“Thin,” says he, the willian, “Och hon! and a wolly-wou, pully-wou,” and then wid that he shoved up his two shoulders till the divil the bit of his hid was to be diskivered, and then he let down the two corners of his purraty-trap, and thin not a haporth more of the satisfaction could I git out o’ the spalpeen.
Belave me, my jewel, it was Sir Pathrick that was unrasonable mad thin, and the more by token that the Frinchman kipt an wid his winking at the widdy; and the widdy she kipt an wid the squazing of my flipper, as much as to say, “At him again, Sir Pathrick O’Grandison, mavourneen;” so I just ripped out wid a big oath, and says I,
“Ye little spalpeeny frog of a bogthrotting son of a bloody-noun!” — and jist thin what d’ye think it was that her leddyship did? Troth she jumped up from the sofy as if she was bit, and made off through the door, while I turned my head round afther her, in a complete bewilderment and botheration, and followed her wid me two peepers. You percave I had a reason of my own for knowing that she could’nt git down the stares althegither and entirely; for I knew very well that I had hould of her hand, for the divil the bit had I iver lit it go. And says I,
“Isn’t it the laste little bit of a mistake in the world that ye’ve been afther the making, yer leddyship? Come back now, that’s a darlint, and I’ll give ye yur flipper.” But aff she wint down the stairs like a shot, and thin I turned round to the little Frinch furrenner. Och hon! if it wasn’t his spalpeeny little paw that I had hould of in my own — why thin — thin it was’nt — that’s all.
“And maybe it wasn’t mesilf that jist died then outright wid the laffin, to behold the little chap when he found out that it wasn’t the widdy at all at all that he had had hould of all the time, but only Sir Pathrick O’Grandison. The ould divil himself niver behild sich a long face as he pet an! As for Sir Pathrick O’Grandison, Barronitt, it wasn’t for the likes of his riverence to be afther the minding of a thrifle of a mistake. Ye may jist say, though (for it’s God’s thruth) that afore I left hould of the flipper of the spalpeen, (which was not till afther her leddyship’s futman had kicked us both down the stairs,) I gived it such a nate little broth of a squaze as made it all up into raspberry jam.
“Wouly-wou,” says he, “pully-wou,” says he — “Cot tam!”
And that’s jist the thruth of the rason why he wears his left hand in a sling.
LITTLETON BARRY.
How to Write a Blackwood Article (1838)
“In the name of the Prophet — figs!!”
Cry of the Turkish fig-pedler.
I presume every body has heard of me. My name is the Signora Psyche Zenobia. This I know to be a fact. Nobody but my enemies ever calls me Suky Snobbs. I have been assured that Suky is but a vulgar corruption of Psyche, which is good Greek, and means “the soul” (that’s me, I’m all soul) and sometimes “a butterfly,” which latter meaning undoubtedly alludes to my appearance in my new crimson satin dress, with the sky-blue Arabian mantelet, and the trimmings of green agraffas, and the seven flounces of orange-colored auriculas. As for Snobbs — any person who should look at me would be instantly aware that my name wasn’t Snobbs. Miss Tabitha Turnip propagated that report through sheer envy. Tabitha Turnip indeed! Oh the little wretch! But what can we expect from a turnip? Wonder if she remembers the old adage about “blood out of a turnip, &c.” [Mem: put her in mind of it the first opportunity.] [Mem. again — pull her nose.] Where was I? Ah! I have been assured that Snobbs is a mere corruption of Zenobia, and that Zenobia was a queen — (So am I. Dr. Moneypenny, always calls me the Queen of the Hearts) — and that Zenobia, as well as Psyche, is good Greek, and that my father was “a Greek,” and that consequently I have a right to our patronymic, which is Zenobia, and not by any means Snobbs. Nobody but Tabitha Turnip calls me Suky Snobbs. I am the Signora Psyche Zenobia.
As I said before, everybody has heard of me. I am that very Signora Psyche Zenobia, so justly celebrated as corresponding secretary to the “Philadelphia, Regular, Exchange, Tea, Total, Young, Belles, Lettres, Universal, Experimental, Bibliographical, Association, To, Civilize, Humanity.” Dr. Moneypenny made the title for us, and says he chose it because it sounded big like an empty rum-puncheon. (A vulgar man that sometimes — but he’s deep.) We all sign the initials of the society after our names, in the fashion of the R. S. A., Royal Society of Arts — the S. D. U. K., Society for the Diffusion of Useful Knowledge, &c, &c. Dr. Moneypenny says that S stands for stale, and that D. U. K. spells duck, (but it don’t,) and that S. D. U. K. stands for Stale Duck, and not for Lord Brougham’s society — but then Dr. Moneypenny is such a queer man that I am never sure when he is telling me the truth. At any rate we always add to our names the initials P. R. E. T. T. Y. B. L. U. E. B. A. T. C. H. — that is to say, Philadelphia, Regular, Exchange, Tea, Total, Young, Belles, Lettres, Universal, Experimental, Bibliographical, Association, To, Civilize, Humanity — one letter for each word, which is a decided improvement upon Lord Brougham. Dr. Moneypenny will have it that our initials give our true character — but for my life I can’t see what he means.
Notwithstanding the good offices of the Doctor, and the strenuous exertions of the association to get itself into notice, it met with no very great success until I joined it. The truth is, the members indulged in too flippant a tone of discussion. The papers read every Saturday evening were characterized less by depth than buffoonery. They were all whipped syllabub. There was no investigation of first causes, first principles. There was no investigation of anything at all. There was no attention paid to that great point, the “fitness of things.” In short there was no fine writing like this. It was all low — very! No profundity, no reading, no metaphysics — nothing which the learned call spirituality, and which the unlearned choose to stigmatize as cant. [Dr. M. says I ought to spell “cant” with a capital K — but I know better.]
When I joined the society it was my endeavor to introduce a better style of thinking and writing, and all the world knows how well I have succeeded. We get up as good papers now in the P. R. E. T. T. Y. B. L. U. E. B. A. T. C. H. as any to be found even in Blackwood. I say, Blackwood, because I have been assured that the finest writing, upon every subject, is to be discovered in the pages of that justly celebrated Magazine. We now take it for our model upon all themes, and are getting into rapid notice accordingly. And, after all, it’s not so very difficult a matter to compose an article of the genuine Blackwood stamp, if one only goes properly about it. Of course I don’t speak of the political articles. Everybody knows how they are managed, since Dr. Moneypenny explained it. Mr. Blackwood has a pair of tailor’s-shears, and three apprentices who stand by him for orders. One hands him the “Times,” another the “Examiner,” and a third a “Gulley’s New Compendium of Slang-Whang.” Mr. B. merely cuts out and intersperses. It is soon done — nothing but Examiner, Slang-Whang, and Times — then Times, Slang-Whang, and Examiner — and then Times, Examiner, and Slang-Whang.
But the chief merit of the Magazine lies in its miscellaneous articles; and the best of these come under the head of what Dr. Moneypenny calls the bizarreries (whatever that may mean) and what everybody else calls the intensities. This is a species of writing which I have long known how to appreciate, although it is only since my late visit to Mr. Blackwood (deputed by the society) that I have been made aware of the exact method of composition. This method is very simple, but not so much so as the politics. Upon my calling at Mr. B.‘s, and making known to him the wishes of the society, he received me with great civility, took me into his study, and gave me a clear explanation of the whole