And the lamentations of the "Départ du Fiancé" continued their sorrowful theme, and then William W. Kolderup, having made the turn of the room, returned to Godfrey, who stood like a criminal before the judge. Then raising his voice—
"You are serious," he asked.
"Quite serious!" interrupted Phina, while Godfrey contented himself with making a sign of affirmation.
"You want to try travelling before you marry Phina! Well! You shall try it, my nephew!"
He made two or three steps and stopping with crossed arms before Godfrey, asked—
"Where do you want to go to?"
"Everywhere."
"And when do you want to start?"
"When you please, Uncle Will."
"All right," replied William W. Kolderup, fixing a curious look on his nephew.
Then he muttered between his teeth—
"The sooner the better."
At these last words came a sudden interruption from Phina. The little finger of her left hand touched a G#, and the fourth had, instead of falling on the key-note, rested on the "sensible," like Ralph in the "Huguenots," when he leaves at the end of his duet with Valentine.
Perhaps Phina's heart was nearly full, she had made up her mind to say nothing.
It was then that William W. Kolderup, without noticing Godfrey, approached the piano.
"Phina," said he gravely, "you should never remain on the 'sensible'!"
And with the tip of his large finger he dropped vertically on to one of the keys and an "A natural" resounded through the room.
CHAPTER IV.
IN WHICH T. ARTELETT, OTHERWISE TARTLET, IS DULY INTRODUCED TO THE READER.
If T. Artelett had been a Parisian, his compatriots would not have failed to nickname him Tartlet, but as he had already received this title we do not hesitate to describe him by it. If Tartlet was not a Frenchman he ought to have been one.
In his "Itinéraire de Paris à Jérusalem," Chateaubriand tells of a little man "powdered and frizzed in the old-fashioned style, with a coat of apple green, a waistcoat of drouget, shirt-frill and cuffs of muslin, who scraped a violin and made the Iroquois dance 'Madeleine Friquet.'"
The Californians are not Iroquois, far from it; but Tartlet was none the less professor of dancing and deportment in the capital of their state. If they did not pay him for his lessons, as they had his predecessor in beaver-skins and bear-hams, they did so in dollars. If in speaking of his pupils he did not talk of the "bucks and their squaws," it was because his pupils were highly civilized, and because in his opinion he had contributed considerably to their civilization.
Tartlet was a bachelor, and aged about forty-five at the time we introduce him to our readers. But for a dozen years or so his marriage with a lady of somewhat mature age had been expected to take place.
Under present circumstances it is perhaps advisable to give "two or three lines" concerning his age, appearance, and position in life. He would have responded to such a request we imagine as follows, and thus we can dispense with drawing his portrait from a moral and physical point of view.
"He was born on the 17th July, 1835, at a quarter-past three in the morning.
"His height is five feet, two inches, three lines.
"His girth is exactly two feet, three inches.
"His weight, increased by some six pounds during the last year, is one hundred and fifty one pounds, two ounces.
"He has an oblong head.
"His hair, very thin above the forehead, is grey chestnut, his forehead is high, his face oval, his complexion fresh coloured.
"His eyes—sight excellent—a greyish brown, eyelashes and eyebrows clear chestnut, eyes themselves somewhat sunk in their orbits beneath the arches of the brows.
"His nose is of medium size, and has a slight indentation towards the end of the left nostril.
"His cheeks and temples are flat and hairless.
"His ears are large and flat.
"His mouth, of middling size, is absolutely free from bad teeth.
"His lips, thin and slightly pinched, are covered with a heavy moustache and imperial, his chin is round and also shaded with a many-tinted beard.
"A small mole ornaments his plump neck—in the nape.
"Finally, when he is in the bath it can be seen that his skin is white and smooth.
"His life is calm and regular. Without being robust, thanks to his great temperance, he has kept his health uninjured since his birth. His lungs are rather irritable, and hence he has not contracted the bad habit of smoking. He drinks neither spirits, coffee, liqueurs, nor neat wine. In a word, all that could prejudicially affect his nervous system is vigorously excluded from his table. Light beer, and weak wine and water are the only beverages he can take without danger. It is on account of his carefulness that he has never had to consult a doctor since his life began.
"His gesture is prompt, his walk quick, his character frank and open. His thoughtfulness for others is extreme, and it is on account of this that in the fear of making his wife unhappy, he has never entered into matrimony."
Such would have been the report furnished by Tartlet, but desirable as he might be to a lady of a certain age, the projected union had hitherto failed. The professor remained a bachelor, and continued to give lessons in dancing and deportment.
It was in this capacity that he entered the mansion of William W. Kolderup. As time rolled on his pupils gradually abandoned him, and he ended by becoming one wheel more in the machinery of the wealthy establishment.
After all, he was a brave man, in spite of his eccentricities. Everybody liked him. He liked Godfrey, he liked Phina, and they liked him. He had only one ambition in the world, and that was to teach them all the secrets of his art, to make them in fact, as far as deportment was concerned, two highly accomplished individuals.
Now, what would you think? It was he, this Professor Tartlet, whom William W. Kolderup had chosen as his nephew's companion during the projected voyage. Yes! He had reason to believe that Tartlet had not a little contributed to imbue Godfrey with this roaming mania, so as to perfect himself by a tour round the world. William W. Kolderup had resolved that they should go together. On the morrow, the 16th of April, he sent for the professor to his office.
The request of the nabob was an order for Tartlet. The professor left his room, with his pocket violin—generally known as a kit—so as to be ready for all emergencies. He mounted the great staircase of the mansion with his feet academically placed as was fitting for a dancing-master; knocked at the door of the room, entered—his body half inclined, his elbows rounded, his mouth on the grin—and waited in the third position, after having crossed his feet one before the other, at half their length, his ankles touching and his toes turned out. Any one but Professor Tartlet placed in this sort of unstable equilibrium would have tottered on his base, but the professor preserved an absolute perpendicularity.
"Mr. Tartlet," said William W. Kolderup, "I have sent for you to tell you some news which I imagine will rather surprise you."
"As you think best!" answered the professor.
"My nephew's