Walter Scott.
ABBOTSFORD, OCTOBER 1, 1827.
Such was the little narrative which I thought proper to put forth in October 1827; nor have I much to add to it now. About to appear for the first time in my own name in this department of letters, it occurred to me that something in the shape of a periodical publication might carry with it a certain air of novelty, and I was willing to break, if I may so express it, the abruptness of my personal forthcoming, by investing an imaginary coadjutor with at least as much distinctness of individual existence as I had ever previously thought it worth while to bestow on shadows of the same convenient tribe. Of course, it had never been in my contemplation to invite the assistance of any real person in the sustaining of my quasi-editorial character and labours. It had long been my opinion, that any thing like a literary PICNIC is likely to end in suggesting comparisons, justly termed odious, and therefore to be avoided; and, indeed, I had also had some occasion to know, that promises of assistance, in efforts of that order, are apt to be more magnificent than the subsequent performance. I therefore planned a Miscellany, to be dependent, after the old fashion, on my own resources alone, and although conscious enough that the moment which assigned to the Author of Waverley “a local habitation and a name,” had seriously endangered his spell, I felt inclined to adopt the sentiment of my old hero Montrose, and to say to myself, that in literature, as in war,—
“He either fears his fate too much,
Or his deserts are small,
Who dares not put it to the touch,
To win or lose it all.”
To the particulars explanatory of the plan of these Chronicles, which the reader is presented with in Chapter II. by the imaginary Editor, Mr. Croftangry, I have now to add, that the lady, termed in his narrative, Mrs. Bethune Balliol, was designed to shadow out in its leading points the interesting character of a dear friend of mine, Mrs. Murray Keith, whose death occurring shortly before, had saddened a wide circle, much attached to her, as well for her genuine virtue and amiable qualities of disposition, as for the extent of information which she possessed, and the delightful manner in which she was used to communicate it. In truth, the author had, on many occasions, been indebted to her vivid memory for the SUBSTRATUM of his Scottish fictions, and she accordingly had been, from an early period, at no loss to fix the Waverley Novels on the right culprit.
[The Keiths of Craig, in Kincardineshire, descended from John Keith, fourth son of William, second Earl Marischal, who got from his father, about 1480, the lands of Craig, and part of Garvock, in that county. In Douglas’s Baronage, 443 to 445, is a pedigree of that family. Colonel Robert Keith of Craig (the seventh in descent from John) by his wife, Agnes, daughter of Robert Murray of Murrayshall, of the family of Blackbarony, widow of Colonel Stirling, of the family of Keir, had one son—namely Robert Keith of Craig, ambassador to the court of Vienna, afterwards to St. Petersburgh, which latter situation he held at the accession of King George III who died at Edinburgh in 1774. He married Margaret, second daughter of Sir William Cunningham of Caprington, by Janet, only child and heiress of Sir James Dick of Prestonfield; and, among other children of this marriage were the late wellknown diplomatist, Sir Robert Murray Keith, K.B., a general in the army, and for some time ambassador at Vienna; Sir Basil Keith, Knight, captain in the navy, who died Governor of Jamaica; and my excellent friend, Anne Murray Keith, who ultimately came into possession of the family estates, and died not long before the date of this Introduction (1831).]
In the sketch of Chrystal Croftangry’s own history, the author has been accused of introducing some not polite allusions to respectable living individuals; but he may safely, he presumes, pass over such an insinuation. The first of the narratives which Mr. Croftangry proceeds to lay before the public, “The Highland Widow,” was derived from Mrs. Murray Keith, and is given, with the exception of a few additional circumstances—the introduction of which I am rather inclined to regret—very much as the excellent old lady used to tell the story. Neither the Highland cicerone Macturk nor the demure washingwoman, were drawn from imagination; and on rereading my tale, after the lapse of a few years, and comparing its effect with my remembrance of my worthy friend’s oral narration, which was certainly extremely affecting, I cannot but suspect myself of having marred its simplicity by some of those interpolations, which, at the time when I penned them, no doubt passed with myself for embellishments.
The next tale, entitled “The Two Drovers,” I learned from another old friend, the late George Constable, Esq. of Wallace-Craigie, near Dundee, whom I have already introduced to my reader as the original Antiquary of Monkbarns. He had been present, I think, at the trial at Carlisle, and seldom mentioned the venerable judges charge to the jury, without shedding tears,—which had peculiar pathos, as flowing down features, carrying rather a sarcastic or almost a cynical expression.
This worthy gentleman’s reputation for shrewd Scottish sense, knowledge of our national antiquities, and a racy humour peculiar to himself, must be still remembered. For myself, I have pride in recording that for many years we were, in Wordsworth’s language,—
“A pair of friends, though I was young,
And ‘George’ was seventy-two.”
W. S.
ABBOTSFORD, AUG. 15, 1831.
Introductory:
Chapter I
Mr. Chrystal Croftangry’s Account Of Himself.
Sic itur ad astra.
“This is the path to heaven.” Such is the ancient motto attached to the armorial bearings of the Canongate, and which is inscribed, with greater or less propriety, upon all the public buildings, from the church to the pillory, in the ancient quarter of Edinburgh which bears, or rather once bore, the same relation to the Good Town that Westminster does to London, being still possessed of the palace of the sovereign, as it formerly was dignified by the residence of the principal nobility and gentry. I may therefore, with some propriety, put the same motto at the head of the literary undertaking by which I hope to illustrate the hitherto undistinguished name of Chrystal Croftangry.
The public may desire to know something of an author who pitches at such height his ambitious expectations. The gentle reader, therefore—for I am much of Captain Bobadil’s humour, and could to no other extend myself so far—the GENTLE reader, then, will be pleased to understand that I am a a Scottish gentleman of the old school, with a fortune, temper, and person, rather the worse for wear. I have known the world for these forty years, having written myself man nearly since that period—and I do not think it is much mended. But this is an opinion which I keep to myself when I am among younger folk, for I recollect, in my youth, quizzing the Sexagenarians who carried back their ideas of a perfect state of society to the days of laced coats and triple ruffles, and some of them to the blood and blows of the Fortyfive. Therefore I am cautious in exercising the right of censorship, which is supposed to be acquired by men arrived at, or approaching, the mysterious period of life, when the numbers of seven and nine multiplied into each other, form what sages have termed the Grand Climacteric.
Of the earlier part of my life it is only necessary to say, that I swept the boards of the Parliament-House with the skirts of my gown for the usual number of years during which young Lairds were in my time expected to keep term—got no fees—laughed, and made others laugh—drank claret at Bayle’s, Fortune’s, and Walker’s— and ate oysters in the Covenant Close.
Becoming my own master, I flung my gown at the bar-keeper, and commenced gay man on my own account. In