Cesar came to all appointments at the expected hour; but if he were kept waiting, he left ten minutes later with an inflexibility which nothing ever changed. Thus his punctuality compelled all persons who had dealings with him to be punctual themselves.
The dress adopted by the worthy man was in keeping with his manners and his countenance. No power could have made him give up the white muslin cravats, with ends embroidered by his wife or daughter, which hung down beneath his chin. His waistcoat of white pique, squarely buttoned, came down low over his stomach, which was rather protuberant, for he was somewhat fat. He wore blue trousers, black silk stockings, and shoes with ribbon ties, which were often unfastened. His surtout coat, olive-green and always too large, and his broad-brimmed hat gave him the air of a Quaker. When he dressed for the Sunday evening festivities he put on silk breeches, shoes with gold buckles, and the inevitable square waistcoat, whose front edges opened sufficiently to show a pleated shirt-frill. His coat, of maroon cloth, had wide flaps and long skirts. Up to the year 1819 he kept up the habit of wearing two watch-chains, which hung down in parallel lines; but he only put on the second when he dressed for the evening.
Such was Cesar Birotteau; a worthy man, to whom the fates presiding at the birth of men had denied the faculty of judging politics and life in their entirety, and of rising above the social level of the middle classes; who followed ignorantly the track of routine, whose opinions were all imposed upon him from the outside and applied by him without examination. Blind but good, not spiritual but deeply religious, he had a pure heart. In that heart there shone one love, the light and strength of his life; for his desire to rise in life, and the limited knowledge he had gained of the world, both came from his affection for his wife and for his daughter.
As for Madame Cesar, then thirty-seven years old, she bore so close a resemblance to the Venus of Milo that all who knew her recognized the likeness when the Duc de Riviere sent the beautiful statue to Paris. In a few months sorrows were to dim with yellowing tints that dazzling fairness, to hollow and blacken the bluish circle round the lovely greenish-gray eyes so cruelly that she then wore the look of an old Madonna; for amid the coming ruin she retained her gentle sincerity, her pure though saddened glance; and no one ever thought her less than a beautiful woman, whose bearing was virtuous and full of dignity. At the ball now planned by Cesar she was to shine with a last lustre of beauty, remarked upon at the time and long remembered.
Every life has its climax—a period when causes are at work, and are in exact relation to results. This mid-day of life, when living forces find their equilibrium and put forth their productive powers with full effect, is common not only to organized beings but to cities, nations, ideas, institutions, commerce, and commercial enterprises, all of which, like noble races and dynasties, are born and rise and fall. From whence comes the vigor with which this law of growth and decay applies itself to all organized things in this lower world? Death itself, in times of scourge, has periods when it advances, slackens, sinks back, and slumbers. Our globe is perhaps only a rocket a little more continuing than the rest. History, recording the causes of the rise and fall of all things here below, could enlighten man as to the moment when he might arrest the play of all his faculties; but neither the conquerors, nor the actors, nor the women, nor the writers in the great drama will listen to the salutary voice.
Cesar Birotteau, who might with reason think himself at the apogee of his fortunes, used this crucial pause as the point of a new departure. He did not know, moreover neither nations nor kings have attempted to make known in characters ineffaceable, the cause of the vast overthrows with which history teems, and of which so many royal and commercial houses offer signal examples. Why are there no modern pyramids to recall ceaselessly the one principle which dominates the common-weal of nations and of individual life? When the effect produced is no longer in direct relation nor in equal proportion to the cause, disorganization has begun. And yet such monuments stand everywhere; it is tradition and the stones of the earth which tell us of the past, which set a seal upon the caprices of indomitable destiny, whose hand wipes out our dreams, and shows us that all great events are summed up in one idea. Troy and Napoleon are but poems. May this present history be the poem of middle-class vicissitudes, to which no voice has given utterance because they have seemed poor in dignity, enormous as they are in volume. It is not one man with whom we are now to deal, but a whole people, or world, of sorrows.
III
Cesar’s last thought as he fell asleep was a fear that his wife would make peremptory objections in the morning, and he ordered himself to get up very early and escape them. At the dawn of day he slipped out noiselessly, leaving his wife in bed, dressed quickly, and went down to the shop, just as the boy was taking down the numbered shutters. Birotteau, finding himself alone, the clerks not having appeared, went to the doorway to see how the boy, named Raguet, did his work—for Birotteau knew all about it from experience. In spite of the sharp air the weather was beautiful.
“Popinot, get your hat, put on your shoes, and call Monsieur Celestin; you and I will go and have a talk in the Tuileries,” he said, when he saw Anselme come down.
Popinot, the admirable antipodes of du Tillet, apprenticed to Cesar by one of those lucky chances which lead us to believe in a Sub-Providence, plays so great a part in this history that it becomes absolutely necessary to sketch his profile here. Madame Ragon was a Popinot. She had two brothers. One, the youngest of the family, was at this time a judge in the Lower courts of the Seine—courts which take cognizance of all civil contests involving sums above a certain amount. The eldest, who was in the wholesale wool-trade, lost his property and died, leaving to the care of Madame Ragon and his brother an only son, who had lost his mother at his birth. To give him a trade, Madame Ragon placed her nephew at “The Queen of Roses,” hoping he might some day succeed Birotteau. Anselme Popinot was a little fellow and club-footed—an infirmity bestowed by fate on Lord Byron, Walter Scott, and Monsieur de Talleyrand, that others so afflicted might suffer no discouragement. He had the brilliant skin, with frequent blotches, which belongs to persons with red hair; but his clear brow, his eyes the color of a grey-veined agate, his pleasant mouth, his fair complexion, the charm of his modest youth and the shyness which grew out of his deformity, all inspired feelings of protection in those who knew him: we love the weak, and Popinot was loved. Little Popinot—everybody called him so—belonged to a family essentially religious, whose virtues were intelligent, and whose lives were simple and full of noble actions. The lad himself, brought up by his uncle the judge, presented a union of qualities which are the beauty of youth; good and affectionate, a little shame-faced though full of eagerness, gentle as a lamb but energetic in his work, devoted and sober, he was endowed with the virtues of a Christian in the early ages of the Church.
When he heard of a walk in the Tuileries—certainly the most eccentric proposal that his august master could have made to him at that hour of the day—Popinot felt sure that he must intend to speak to him about setting up in business. He thought suddenly of Cesarine, the true queen of roses, the living sign of the house, whom he had loved from the day when he was taken into Birotteau’s employ, two months before the advent of du Tillet. As he went upstairs he was forced to pause; his heart swelled, his arteries throbbed violently. However, he soon came down again, followed by Celestin, the head-clerk. Anselme and his master turned without a word in the direction of the Tuileries.
Popinot was twenty-one years old. Birotteau himself had married at that age. Anselme therefore could see no hindrance to his marriage with Cesarine, though the wealth of the perfumer and the beauty of the daughter were immense obstacles in the path of his ambitious desires: but love gets onward by leaps of hope, and the more absurd they are the greater faith it has in them; the farther off was the mistress of Anselme’s heart, the more ardent became his desires. Happy the youth who in those levelling days when all hats looked alike, had contrived to create a sense of distance between the daughter of a perfumer and himself, the scion of an old Parisian family! In spite of all his doubts and fears he was happy;