This the young wife said in a tone which clearly indicated that she had judged her husband’s conduct, and had found it to be very foolish indeed.
“Do you think that papa and mamma will really come?” said Nora, changing the subject of conversation.
“How can I tell? How am I to know? After all that has passed I am afraid to say a word lest I should be accused of doing wrong. But remember this, Nora, you are not to speak of it to any one.”
“You will tell Louis?”
“No; I will tell no one.”
“Dear, dear Emily; pray do not keep anything secret from him.”
“What do you mean by secret? There isn’t any secret. Only in such matters as that,—about politics,—no gentleman likes to have his name talked about!”
A look of great distress came upon Nora’s face as she heard this. To her it seemed to be very bad that there should be a secret between her sister and Colonel Osborne to be kept from her brother-in-law.
“I suppose you will suspect me next?” said Mrs. Trevelyan, angrily.
“Emily, how can you say anything so cruel?”
“You look as if you did.”
“I only mean that I think it would be wiser to tell all this to Louis.”
“How can I tell him Colonel Osborne’s private business, when Colonel Osborne has desired me not to do so. For whose sake is Colonel Osborne doing this? For papa’s and mamma’s! I suppose Louis won’t be—jealous, because I want to have papa and mamma home. It would not be a bit less unreasonable than the other.”
Chapter III.
Lady Milborough’s Dinner Party
Louis Trevelyan went down to his club in Pall Mall, the Acrobats, and there heard a rumour that added to his anger against Colonel Osborne. The Acrobats was a very distinguished club, into which it was now difficult for a young man to find his way, and almost impossible for a man who was no longer young, and therefore known to many. It had been founded some twenty years since with the idea of promoting muscular exercise and gymnastic amusements; but the promoters had become fat and lethargic, and the Acrobats spent their time mostly in playing whist, and in ordering and eating their dinners. There were supposed to be, in some out-of-the-way part of the building, certain poles and sticks and parallel bars with which feats of activity might be practised, but no one ever asked for them now-a-days, and a man, when he became an Acrobat, did so with a view either to the whist or the cook, or possibly to the social excellences of the club. Louis Trevelyan was an Acrobat;—as was also Colonel Osborne.
“So old Rowley is coming home,” said one distinguished Acrobat to another in Trevelyan’s hearing.
“How the deuce is he managing that? He was here a year ago?”
“Osborne is getting it done. He is to come as a witness for this committee. It must be no end of a lounge for him. It doesn’t count as leave, and he has every shilling paid for him, down to his cab-fares when he goes out to dinner. There’s nothing like having a friend at Court.”
Such was the secrecy of Colonel Osborne’s secret! He had been so chary of having his name mentioned in connection with a political job, that he had found it necessary to impose on his young friend the burden of a secret from her husband, and yet the husband heard the whole story told openly at his club on the same day! There was nothing in the story to anger Trevelyan had he not immediately felt that there must be some plan in the matter between his wife and Colonel Osborne, of which he had been kept ignorant. Hitherto, indeed, his wife, as the reader knows, could not have told him. He had not seen her since the matter had been discussed between her and her friend. But he was angry because he first learned at his club that which he thought he ought to have learned at home.
As soon as he reached his house he went at once to his wife’s room, but her maid was with her, and nothing could be said at that moment. He then dressed himself, intending to go to Emily as soon as the girl had left her; but the girl remained,—was, as he believed, kept in the room purposely by his wife, so that he should have no moment of private conversation. He went downstairs, therefore, and found Nora standing by the drawing-room fire.
“So you are dressed first to-day?” he said. “I thought your turn always came last.”
“Emily sent Jenny to me first to-day because she thought you would be home, and she didn’t go up to dress till the last minute.”
This was intended well by Nora, but it did not have the desired effect. Trevelyan, who had no command over his own features, frowned, and showed that he was displeased. He hesitated a moment, thinking whether he would ask Nora any question as to this report about her father and mother; but, before he had spoken, his wife was in the room.
“We are all late, I fear,” said Emily.
“You, at any rate, are the last,” said her husband.
“About half a minute,” said the wife.
Then they got into the hired brougham which was standing at the door.
Trevelyan, in the sweet days of his early confidence with his wife, had offered to keep a carriage for her, explaining to her that the luxury, though costly, would not be beyond his reach. But she had persuaded him against the carriage, and there had come to be an agreement that instead of the carriage there should always be an autumn tour. “One learns something from going about; but one learns nothing from keeping a carriage,” Emily had said. Those had been happy days, in which it had been intended that everything should always be rose-coloured. Now he was meditating whether, in lieu of that autumn tour, it would not be necessary to take his wife away to Naples altogether, so that she might be removed from the influence of—of—of—; no, not even to himself would he think of Colonel Osborne as his wife’s lover. The idea was too horrible! And yet, how dreadful was it that he should have, for any reason, to withdraw her from the influence of any man!
Lady Milborough lived ever so far away, in Eccleston Square, but Trevelyan did not say a single word to either of his companions during the journey. He was cross and vexed, and was conscious that they knew that he was cross and vexed. Mrs. Trevelyan and her sister talked to each other the whole way, but they did so in that tone which clearly indicates that the conversation is made up, not for any interest attached to the questions asked or the answers given, but because it is expedient that there should not be silence. Nora said something about Marshall and Snellgrove, and tried to make believe that she was very anxious for her sister’s answer. And Emily said something about the opera at Covent Garden, which was intended to show that her mind was quite at ease. But both of them failed altogether, and knew that they failed. Once or twice Trevelyan thought that he would say a word in token, as it were, of repentance. Like the naughty child who knew that he was naughty, he was trying to be good. But he could not do it. The fiend was too strong within him. She must have known that there was a proposition for her father’s return through Colonel Osborne’s influence. As that man at the club had heard it, how could she not have known it? When they got out at Lady Milborough’s door he had spoken to neither of them.
There was a large dull party, made up mostly of old people. Lady Milborough and Trevelyan’s mother had been bosom friends, and Lady Milborough had on this account taken upon herself to be much interested in Trevelyan’s wife. But Louis Trevelyan himself, in discussing Lady Milborough with Emily, had rather turned his mother’s old friend into ridicule, and Emily had, of course, followed her husband’s mode of thinking. Lady Milborough had once or twice given her some advice on small matters, telling her that this or that air would be good for her baby, and explaining