Rienzi, the Last of the Roman Tribunes. Baron Edward Bulwer Lytton Lytton. Читать онлайн. Newlib. NEWLIB.NET

Автор: Baron Edward Bulwer Lytton Lytton
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4057664615695
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it be according to the law, and only incurred by the violation of the law!” added Rienzi, firmly.

      The Bishop did not reply in words, but a slight motion of his head was sufficient answer to Rienzi.

      “My Lord,” said he, “from this time, then, all is well; I date the revolution—the restoration of order, of the state—from this hour, this very conference. Till now, knowing that justice must never wink upon great offenders, I had hesitated, through fear lest thou and his Holiness might deem it severity, and blame him who replaces the law, because he smites the violaters of law. Now I judge ye more rightly. Your hand, my Lord.”

      The Bishop extended his hand; Rienzi grasped it firmly, and then raised it respectfully to his lips. Both felt that the compact was sealed.

      This conference, so long in recital, was short in the reality; but its object was already finished, and the Bishop rose to depart. The outer portal of the house was opened, the numerous servitors of the Bishop held on high their torches, and he had just termed from Rienzi, who had attended him to the gate, when a female passed hastily through the Prelate’s train, and starting as she beheld Rienzi, flung herself at his feet.

      “Oh, hasten, Sir! hasten, for the love of God, hasten! or the young Signora is lost for ever!”

      “The Signora!—Heaven and earth, Benedetta, of whom do you speak?—of my sister—of Irene? is she not within?”

      “Oh, Sir—the Orsini—the Orsini!”

      “What of them?—speak, woman!”

      Here, breathlessly, and with many a break, Benedetta recounted to Rienzi, in whom the reader has already recognised the brother of Irene, so far of the adventure with Martino di Porto as she had witnessed: of the termination and result of the contest she knew nought.

      Rienzi listened in silence; but the deadly paleness of his countenance, and the writhing of the nether lip, testified the emotions to which he gave no audible vent.

      “You hear, my Lord Bishop—you hear,” said he, when Benedetta had concluded; and turning to the Bishop, whose departure the narrative had delayed—“you hear to what outrage the citizens of Rome are subjected. My hat and sword! instantly! My Lord, forgive my abruptness.”

      “Whither art thou bent, then?” asked Raimond.

      “Whither—whither!—Ay, I forgot, my Lord, you have no sister. Perhaps too, you had no brother?—No, no; one victim at least I will live to save. Whither, you ask me?—to the palace of Martino di Porto.”

      “To an Orsini alone, and for justice?”

      “Alone, and for justice!—No!” shouted Rienzi, in a loud voice, as he seized his sword, now brought to him by one of his servants, and rushed from the house; “but one man is sufficient for revenge!”

      The Bishop paused for a moment’s deliberation. “He must not be lost,” muttered he, “as he well may be, if exposed thus solitary to the wolf’s rage. What, ho!” he cried aloud; “advance the torches!—quick, quick! We ourself—we, the Vicar of the Pope—will see to this. Calm yourselves, good people; your young Signora shall be restored. On! to the palace of Martino di Porto!”

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      As the Cyprian gazed on the image in which he had embodied a youth of dreams, what time the living hues flushed slowly beneath the marble—so gazed the young and passionate Adrian upon the form reclined before him, re-awakening gradually to life. And, if the beauty of that face were not of the loftiest or the most dazzling order, if its soft and quiet character might be outshone by many, of loveliness less really perfect, yet never was there a countenance that, to some eyes, would have seemed more charming, and never one in which more eloquently was wrought that ineffable and virgin expression which Italian art seeks for in its models—in which modesty is the outward, and tenderness the latent, expression; the bloom of youth, both of form and heart, ere the first frail and delicate freshness of either is brushed away: and when even love itself, the only unquiet visitant that should be known at such an age, is but a sentiment, and not a passion!

      “Benedetta!” murmured Irene, at length opening her eyes, unconsciously, upon him who knelt beside her—eyes of that uncertain, that most liquid hue, on which you might gaze for years and never learn the secret of the colour, so changed it with the dilating pupil—darkening in the shade, and brightening into azure in the light:

      “Benedetta,” said Irene, “where art thou? Oh, Benedetta! I have had such a dream.”

      “And I, too, such a vision!” thought Adrian.

      “Where am I?” cried Irene, rising from the couch. “This room—these hangings—Holy Virgin! do I dream still!—and you! Heavens!—it is the Lord Adrian di Castello!”

      “Is that a name thou hast been taught to fear?” said Adrian; “if so, I will forswear it.”

      If Irene now blushed deeply, it was not in that wild delight with which her romantic heart motive foretold that she would listen to the first words of homage from Adrian di Castello. Bewildered and confused—terrified at the strangeness of the place and shrinking even from the thought of finding herself alone with one who for years had been present to her fancies—alarm and distress were the emotions she felt the most, and which most were impressed upon her speaking countenance; and as Adrian now drew nearer to her, despite the gentleness of his voice and the respect of his looks, her fears, not the less strong that they were vague, increased upon her: she retreated to the further end of the room, looked wildly round her, and then, covering her face with her hands, burst into a paroxysm of tears.

      Moved himself by these tears, and divining her thoughts, Adrian forgot for moment all the more daring wishes he had formed.

      “Fear not, sweet lady,” said he, earnestly: “recollect thyself, I beseech thee; no peril, no evil can reach thee here; it was this hand that saved thee from the outrage of the Orsini—this roof is but the shelter of a friend! Tell me, then, fair wonder, thy name and residence, and I will summon my servitors, and guard thee to thy home at once.”

      Perhaps the relief of tears, even more than Adrian’s words, restored Irene to herself, and enabled her to comprehend her novel situation; and as her senses, thus cleared, told her what she owed to him whom her dreams had so long imaged as the ideal of all excellence, she recovered her self-possession, and uttered her thanks with a grace not the less winning, if it still partook of embarrassment.

      “Thank me not,” answered Adrian, passionately. “I have touched thy hand—I am repaid. Repaid! nay, all gratitude—all homage is for me to render!”

      Blushing again, but with far different emotions than before, Irene, after a momentary pause, replied, “Yet, my Lord, I must consider it a debt the more weighty that you speak of it so lightly. And now, complete the obligation. I do not see my companion—suffer her to accompany me home; it is but a short way hence.”

      “Blessed, then, is the air that I have breathed so unconsciously!” said Adrian. “But thy companion, dear lady, is not here. She fled, I imagine, in the confusion of the conflict; and not knowing thy name, nor being able, in thy then state, to learn it from thy lips, it was my happy necessity to convey thee hither;—but I will be thy companion. Nay, why that timid glance? my people, also, shall attend us.”

      “My thanks, noble Lord, are of little worth; my brother, who is not unknown to thee, will thank thee more fittingly. May I depart?” and Irene, as she spoke, was already at the door.

      “Art thou so eager to leave me?” answered Adrian, sadly. “Alas! when thou hast departed from my eyes, it will seem as if the moon had left the night!—but it is happiness to obey thy wishes, even though they tear thee from me.”