“I do not think so,” declared the Wheeler. “But there is some mystery connected with her, nevertheless. She is a very vain creature, and lives mostly in a room surrounded by mirrors, so that she can admire herself whichever way she looks.”
No one answered this speech, because they had just passed out of the forest and their attention was fixed upon the scene before them—a beautiful vale in which were many fruit trees and green fields, with pretty farmhouses scattered here and there and broad, smooth roads that led in every direction.
In the center of this lovely vale, about a mile from where our friends were standing, rose the tall spires of the royal palace, which glittered brightly against their background of blue sky. The palace was surrounded by charming grounds, full of flowers and shrubbery. Several tinkling fountains could be seen, and there were pleasant walks bordered by rows of white marble statuary.
All these details Dorothy was, of course, unable to notice or admire until they had advanced along the road to a position quite near to the palace, and she was still looking at the pretty sights when her little party entered the grounds and approached the big front door of the king’s own apartments. To their disappointment they found the door tightly closed. A sign was tacked to the panel which read as follows:
OWNER ABSENT.
Please Knock at the Third
Door in the Left Wing.
“Now,” said Tiktok to the captive Wheeler, “you must show us the way to the Left Wing.”
“Very well,” agreed the prisoner, “it is around here at the right.”
“How can the left wing be at the right?” demanded Dorothy, who feared the Wheeler was fooling them.
“Because there used to be three wings, and two were torn down, so the one on the right is the only one left. It is a trick of the Princess Langwidere to prevent visitors from annoying her.”
Then the captive led them around to the wing, after which the machine man, having no further use for the Wheeler, permitted him to depart and rejoin his fellows. He immediately rolled away at a great pace and was soon lost to sight.
Tiktok now counted the doors in the wing and knocked loudly upon the third one.
It was opened by a little maid in a cap trimmed with gay ribbons, who bowed respectfully and asked:
“What do you wish, good people?”
“Are you the Princess Langwidere?” asked Dorothy.
“No, miss; I am her servant,” replied the maid.
“May I see the Princess, please?”
“I will tell her you are here, miss, and ask her to grant you an audience,” said the maid. “Step in, please, and take a seat in the drawing-room.”
So Dorothy walked in, followed closely by the machine. But as the yellow hen tried to enter after them, the little maid cried “Shoo!” and flapped her apron in Billina’s face.
“Shoo, yourself!” retorted the hen, drawing back in anger and ruffling up her feathers. “Haven’t you any better manners than that?”
“Oh, do you talk?” enquired the maid, evidently surprised.
“Can’t you hear me?” snapped Billina. “Drop that apron, and get out of the doorway, so that I may enter with my friends!”
“The Princess won’t like it,” said the maid, hesitating.
“I don’t care whether she likes it or not,” replied Billina, and fluttering her wings with a loud noise she flew straight at the maid’s face. The little servant at once ducked her head, and the hen reached Dorothy’s side in safety.
“Very well,” sighed the maid; “if you are all ruined because of this obstinate hen, don’t blame me for it. It isn’t safe to annoy the Princess Langwidere.”
“Tell her we are waiting, if you please,” Dorothy requested, with dignity. “Billina is my friend, and must go wherever I go.”
Without more words the maid led them to a richly furnished drawing-room, lighted with subdued rainbow tints that came in through beautiful stained-glass windows.
“Remain here,” she said. “What names shall I give the Princess?”
“I am Dorothy Gale, of Kansas,” replied the child; “and this gentleman is a machine named Tiktok, and the yellow hen is my friend Billina.”
The little servant bowed and withdrew, going through several passages and mounting two marble stairways before she came to the apartments occupied by her mistress.
Princess Langwidere’s sitting-room was paneled with great mirrors, which reached from the ceiling to the floor; also the ceiling was composed of mirrors, and the floor was of polished silver that reflected every object upon it. So when Langwidere sat in her easy chair and played soft melodies upon her mandolin, her form was mirrored hundreds of times, in walls and ceiling and floor, and whichever way the lady turned her head she could see and admire her own features. This she loved to do, and just as the maid entered she was saying to herself:
“This head with the auburn hair and hazel eyes is quite attractive. I must wear it more often than I have done of late, although it may not be the best of my collection.”
“You have company, Your Highness,” announced the maid, bowing low.
“Who is it?” asked Langwidere, yawning.
“Dorothy Gale of Kansas, Mr. Tiktok and Billina,” answered the maid.
“What a queer lot of names!” murmured the Princess, beginning to be a little interested. “What are they like? Is Dorothy Gale of Kansas pretty?”
“She might be called so,” the maid replied.
“And is Mr. Tiktok attractive?” continued the Princess.
“That I cannot say, Your Highness. But he seems very bright. Will Your Gracious Highness see them?”
“Oh, I may as well, Nanda. But I am tired admiring this head, and if my visitor has any claim to beauty I must take care that she does not surpass me. So I will go to my cabinet and change to No. 17, which I think is my best appearance. Don’t you?”
“Your No. 17 is exceedingly beautiful,” answered Nanda, with another bow.
Again the Princess yawned. Then she said:
“Help me to rise.”
So the maid assisted her to gain her feet, although Langwidere was the stronger of the two; and then the Princess slowly walked across the silver floor to her cabinet, leaning heavily at every step upon Nanda’s arm.
Now I must explain to you that the Princess Langwidere had thirty heads—as many as there are days in the month. But of course she could only wear one of them at a time, because she had but one neck. These heads were kept in what she called her “cabinet,” which was a beautiful dressing-room that lay just between Langwidere’s sleeping-chamber and the mirrored sitting-room. Each head was in a separate cupboard lined with velvet. The cupboards ran all around the sides of the dressing-room, and had elaborately carved doors with gold numbers on the outside and jeweled-framed mirrors on the inside of them.
When the Princess got out of her crystal bed in the morning she went to her cabinet, opened one of the velvet-lined cupboards, and took the head it contained from its golden shelf. Then, by the aid of the mirror inside the open door, she put on the head—as neat and straight as could be—and afterward called her maids to robe her for the day. She always wore a simple white costume, that suited all the heads. For, being able to change her face whenever she liked, the Princess had no interest in wearing a variety of gowns, as have other ladies who are compelled to wear the same face constantly.
Of course the thirty heads