Georgie, worked to the bone with playing duets, with consulting Foljambe as to questions of linen and plate (for it appeared that Isabel Poppit, in pursuance of the simple life, slept between blankets in the back-yard, and ate uncooked vegetables out of a wooden bowl like a dog), with learning Vanderbilt conventions, with taking part in Royal processions across the green, with packing his bibelots and sending them to the bank, with sketching, so that he might be in good form when he began to paint at Tilling with a view to exhibiting in the Art Society, wondered what was the true source of these stupendous activities of Lucia's, whether she was getting fit, getting in training, so to speak, for a campaign at Tilling. Somehow it seemed likely, for she would hardly think it worth while to run the affairs of Riseholme with such energy, when she was about to disappear from it for three months. Or was she intending to let Riseholme see how dreadfully flat everything would become when she left them? Very likely both these purposes were at work; it was like her to kill two birds with one stone. Indeed, she was perhaps killing three birds with one stone, for multifarious as were the interests in which she was engaged there was one, now looming large in Riseholme, namely the Elizabethan fête, of which she seemed strangely unconscious. Her drive, her powers of instilling her friends with her own fervour, never touched that: she did not seem to know that a fête was being contemplated at all, though now a day seldom passed without a procession of some sort crossing the green or a Morris-dance getting entangled with the choristers practising madrigals, or a crowd of soldiers and courtiers being assembled near the front entrance of the Ambermere Arms, while Daisy harangued them from a chair put on the top of a table, pausing occasionally because she forgot her words, or in order to allow them to throw up their hats and cry 'God Save the Queen's Grace', 'To hell with Spain', and other suitable ejaculations. Daisy, occasionally now in full dress, ruff and pearls and all, came across to the gate of The Hurst, to wait for the procession to join her, and Lucia sitting in Perdita's garden would talk to her about Tilling or the importance of being prudent if you were vulnerable at contract, apparently unaware that Daisy was dressed up at all. Once Lucia came out of the Ambermere Arms when Daisy was actually mounting the palfrey that drew the milk-cart for a full-dress rehearsal, and she seemed to be positively palfrey-blind. She merely said 'Don't forget that you and Robert are dining with me tonight. Half-past seven, so that we shall get a good evening's bridge,' and went on her way . . . Or she would be passing the pond on which the framework of the Golden Hind was already constructed, and on which Georgie was even then kneeling down to receive the accolade amid the faint cheers of Piggy and Goosie, and she just waved her hand to Georgie and said: 'Musica after lunch, Georgie?' She made no sarcastic comments to anybody, and did not know that they were doing anything out of the ordinary.
Under this pointed unconsciousness of hers, a species of blight spread over the scheme to which Riseholme ought to have been devoting its most enthusiastic energies. The courtiers were late for rehearsals, they did not even remove their cigarettes when they bent to kiss the Queen's hand, Piggy and Goosie made steps of Morris-dances when they ought to have been holding up Elizabeth's train, and Georgie snatched up a cushion, when the accolade was imminent, to protect his shoulder. The choir-boys droned their way through madrigals, sucking peppermints, there was no life, no keenness about it all, because Lucia, who was used to inspire all Riseholme's activities, was unaware that anything was going on.
One morning when only a fortnight of July was still to run, Drake was engaged on his croquet-lawn tapping the balls about and trying to tame his white satin shoes which hurt terribly. From the garden next door came the familiar accents of the Queen's speech to her troops.
'And though I am only a weak woman,' declaimed Daisy who was determined to go through the speech without referring to her book. 'Though I am only a weak woman, a weak woman — ' she repeated.
'Yet I have the heart of a Prince,' shouted Drake with the friendly intention of prompting her.
'Thank you, Georgie. Or ought it to be Princess, do you think?'
'No: Prince,' said Georgie.
'Prince,' cried Daisy. 'Though I am only a weak woman, yet I have the heart of a Prince . . . Let me see . . . Prince.'
There was silence.
'Georgie,' said Daisy in her ordinary voice. 'Do stop your croquet a minute and come to the paling. I want to talk.'
'I'm trying to get used to these shoes,' said Georgie. 'They hurt frightfully. I shall have to take them to Tilling and wear them there. Oh, I haven't told you, Lady Brixton came down yesterday evening — '
'I know that,' said Daisy.
' — and she thinks that her brother will take my house for a couple of months, as long as I don't leave any servants. He'll be here for the fête, if he does, so I wonder if you could put me up. How's Robert's cold?'
'Worse,' she said. 'I'm worse too. I can't remember half of what I knew by heart a week ago. Isn't there some memory-system?'
'Lots, I believe,' said Georgie. 'But it's rather late. They don't improve your memory all in a minute. I really think you had better read your speech to the troops, as if it was the opening of Parliament.'
'I won't,' said Daisy, taking off her ruff. 'I'll learn it if it costs me the last breath of blood in my body — I mean drop.'
'Well it will be very awkward if you forget it all,' said Georgie. 'We can't cheer nothing at all. Such a pity, because your voice carries perfectly now. I could hear you while I was breakfasting.'
'And it's not only that,' said Daisy. 'There's no life in the thing. It doesn't look as if it was happening.'
'No, that's true,' said Georgie. 'These tarsome shoes of mine are real enough, though!'
'I begin to think we ought to have had a producer,' said Daisy. 'But it was so much finer to do it all ourselves, like — like Oberammergau. Does Lucia ever say anything about it? I think it's too mean for words of her to take no interest in it.'
'Well, you must remember that you asked her only to be my wife,' said Georgie. 'Naturally she wouldn't like that.'
'She ought to help us instead of going about as if we were all invisible,' exclaimed Daisy.
'My dear, she did offer to help you. At least, I told you ages ago, that I felt sure she would if you asked her to.'
'I feel inclined to chuck the whole thing,' said Daisy.
'But you can't. Masses of tickets have been sold. And who's to pay for the Golden Hind and the roast sheep and all the costumes?' asked Georgie. 'Not to mention all our trouble. Why not ask her to help, if you want her to?'
'Georgie, will you ask her?' said Daisy.
'Certainly not,' said Georgie very firmly. 'You've been managing it from the first. It's your show. If I were you, I would ask her at once. She'll be over here in a few minutes, as we're going to have a music. Pop in.'
A melodious cry of 'Georgino mio!' resounded from the open window of Georgie's drawing-room, and he hobbled away down the garden walk. Ever since that beautiful understanding they had arrived at, that both of them shrank, as from a cup of hemlock, from the idea of marriage, they had talked Italian or baby-language to a surprising extent from mere lightness of heart.
'Me tummin',' he called. ' 'Oo very good girl, Lucia. 'Oo molto punctuale.'
(He was not sure about that last word, nor was Lucia, but she understood it.)
'Georgino! Che curiose scalpe!' said Lucia, leaning out of