The Night Operator. Frank L. Packard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Frank L. Packard
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4057664610058
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then Carleton spoke—master railroader, "Royal" Carleton, it was up to him then, all the pity of it, the ruin, the disaster, the lives out, all the bitterness to cope with as he could. And it was in his eyes, all of it. But his voice was quiet. It rang quick, peremptory, his voice—but quiet.

      "Clear the line, Bob," he said. "Plug in the roundhouse for the wrecker—and tell them to send uptown for the crew."

      Toddles? What did Toddles have to do with this? Well, a good deal, in one way and another. We're coming to Toddles now. You see, Toddles, since his fracas with Hawkeye, had been put on the Elk River local run that left Big Cloud at 9.45 in the morning for the run west, and scheduled Big Cloud again on the return trip at 10.10 in the evening.

      It had turned cold that night, after a day of rain. Pretty cold—the thermometer can drop on occasions in the late fall in the mountains—and by eight o'clock, where there had been rain before, there was now a thin sheeting of ice over everything—very thin—you know the kind—rails and telegraph wires glistening like the decorations on a Christmas tree—very pretty—and also very nasty running on a mountain grade. Likewise, the rain, in a way rain has, had dripped from the car roofs to the platforms—the local did not boast any closed vestibules—and had also been blown upon the car steps with the sweep of the wind, and, having frozen, it stayed there. Not a very serious matter; annoying, perhaps, but not serious, demanding a little extra caution, that was all.

      Toddles was in high fettle that night. He had been getting on famously of late; even Bob Donkin had admitted it. Toddles, with his stack of books and magazines, an unusually big one, for a number of the new periodicals were out that day, was dreaming rosy dreams to himself as he started from the door of the first-class smoker to the door of the first-class coach. In another hour now he'd be up in the despatcher's room at Big Cloud for his nightly sitting with Bob Donkin. He could see Bob Donkin there now; and he could hear the big despatcher growl at him in his bluff way: "Use your head—use your head—Hoogan!" It was always "Hoogan," never "Toddles." "Use your head"—Donkin was everlastingly drumming that into him; for the despatcher used to confront him suddenly with imaginary and hair-raising emergencies, and demand Toddles' instant solution. Toddles realized that Donkin was getting to the heart of things, and that some day he, Toddles, would be a great despatcher—like Donkin. "Use your head, Hoogan"—that's the way Donkin talked—"anybody can learn a key, but that doesn't make a railroad man out of him. It's the man when trouble comes who can think quick and think right. Use your——"

      Toddles stepped out on the platform—and walked on ice. But that wasn't Toddles' undoing. The trouble with Toddles was that he was walking on air at the same time. It was treacherous running, they were nosing a curve, and in the cab, Kinneard, at the throttle, checked with a little jerk at the "air." And with the jerk, Toddles slipped; and with the slip, the center of gravity of the stack of periodicals shifted, and they bulged ominously from the middle. Toddles grabbed at them—and his heels went out from under him. He ricochetted down the steps, snatched desperately at the handrail, missed it, shot out from the train, and, head, heels, arms and body going every which way at once, rolled over and over down the embankment. And, starting from the point of Toddles' departure from the train, the right of way for a hundred yards was strewn with "the latest magazines" and "new books just out to-day."

      Toddles lay there, a little, curled, huddled heap, motionless in the darkness. The tail lights of the local disappeared. No one aboard would miss Toddles until they got into Big Cloud—and found him gone. Which is Irish for saying that no one would attempt to keep track of a newsboy's idiosyncrasies on a train; it would be asking too much of any train crew; and, besides, there was no mention of it in the rules.

      It was a long while before Toddles stirred; a very long while before consciousness crept slowly back to him. Then he moved, tried to get up—and fell back with a quick, sharp cry of pain. He lay still, then, for a moment. His ankle hurt him frightfully, and his back, and his shoulder, too. He put his hand to his face where something seemed to be trickling warm—and brought it away wet. Toddles, grim little warrior, tried to think. They hadn't been going very fast when he fell off. If they had, he would have been killed. As it was, he was hurt, badly hurt, and his head swam, nauseating him.

      Where was he? Was he near any help? He'd have to get help somewhere, or—or with the cold and—and everything he'd probably die out here before morning. Toddles shouted out—again and again. Perhaps his voice was too weak to carry very far; anyway, there was no reply.

      He looked up at the top of the embankment, clamped his teeth, and started to crawl. If he got up there, perhaps he could tell where he was. It had taken Toddles a matter of seconds to roll down; it took him ten minutes of untold agony to get up. Then he dashed his hand across his eyes where the blood was, and cried a little with the surge of relief. East, down the track, only a few yards away, the green eye of a switch lamp winked at him.

      Where there was a switch lamp there was a siding, and where there was a siding there was promise of a station. Toddles, with the sudden uplift upon him, got to his feet and started along the track—two steps—and went down again. He couldn't walk, the pain was more than he could bear—his right ankle, his left shoulder, and his back—hopping only made it worse—it was easier to crawl.

      And so Toddles crawled.

      It took him a long time even to pass the switch light. The pain made him weak, his senses seemed to trail off giddily every now and then, and he'd find himself lying flat and still beside the track. It was a white, drawn face that Toddles lifted up each time he started on again—miserably white, except where the blood kept trickling from his forehead.

      And then Toddles' heart, stout as it was, seemed to snap. He had reached the station platform, wondering vaguely why the little building that loomed ahead was dark—and now it came to him in a flash, as he recognized the station. It was Cassil's Siding—and there was no night man at Cassil's Siding! The switch lights were lit before the day man left, of course. Everything swam before Toddles' eyes. There—there was no help here. And yet—yet perhaps—desperate hope came again—perhaps there might be. The pain was terrible—all over him. And—and he'd got so weak now—but it wasn't far to the door.

      Toddles squirmed along the platform, and reached the door finally—only to find it shut and fastened. And then Toddles fainted on the threshold.

      When Toddles came to himself again, he thought at first that he was up in the despatcher's room at Big Cloud with Bob Donkin pounding away on the battered old key they used to practise with—only there seemed to be something the matter with the key, and it didn't sound as loud as it usually did—it seemed to come from a long way off somehow. And then, besides, Bob was working it faster than he had ever done before when they were practising. "Hold second"—second something—Toddles couldn't make it out. Then the "seventeen"—yes, he knew that—that was the life and death. Bob was going pretty quick, though. Then "CS—CS—CS"—Toddles' brain fumbled a bit over that—then it came to him. CS was the call for Cassil's Siding. Cassil's Siding! Toddles' head came up with a jerk.

      A little cry burst from Toddles' lips—and his brain, cleared. He wasn't at Big Cloud at all—he was at Cassil's Siding—and he was hurt—and that was the sounder inside calling, calling frantically for Cassil's Siding—-where he was.

      The life and death—the seventeen—it sent a thrill through Toddles' pain-twisted spine. He wriggled to the window. It, too, was closed, of course, but he could hear better there. The sounder was babbling madly.

      "Hold second——"

      He missed it again—and as, on top of it, the "seventeen" came pleading, frantic, urgent, he wrung his hands.

      "Hold second"—he got it this time—"Number Two."

      Toddles' first impulse was to smash in the window and reach the key. And then, like a dash of cold water over him, Donkin's words seemed to ring in his ears: "Use your head."

      With the "seventeen" it meant a matter of minutes, perhaps even seconds. Why smash the window? Why waste the moment required to do it simply to answer the call? The order stood for