CHAPTER II
OLIVIA dreamed, and through her dreams crawled a suggestion of lurking evil, like a black serpent writhing through flower gardens. Her dreams were fragmentary and colorful, exotic shards of a broken, unknown pattern, until they crystalized into a scene of horror and madness, etched against a background of cyclopean stones and pillars.
She saw a great hall, whose lofty ceiling was upheld by stone columns marching in even rows along the massive walls. Among these pillars fluttered great green and scarlet parrots, and the hall was thronged with black-skinned, hawk-faced warriors. They were not negroes. Neither they nor their garments nor weapons resembled anything of the world the dreamer knew.
They were pressing about one bound to a pillar: a slender white-skinned youth, with a cluster of golden curls about his alabaster brow. His beauty was not altogether human—like the dream of a god, chiseled out of living marble.
The black warriors laughed at him, jeered and taunted in a strange tongue. The lithe naked form writhed beneath their cruel hands. Blood trickled down the ivory thighs to spatter on the polished floor. The screams of the victim echoed through the hall; then lifting his head toward the ceiling and the skies beyond, he cried out a name in an awful voice. A dagger in an ebon hand cut short his cry, and the golden head rolled on the ivory breast.
As if in answer to that desperate cry, there was a rolling thunder as of celestial chariot-wheels, and a figure stood before the slayers, as if materialized out of empty air. The form was of a man, but no mortal man ever wore such an aspect of inhuman beauty. There was an unmistakable resemblance between him and the youth who dropped lifeless in his chains, but the alloy of humanity that softened the godliness of the youth was lacking in the features of the stranger, awful and immobile in their beauty.
The blacks shrank back before him, their eyes slits of fire. Lifting a hand, he spoke, and his tones echoed through the silent halls in deep rich waves of sound. Like men in a trance the black warriors fell back until they were ranged along the walls in regular lines. Then from the stranger's chiseled lips rang a terrible invocation and command: "Yagkoolan yok tha, xuthalla!"
At the blast of that awful cry, the black figures stiffened and froze. Over their limbs crept a curious rigidity, an unnatural petrification. The stranger touched the limp body of the youth, and the chains fell away from it. He lifted the corpse in his arms; then ere he turned away, his tranquil gaze swept again over the silent rows of ebony figures, and he pointed to the moon, which gleamed in through the casements. And they understood, those tense, waiting statues that had been men...
Olivia awoke, starting up on her couch of branches, a cold sweat beading her skin. Her heart pounded loud in the silence. She glanced wildly about. Conan slept against his pillar, his head fallen upon his massive breast. The silvery radiance of the late moon crept through the gaping roof, throwing long white lines along the dusty floor. She could see the images dimly, black, tense—waiting. Fighting down a rising hysteria, she saw the moonbeams rest lightly on the pillars and the shapes between.
What was that? A tremor among the shadows where the moonlight fell. A paralysis of horror gripped her, for where there should have been the immobility of death, there was movement: a slow twitching, a flexing and writhing of ebon limbs—an awful scream burst from her lips as she broke the bonds that held her mute and motionless. At her shriek Conan shot erect, teeth gleaming, sword lifted.
"The statues! The statues!—Oh my God, the statues are coming to life!"
And with the cry she sprang through a crevice in the wall, burst madly through the hindering vines, and ran, ran, ran blind, screaming, witless —until a grasp on her arm brought her up short and she shrieked and fought against the arms that caught her, until a familiar voice penetrated the mists of her terror, and she saw Conan's face, a mask of bewilderment in the moonlight.
"What in Crom's name, girl? Did you have a nightmare? 'His voice sounded strange and far away. With a sobbing gasp she threw her arms about his thick neck and clung to him convulsively, crying in panting catches.
"Where are they? Did they follow us?"
"Nobody followed us," he answered.
She sat up, still clinging to him, and looked fearfully about. Her blind flight had carried her to the southern edge of the plateau. Just below them was the slope, its foot masked in the thick shadows of the woods. Behind them she saw the ruins looming in the high-swinging moon.
"Did you not see them?—The statues, moving, lifting their hands, their eyes glaring in the shadows?"
"I saw nothing," answered the barbarian uneasily. "I slept more soundly than usual, because it has been so long since I have slumbered the night through; yet I don't think anything could have entered the hall without waking me."
"Nothing entered," a laugh of hysteria escaped her. "It was something there already. Ah, Mitra, we lay down to sleep among them, like sheep making their bed in the shambles!"
"What are you talking about?" he demanded. "I woke at your cry, but before I had time to look about me, I saw you rush out through the crack in the wall. I pursued you, lest you come to harm. I thought you had a nightmare."
"So I did!" she shivered. "But the reality was more grisly than the dream. Listen!" And she narrated all that she had dreamed and thought to see.
Conan listened attentively. The natural skepticism of the sophisticated man was not his. His mythology contained ghouls, goblins, and necromancers. After she had finished, he sat silent, absently toying with his sword.
"The youth they tortured was like the tall man who came?" he asked at last.
"As like as son to father," she answered, and hesitantly: "If the mind could conceive of the offspring of a union of divinity with humanity, it would picture that youth. The gods of old times mated sometimes with mortal women, our legends tell us."
"What gods?" he muttered.
"The nameless, forgotten ones. Who knows? They have gone back into the still waters of the lakes, the quiet hearts of the hills, the gulfs beyond the stars. Gods are no more stable than men."
"But if these shapes were men, blasted into iron images by some god or devil, how can they come to life?"
"There is witchcraft in the moon," she shuddered. "He pointed at the moon; while the moon shines on them, they live. So I believe."
"But we were not pursued," muttered Conan, glancing toward the brooding ruins. "You might have dreamed they moved. I am of a mind to return and see."
"No, no!" she cried, clutching him desperately. "Perhaps the spell upon them holds them in the hall. Do not go back! They will rend you limb from limb! Oh, Conan, let us go into our boat and flee this awful island! Surely the Hyrkanian ship has passed us now! Let us go!"
So frantic was her pleading that Conan was impressed. His curiosity in regard to the images was balanced by his superstition. Foes of flesh and blood he did not fear, however great the odds, but any hint of the supernatural roused all the dim monstrous instincts of fear that are the heritage of the barbarian.
He took the girl's hand and they went down the slope and plunged into the dense woods, where the leaves whispered, and nameless night-birds murmured drowsily. Under the trees the shadows clustered thick, and Conan swerved to avoid the denser patches. His eyes roved continuously from side to side, and often flitted into the branches above them. He went quickly yet warily, his arm girdling the girl's waist so strongly