasses during these exciting incidents; they gazed a moment, fishily, when the bottle smashed, and that was all, and the mumble of the confidential was resumed and the jangle of the quarrelsome, and the shy and solitary sucked in their lips and relished again the rank flavour of the spirit.
Dyson looked quickly at what the barman held before him.
‘Would you mind letting me see it?’ he said; ‘it’s a queer-looking old thing, isn’t it?’
It was a small black tablet, apparently of stone, about four inches long by two and a half broad, and as Dyson took it he felt