The service went with a rush. The prayers, versicles and responses, and psalms were said, the officiant and the congregation rather pressing than pausing—often, indeed, coming so swiftly to cues that two or three words at the end of one verse or two or three at the beginning of the next would be lost in a confused noise of contending voices. But Venite and Te Deum and Benedictus were rattled off to frisky Anglicans with great spirit; sometimes the organ tooted, sometimes it bleated gently, like a flock of sheep; now one might have sworn that the music of penny whistles stole on the ear, and again, as the organist coupled up the full organ, using suddenly all the battery of his stops, a gas explosion and a Salvation Army band seemed to strive against one another. A well-known nobleman who had been to Chapel at Lupton was heard to say, with reference to this experience: "I am no Ritualist, heaven knows—but I confess I like a hearty service."
But it was, above all, the sermon that has made the Chapel a place of many memories. The Old Boys say—and one supposes that they are in earnest—that the tall, dignified figure of the Doctor, standing high above them all, his scarlet hood making a brilliant splash of colour against the dingy, bilious paint of the pale green walls, has been an inspiration to them in all quarters of the globe, in all manner of difficulties and temptations.
One man writes that in the midst of a complicated and dangerous deal on the Stock Exchange he remembered a sermon of Dr. Chesson's called in the printed volume, "Fighting the Good Fight."
"You have a phrase amongst you which I often hear," said the Head. "That phrase is 'Play the game,' and I wish to say that, though you know it not; though, it may be, the words are often spoken half in jest; still, they are but your modern, boyish rendering of the old, stirring message which I have just read to you.
"Fight the Good Fight.' 'Play the Game.' Remember the words in the storm and struggle, the anxiety and stress that may be—nay, must be—before you—etc., etc., etc."
"After the crisis was over," wrote the Stock Exchange man, "I was thankful that I had remembered those words."
"That voice sounding like a trumpet on the battle-field, bidding us all remember that Success was the prize of Effort and Endurance——" So writes a well-known journalist.
"I remembered what the Doctor said to us once about 'running the race,'" says a young soldier, recounting a narrow escape from a fierce enemy, "so I stuck to my orders."
Ambrose, on that Sunday morning, sat in his place, relishing acutely all the savours of the scene, consumed with inward mirth at the thought that this also professed to be a rite of religion. There was an aimless and flighty merriment about the chant to the Te Deum that made it difficult for him to control his laughter; and when he joined in the hymn "Pleasant are Thy courts above," there was an odd choke in his voice that made the boy next to him shuffle uneasily.
But the sermon!
It will be found on page 125 of the Lupton Sermons. It dealt with the Parable of the Talents, and showed the boys in what the sin of the man who concealed his Talent really consisted.
"I daresay," said the Head, "that many of the older amongst you have wondered what this man's sin really was. You may have read your Greek Testaments carefully, and then have tried to form in your minds some analogy to the circumstances of the parable—and it would not surprise me if you were to tell me that you had failed.
"What manner of man was this? I can imagine your saying one to another. I shall not be astonished if you confess that, for you at least, the question seems unanswerable.
"Yes; Unanswerable to you. For you are English boys, the sons of English gentlemen, to whom the atmosphere of casuistry, of concealment, of subtlety, is unknown; by whom such an atmosphere would be rejected with scorn. You come from homes where there is no shadow, no dark corner which must not be pried into. Your relations and your friends are not of those who hide their gifts from the light of day. Some of you, perhaps, have had the privilege of listening to the talk of one or other of the great statesmen who guide the doctrines of this vast Empire. You will have observed, I am sure, that in the world of politics there is no vain simulation of modesty, no feigned reluctance to speak of worthy achievement. All of you are members of this great community, of which each one of us is so proud, which we think of as the great inspiration and motive force of our lives. Here, you will say, there are no Hidden Talents, for the note of the English Public School (thank God for it!) is openness, frankness, healthy emulation; each endeavouring to do his best for the good of all. In our studies and in our games each desires to excel to carry off the prize. We strive for a corruptible crown, thinking that this, after all, is the surest discipline for the crown that is incorruptible. If a man say that he loveth God whom he hath not seen, and love not his brother whom he hath seen! Let your light shine before men. Be sure that we shall never win Heaven by despising earth.
"Yet that man hid his Talent in a napkin. What does the story mean? What message has it for us to-day?
"I will tell you.
"Some years ago during our summer holidays I was on a walking tour in a mountainous district in the north of England. The sky was of a most brilliant blue, the sun poured, as it were, a gospel of gladness on the earth. Towards the close of the day I was entering a peaceful and beautiful valley amongst the hills, when three sullen notes of a bell came down the breeze towards me. There was a pause. Again the three strokes, and for a third time this dismal summons struck my ears. I walked on in the direction of the sound, wondering whence it came and what it signified; and soon I saw before me a great pile of buildings, surrounded by a gloomy and lofty wall.
"It was a Roman Catholic monastery. The bell was ringing the Angelus, as it is called.
"I obtained admittance to this place and spoke to some of the unhappy monks. I should astonish you if I mentioned the names of some of the deluded men who had immured themselves in this prison-house. It is sufficient to say that among them were a soldier who had won distinction on the battle-field, an artist, a statesman and a physician of no mean repute.
"Now do you understand? Ah! a day will come—you know, I think, what that day is called—when these poor men will have to answer the question: 'Where is the Talent that was given to you?'
"'Where was your sword in the hour of your country's danger?'
"'Where was your picture, your consecration of your art to the service of morality and humanity, when the doors of the great Exhibition were thrown open?'
"'Where was your silver eloquence, your voice of persuasion, when the strife of party was at its fiercest?'
"'Where was your God-given skill in healing when One of Royal Blood lay fainting on the bed of dire—almost mortal—sickness?'
"And the answer? 'I laid it up in a napkin.' And now, etc., etc."
Then the whole six hundred boys sang "O Paradise! O Paradise!" with a fervour and sincerity that were irresistible. The organ thundered till the bad glass shivered and rattled, and the service was over.
V
Almost the last words that Ambrose had heard after his wonderful awaking were odd enough, though at the time he took little note of them, since they were uttered amidst passionate embraces, amidst soft kisses on his poor beaten flesh. Indeed, if these words recurred to him afterwards, they never made much impression on his mind, though to most people they would seem of more serious import than much else that was uttered that night! The sentences ran something like this:
"The cruel, wicked brute! He shall be sorry all his days, and every blow shall be a grief to him. My dear! I promise you he shall pay for to-night ten times over. His heart shall ache for it till it stops beating."
There cannot be much doubt that this promise