"Horrid boy," said Lucia daringly. "But that's the way with all you men. You want women to be gay and bright and thoughtless, and have no other ideas except to amuse you. I shan't ever talk to either of you again about my real feelings. We will talk about the trial today. My entire sympathies are with Babs, Lord Tony. I'm sure yours are too."
Lord Limpsfield left Stephen there when he took his leave, after a quarter of an hour's lighter conversation, and as nobody else dropped in, Lucia only asked her lover to dine on two or three nights the next week, to meet her at the private view of Herbert Alton's Exhibition next morning, and let him go in a slightly bewildered frame of mind.
* * *
Stephen walked slowly up the Brompton Road, looking into the shop windows, and puzzling this out. She had held his hand oddly, she had sat close to him on the sofa, she had waved a dozen of those little signals of intimacy which gave colour to a supposition which, though it did not actually make his blood run cold, certainly did not make it run hot . . . He and Lucia were excellent friends, they had many tastes in common, but Stephen knew that he would sooner never see her again than have an intrigue with her. He was no hand, to begin with, at amorous adventures, and even if he had been he could not conceive a woman more ill-adapted to dally with than Lucia. "Galahad and Artemis would make a better job of it than Lucia and me," he muttered to himself, turning hastily away from a window full of dainty underclothing for ladies. In vain he searched the blameless records of his intercourse with Lucia: he could not accuse himself of thought, word or deed which could possibly have given rise to any disordered fancy of hers that he observed her with a lascivious eye.
"God knows I am innocent," he said to himself, and froze with horror at the sudden sight of a large news-board on which was printed in large capitals "Babs wants Woof-dog on the hearthrug."
He knew he had no taste for gallantry, and he felt morally certain that Lucia hadn't either . . . What then could she mean by those little tweaks and pressures? Conning them over for the second time, it struck him more forcibly than before that she had only indulged in these little licentiousnesses when there was someone else present. Little as he knew of the ways of lovers, he always imagined that they exchanged such tokens chiefly in private, and in public only when their passions had to find a small safety-valve. Again, if she had had designs on his virtue, she would surely, having got him alone, have given a message to her servants that she was out and not have had Lord Limpsfield admitted . . . He felt sure she was up to something, but to his dull male sense, it was at present wrapped in mystery. He did not want to give up all those charming hospitalities of hers, but he must needs be very circumspect.
It was, however, without much misgiving that he awaited her next morning at the doors of the little Rutland Gallery, for he felt safe in so public a place as a private view. Only a few early visitors had come in when Lucia arrived, and as she passed the turnstile showing the two cards of invitation for herself and Peppino, impersonated by Stephen, she asked for hers back, saying that she was only going to make a short visit now and would return later. She had not yet seen the caricature of herself and Peppino, for which Bertie Alton (she still stuck to this little mistake) had accepted a commission, and she made her way at once to Numbers 39 and 40, which her catalogue told her were of Mr and Mrs Philip Lucas. Subjoined to their names were the captions, and she read with excitement that Peppino was supposed to be saying "At whatever personal inconvenience I must live up to Lucia," while below Number 40 was the enticing little legend "Oh, these duchesses! They give one no peace!" . . . And there was Peppino, in the knee-breeches of levee dress, tripping over his sword which had got entangled with his legs, and a cocked-hat on the back of his head, with his eyes very much apart, and no nose, and a small agonized hole in his face for a mouth . . . And there was she with a pile of opened letters on the floor, and a pile of unopened letters on the table. There was not much of her face to be seen, for she was talking into a telephone, but her skirt was very short, and so was her hair, and there was a wealth of weary resignation in the limpness of her carriage.
Lucia examined them both carefully, and then gave a long sigh of perfect happiness. That was her irrepressible comment: she could not have imagined anything more ideal. Then she gave a little peal of laughter.
"Look, Stephen," she said. "Bobbie — I mean Bertie — really is too wicked for anything! Really, outrageous! I am furious with him, and yet I can't help laughing. Poor Peppino, and poor me! Marcia will adore it. She always says she can never get hold of me nowadays."
Lucia gave a swift scrutiny to the rest of the collection, so as to be able to recognise them all without reference to her catalogue, when she came back, as she intended to do later in the morning. There was hardly anyone here at present, but the place would certainly be crowded an hour before lunchtime, and she proposed to make a soi-disant first visit then, and know at once whom all the caricatures represented (for Bertie in his enthusiasm for caricature sometimes omitted likenesses), and go into peals of laughter at those of herself and Peppino, and say she must buy them, which of course she had already done. Stephen remained behind, for Hermione was going to say a good deal about the exhibition, but promised to wait till Lucia came back. She had not shown the smallest sign of amorousness this morning. His apprehensions were considerably relieved, and it looked as if no storm of emotion was likely to be required of him.
"Hundreds of things to do!" she said. "Let me see, half-past eleven, twelve — yes, I shall be back soon after twelve, and we'll have a real look at them. And you'll lunch? Just a few people coming."
Before Lucia got back, the gallery had got thick with visitors, and Hermione was busy noting those whom he saw chatting with friends or looking lovely, or being very pleased with the new house in Park Lane, or receiving congratulations on the engagement of a daughter. There was no doubt which of the pictures excited most interest, and soon there was a regular queue waiting to look at Numbers 39 and 40. People stood in front of them regarding them gravely and consulting their catalogues and then bursting into loud cracks of laughter and looking again till the growing weight of the queue dislodged them. One of those who lingered longest and stood her ground best was Adele, who, when she was eventually shoved on, ran round to the tail of the queue and herself shoved till she got opposite again. She saw Stephen.
"Ah, then Lucia won't be far off," she observed archly. "Doesn't she adore it? Where is Lucia?"
"She's been, but she's coming back," he said. "I expect her every minute. Ah! there she is."
This was rather stupid of Stephen. He ought to have guessed that Lucia's second appearance was officially intended to be her first. He grasped that when she squeezed her way through the crowd and greeted him as if they had not met before that morning.
"And dearest Adele," she said. "What a crush! Tell me quickly, where are the caricatures of Peppino and me? I'm dying to see them; and when I see them no doubt I shall wish I was dead."
The light of Luciaphilism came into Adele's intelligent eyes.
"We'll look for them together," she said. "Ah thirty-nine and forty. They must be somewhere just ahead."
Lucia exerted a steady indefatigable pressure on those in front, and presently came into range.
"Well, I never!" she said. "Oh, but so like Peppino! How could Bertie have told he got his sword entangled just like that? And look what he says . . . Oh, and then Me! Just because I met him at Marcia's party and people were wanting to know when I had an evening free! Of all the impertinences! How I shall scold him!"
Lucia did it quite admirably in blissful unconsciousness that Adele knew she had been here before. She laughed, she looked again and laughed again ("Mrs Lucas and Lady Brixton in fits of merriment over the cartoon of Mr Lucas and herself," thought Hermione.)
"Ah, and there's Lord Hurtacombe," she said. "I'm sure that's Lord Hurtacombe, though you can't see much of him, and, look, Olga surely, is it not? How does he do it?"
That was a very clever identification for one who had not previously studied the catalogue, for Olga's face consisted entirely of a large open mouth and the tip of a chin, it might have been the face of anybody yawning. Her arms were stretched wide, and she towered above a small man in shorts.
"The