Irving’s first literary publication was a series of letters, signed Jonathan Oldstyle, contributed in 1802 to the “Morning Chronicle,” a newspaper then recently established by his brother Peter. The attention that these audacious satires of the theater, the actors, and their audience attracted is evidence of the literary poverty of the period. The letters are open imitations of the “Spectator” and the “Tatler,” and, although sharp upon local follies, are of no consequence at present except as foreshadowing the sensibility and quiet humor of the future author, and his chivalrous devotion to woman. What is worthy of note is that a boy of nineteen should turn aside from his caustic satire to protest against the cruel and unmanly habit of jesting at ancient maidens. It was enough for him that they are women, and possess the strongest claim upon our admiration, tenderness, and protection.
III. MANHOOD — FIRST VISIT TO EUROPE
Irving’s health, always delicate, continued so much impaired when he came of age, in 1804., that his brothers determined to send him to Europe. On the 19th of May he took passage for Bordeaux in a sailing vessel, which reached the mouth of the Garonne on the 25th of June. His consumptive appearance when he went on board caused the captain to say to himself, “There’s a chap who will go overboard before we get across;” but his condition was much improved by the voyage.
He stayed six weeks at Bordeaux to improve himself in the language, and then set out for the Mediterranean. In the diligence he had some merry companions, and the party amused itself on the way. It was their habit to stroll about the towns in which they stopped, and talk with whomever they met. Among his companions was a young French officer and an eccentric, garrulous doctor from America. At Tonneins, on the Garonne, they entered a house where a number of girls were quilting. The girls gave Irving a needle and set him to work. He could not understand their patois, and they could not comprehend his bad French, and they got on very merrily. At last the little doctor told them that the interesting young man was an English prisoner whom the French officer had in custody. Their merriment at once gave place to pity. “Ah! le pauvre garcon!” said one to another; “he is merry, however, in all his trouble.” “And what will they do with him?” asked a young woman. “Oh, nothing of consequence,” replied the doctor; “perhaps shoot him, or cut off his head.” The good souls were much distressed; they brought him wine, loaded his pockets with fruit, and bade him good-by with a hundred benedictions. Over forty years after, Irving made a detour, on his way from Madrid to Paris, to visit Tonneins, drawn thither solely by the recollection of this incident, vaguely hoping perhaps to apologize to the tender-hearted villagers for the imposition. His conscience had always pricked him for it. “It was a shame,” he said, “to leave them with such painful impressions.” The quilting party had dispersed by that time. “I believe I recognized the house,” he says; “and I saw two or three old women who might once have formed part of the merry group of girls; but I doubt whether they recognized, in the stout elderly gentleman, thus rattling in his carriage through their streets, the pale young English prisoner of forty years since.”
Bonaparte was emperor. The whole country was full of suspicion. The police suspected the traveler, notwithstanding his passport, of being an Englishman and a spy, and dogged him at every step. He arrived at Avignon, full of enthusiasm at the thought of seeing the tomb of Laura. “Judge of my surprise,” he writes, “my disappointment, and my indignation, when I was told that the church, tomb, and all were utterly demolished in the time of the Revolution. Never did the Revolution, its authors and its consequences, receive a more hearty and sincere execration than at that moment. Throughout the whole of my journey I had found reason to exclaim against it for depriving me of some valuable curiosity or celebrated monument, but this was the severest disappointment it had yet occasioned.” This view of the Revolution is very characteristic of Irving, and perhaps the first that would occur to a man of letters. The journey was altogether disagreeable, even to a traveler used to the rough jaunts in an American wilderness: the inns were miserable; dirt, noise, and insolence reigned without control. But it never was our author’s habit to stroke the world the wrong way: “When I cannot get a dinner to suit my taste, I endeavor to get a taste to suit my dinner.” And he adds: “There is nothing I dread more than to be taken for one of the Smellfungi of this world. I therefore endeavor to be pleased with everything about me, and with the masters, mistresses, and servants of the inns, particularly when I perceive they have ‘all the dispositions in the world’ to serve me; as Sterne says, ‘It is enough for heaven and ought to be enough for me.’”
The traveler was detained at Marseilles, and five weeks at Nice, on one or another frivolous pretext of the police, and did not reach Genoa till the 20th of October. At Genoa there was a delightful society, and Irving seems to have been more attracted by that than by the historical curiosities. His health was restored, and his spirits recovered elasticity in the genial hospitality; he was surrounded by friends to whom he became so much attached that it was with pain he parted from them. The gayety of city life, the levees of the Doge, and the balls, were not unattractive to the handsome young man; but what made Genoa seem like home to him was his intimacy with a few charming families, among whom he mentions those of Mrs. Bird, Madame Gabriac, and Lady Shaftesbury. From the latter he experienced the most cordial and unreserved friendship; she greatly interested herself in his future, and furnished him with letters from herself and the nobility to persons of the first distinction in Florence, Rome, and Naples.
Late in December Irving sailed for Sicily in a Genoese packet. Off the island of Planoca it was overpowered and captured by a little picaroon, with lateen sails and a couple of guns, and a most villainous crew, in poverty-stricken garments, rusty cutlasses in their hands and stilettos and pistols stuck in their waistbands. The pirates thoroughly ransacked the vessel, opened all the trunks and portmanteaus, but found little that they wanted except brandy and provisions. In releasing the vessel, the ragamuffins seem to have had a touch of humor, for they gave the captain a “receipt” for what they had taken, and an order on the British consul at Messina to pay for the same. This old-time courtesy was hardly appreciated at the moment.
Irving passed a couple of months in Sicily, exploring with some thoroughness the ruins, and making several perilous inland trips, for the country was infested by banditti. One journey from Syracuse through the center of the island revealed more wretchedness than Irving supposed existed in the world. The half-starved peasants lived in wretched cabins and often in caverns, amid filth and vermin. “God knows my mind never suffered so much as on this journey,” he writes, “when I saw such scenes of want and misery continually before me, without the power of effectually relieving them.” His stay in the ports was made agreeable by the officers of American ships cruising in those waters. Every ship was a home, and every officer a friend. He had a boundless capacity for good-fellowship. At Messina he chronicles the brilliant spectacle of Lord Nelson’s fleet passing through the straits in search of the French fleet that had lately got out of Toulon. In less than a year Nelson’s young admirer was one of the thousands that pressed to see the remains of the great admiral as they lay in state at Greenwich, wrapped in the flag that had floated at the masthead of the Victory.
From Sicily he passed over to Naples in a fruit boat which dodged the cruisers, and reached Rome the last of March. Here he remained several weeks, absorbed by the multitudinous attractions. In Italy the worlds of music and painting were for the first time opened to him. Here he made the acquaintance of Washington Allston, and the influence of this friendship came near changing the whole course of his life. To return home to the dry study of the law was not a pleasing prospect; the masterpieces of art, the serenity of the sky, the nameless charm which hangs about an Italian landscape, and Allston’s enthusiasm as an artist, nearly decided him to remain in Rome and adopt the profession of a painter. But after indulging in this dream, it occurred to him that it was not so much a natural aptitude for the art as the lovely scenery and Allston’s companionship that had attracted him to it. He saw something of Roman society; Torlonia the banker was especially assiduous in his attentions. It turned out when Irving came to make his adieus that Torlonia had all along supposed him a relative