Chapter III.
The Auld Licht Kirk
One Sabbath day in the beginning of the century the Auld Licht minister at Thrums walked out of his battered, ramshackle, earthen-floored kirk with a following and never returned. The last words he uttered in it were: "Follow me to the commonty, all you persons who want to hear the Word of God properly preached; and James Duphie and his two sons will answer for this on the Day of Judgment." The congregation, which belonged to the body who seceded from the Established Church a hundred and fifty years ago, had split, and as the New Lights (now the U. P.'s) were in the majority, the Old Lights, with the minister at their head, had to retire to the commonty (or common) and hold service in the open air until they had saved up money for a church. They kept possession, however, of the white manse among the trees. Their kirk has but a cluster of members now, most of them old and done, but each is equal to a dozen ordinary church-goers, and there have been men and women among them on whom the memory loves to linger. For forty years they have been dying out, but their cold, stiff pews still echo the Psalms of David, and, the Auld Licht kirk will remain open so long as it has one member and a minister.
The church stands round the corner from the square, with only a large door to distinguish it from the other building in the short street. Children who want to do a brave thing hit this door with their fists, when there is no one near, and then run away scared. The door, however, is sacred to the memory of a white-haired old lady who, not so long ago, used to march out of the kirk and remain on the pavement until the psalm which had just been given out was sung. Of Thrums's pavement it may here be said that when you come, even to this day, to a level slab you feel reluctant to leave it. The old lady was Mistress (which is Miss) Tibbie McQuhatty, and she nearly split the Auld Licht kirk over "run line." This conspicuous innovation was introduced by Mr. Dishart, the minister, when he was young and audacious. The old, reverent custom in the kirk was for the precentor to read out the psalm a line at a time. Having then sung that line he read out the next one, led the singing of it, and so worked his way on to line three. Where run line holds, however, the psalm is read out first, and forthwith sung. This is not only a flighty way of doing things, which may lead to greater scandals, but has its practical disadvantages, for the precentor always starts singing in advance of the congregation (Auld Lichts never being able to begin to do anything all at once), and, increasing the distance with every line, leaves them hopelessly behind at the finish. Miss McQuhatty protested against this change, as meeting the devil halfway, but the minister carried his point, and ever after that she rushed ostentatiously from the church the moment a psalm was given out, and remained behind the door until the singing was finished, when she returned, with a rustle, to her seat. Run line had on her the effect of the reading of the Riot Act. Once some men, capable of anything, held the door from the outside, and the congregation heard Tibbie rampaging in the passage. Bursting into the kirk she called the office-bearers to her assistance, whereupon the minister in miniature raised his voice and demanded the why and wherefore of the ungodly disturbance. Great was the hubbub, but the door was fast, and a compromise had to be arrived at. The old lady consented for once to stand in the passage, but not without pressing her hands to her ears. You may smile at Tibbie, but ah! I know what she was at a sick bedside. I have seen her when the hard look had gone from her eyes, and it would ill become me to smile too.
As with all the churches in Thrums, care had been taken to make the Auld Licht one much too large. The stair to the "laft" or gallery, which was originally little more than a ladder, is ready for you as soon as you enter the doorway, but it is best to sit in the body of the kirk. The plate for collections is inside the church, so that the whole congregation can give a guess at what you give. If it is something very stingy or very liberal, all Thrums knows of it within a few hours; indeed, this holds good of all the churches, especially perhaps of the Free one, which has been called the bawbee kirk, because so many halfpennies find their way into the plate. On Saturday nights the Thrums shops are besieged for coppers by housewives of all denominations, who would as soon think of dropping a threepenny bit into the plate as of giving nothing. Tammy Todd had a curious way of tipping his penny into the Auld Licht plate while still keeping his hand to his side. He did it much as a boy fires a marble, and there was quite a talk in the congregation the first time he missed. A devout plan was to carry your penny in your hand all the way to church, but to appear to take it out of your pocket on entering, and some plumped it down noisily like men paying their way. I believe old Snecky Hobart, who was a canty stock but obstinate, once dropped a penny into the plate and took out a halfpenny as change, but the only untoward thing that happened to the plate was once when the lassie from the farm of Curly Bog capsized it in passing. Mr. Dishart, who was always a ready man, introduced something into his sermon that day about women's dress, which every one hoped Chirsty Lundy, the lassie in question, would remember. Nevertheless, the minister sometimes came to a sudden stop himself when passing from the vestry to the pulpit. The passage being narrow, his rigging would catch in a pew as he sailed down the aisle. Even then, however, Mr. Dishart remembered that he was not as other men.
White is not a religious colour, and the walls of the kirk were of a dull grey. A cushion was allowed to the manse pew, but merely as a symbol of office, and this was the only pew in the church that had a door. It was and is the pew nearest to the pulpit on the minister's right, and one day it contained a bonnet which Mr. Dishart's predecessor preached at for one hour and ten minutes. From the pulpit, which was swaddled in black, the minister had a fine sweep of all the congregation except those in the back pews downstairs, who were lost in the shadow of the laft. Here sat Whinny Webster, so called because, having an inexplicable passion against them, he devoted his life to the extermination of whins. Whinny for years ate peppermint lozenges with impunity in his back seat, safe in the certainty that the minister, however much he might try, could not possibly see him. But his day came. One afternoon the kirk smelt of peppermints, and Mr. Dishart could rebuke no one, for the defaulter was not in sight. Whinny's cheek was working up and down in quiet enjoyment of its lozenge, when he started, noticing that the preaching had stopped. Then he heard a sepulchral voice say "Charles Webster!" Whinny's eyes turned to the pulpit, only part of which was visible to him, and to his horror they encountered the minister's head coming down the stairs. This took place after I had ceased to attend the Auld Licht kirk regularly; but I am told that as Whinny gave one wild scream the peppermint dropped from his mouth. The minister had got him by leaning over the pulpit door until, had he given himself only another inch, his feet would have gone into the air. As for Whinny he became a Godfearing man.
The most uncanny thing about the kirk was the precentor's box beneath the pulpit. Three Auld Licht ministers I have known, but I can only conceive one precentor. Lang Tammas's box was much too small for him. Since his disappearance from Thrums I believe they have paid him the compliment of enlarging it for a smaller man—no doubt with the feeling that Tammas alone could look like a Christian in it. Like the whole congregation, of course, he had to stand during the prayers—the first of which averaged half an hour in length. If he stood erect his head and shoulders vanished beneath funereal trappings, when he seemed decapitated, and if he stretched his neck the pulpit tottered. He looked like the pillar on which it rested, or he balanced it on his head like a baker's tray. Sometimes he leaned forward as reverently as he could, and then, with his long lean arms dangling over the side of his box, he might have been a suit of "blacks" hung up to dry. Once I was talking with Cree Queery in a sober, respectable manner, when all at once a light broke out on his face. I asked him what he was laughing at, and he said it was at Lang Tammas. He got grave again when I asked him what there was