As these overworked girls stream along the street, the rest of us see only the self-conscious walk, the giggling speech, the preposterous clothing. And yet through the huge hat, with its wilderness of bedraggled feathers, the girl announces to the world that she is here. She demands attention to the fact of her existence, she states that she is ready to live, to take her place in the world. The most precious moment in human development is the young creature's assertion that he is unlike any other human being, and has an individual contribution to make to the world. The variation from the established type is at the root of all change, the only possible basis for progress, all that keeps life from growing unprofitably stale and repetitious.
Is it only the artists who really see these young creatures as they are—the artists who are themselves endowed with immortal youth? Is it our disregard of the artist's message which makes us so blind and so stupid, or are we so under the influence of our Zeitgeist that we can detect only commercial values in the young as well as in the old? It is as if our eyes were holden to the mystic beauty, the redemptive joy, the civic pride which these multitudes of young people might supply to our dingy towns.
The young creatures themselves piteously look all about them in order to find an adequate means of expression for their most precious message: One day a serious young man came to Hull-House with his pretty young sister who, he explained, wanted to go somewhere every single evening, "although she could only give the flimsy excuse that the flat was too little and too stuffy to stay in." In the difficult rôle of elder brother, he had done his best, stating that he had taken her "to all the missions in the neighborhood, that she had had a chance to listen to some awful good sermons and to some elegant hymns, but that some way she did not seem to care for the society of the best Christian people." The little sister reddened painfully under this cruel indictment and could offer no word of excuse, but a curious thing happened to me. Perhaps it was the phrase "the best Christian people," perhaps it was the delicate color of her flushing cheeks and her swimming eyes, but certain it is, that instantly and vividly there appeared to my mind the delicately tinted piece of wall in a Roman catacomb where the early Christians, through a dozen devices of spring flowers, skipping lambs and a shepherd tenderly guiding the young, had indelibly written down that the Christian message is one of inexpressible joy. Who is responsible for forgetting this message delivered by the "best Christian people" two thousand years ago? Who is to blame that the lambs, the little ewe lambs, have been so caught upon the brambles?
But quite as the modern city wastes this most valuable moment in the life of the girl, and drives into all sorts of absurd and obscure expressions her love and yearning towards the world in which she forecasts her destiny, so it often drives the boy into gambling and drinking in order to find his adventure.
Of Lincoln's enlistment of two and a half million soldiers, a very large number were under twenty-one, some of them under eighteen, and still others were mere children under fifteen. Even in those stirring times when patriotism and high resolve were at the flood, no one responded as did "the boys," and the great soul who yearned over them, who refused to shoot the sentinels who slept the sleep of childhood, knew, as no one else knew, the precious glowing stuff of which his army was made. But what of the millions of boys who are now searching for adventurous action, longing to fulfil the same high purpose?
One of the most pathetic sights in the public dance halls of Chicago is the number of young men, obviously honest young fellows from the country, who stand about vainly hoping to make the acquaintance of some "nice girl." They look eagerly up and down the rows of girls, many of whom are drawn to the hall by the same keen desire for pleasure and social intercourse which the lonely young men themselves feel.
One Sunday night at twelve o'clock I had occasion to go into a large public dance hall. As I was standing by the rail looking for the girl I had come to find, a young man approached me and quite simply asked me to introduce him to some "nice girl," saying that he did not know any one there. On my replying that a public dance hall was not the best place in which to look for a nice girl, he said: "But I don't know any other place where there is a chance to meet any kind of a girl. I'm awfully lonesome since I came to Chicago." And then he added rather defiantly: "Some nice girls do come here! It's one of the best halls in town." He was voicing the "bitter loneliness" that many city men remember to have experienced during the first years after they had "come up to town." Occasionally the right sort of man and girl meet each other in these dance halls and the romance with such a tawdry beginning ends happily and respectably. But, unfortunately, mingled with the respectable young men seeking to form the acquaintance of young women through the only channel which is available to them, are many young fellows of evil purpose, and among the girls who have left their lonely boarding houses or rigid homes for a "little fling" are likewise women who openly desire to make money from the young men whom they meet, and back of it all is the desire to profit by the sale of intoxicating and "doctored" drinks.
Perhaps never before have the pleasures of the young and mature become so definitely separated as in the modern city. The public dance halls filled with frivolous and irresponsible young people in a feverish search for pleasure, are but a sorry substitute for the old dances on the village green in which all of the older people of the village participated. Chaperonage was not then a social duty but natural and inevitable, and the whole courtship period was guarded by the conventions and restraint which were taken as a matter of course and had developed through years of publicity and simple propriety.
The only marvel is that the stupid attempt to put the fine old wine of traditional country life into the new bottles of the modern town does not lead to disaster oftener than it does, and that the wine so long remains pure and sparkling.
We cannot afford to be ungenerous to the city in which we live without suffering the penalty which lack of fair interpretation always entails. Let us know the modern city in its weakness and wickedness, and then seek to rectify and purify it until it shall be free at least from the grosser temptations which now beset the young people who are living in its tenement houses and working in its factories. The mass of these young people are possessed of good intentions and they are equipped with a certain understanding of city life. This itself could be made a most valuable social instrument toward securing innocent recreation and better social organization. They are already serving the city in so far as it is honeycombed with mutual benefit societies, with "pleasure clubs," with organizations connected with churches and factories which are filling a genuine social need. And yet the whole apparatus for supplying pleasure is wretchedly inadequate and full of danger to whomsoever may approach it. Who is responsible for its inadequacy and dangers? We certainly cannot expect the fathers and mothers who have come to the city from farms or who have emigrated from other lands to appreciate or rectify these dangers. We cannot expect the young people themselves to cling to conventions which are totally unsuited to modern city conditions, nor yet to be equal to the task of forming new conventions through which this more agglomerate social life may express itself. Above all we cannot hope that they will understand the emotional force which seizes them and which, when it does not find the traditional line of domesticity, serves as a cancer in the very tissues of society and as a disrupter of the securest social bonds. No attempt is made to treat the manifestations of this fundamental instinct with dignity or to give it possible social utility. The spontaneous joy, the clamor for pleasure, the desire of the young people to appear finer and better and altogether more lovely than they really are, the idealization not only of each other but of the whole earth which they regard but as a theater for their noble exploits, the unworldly ambitions, the romantic hopes, the make-believe world in which they live, if