Through Liddesdale to Leven’s shore;
Thence to Holme Coltrame’s lofty nave,
And laid him in his father’s grave.
The harp’s wild notes, though hush’d the song,
The mimic march of death prolong;
Now seems it far, and now a-near,
Now meets, and now eludes the ear;
Now seems some mountainside to sweep,
Now faintly dies in valley deep;
Seems now as if the Minstrel’s wail,
Now the sad requiem, loads the gale;
Last, o’er the warrior’s closing grave,
Rung the full choir in choral stave.
After due pause, they bade him tell,
Why he, who touch’d the harp so well,
Should thus, with ill-rewarded toil,
Wander a poor and thankless soil,
When the more generous Southern land
Would well requite his skillful hand.
The aged Harper howsoe’er
His only friend, his harp, was dear,
Lik’d not to hear it rank’d so high
Above his flowing poesy:
Less lik’d he still that scornful jeer
Mispris’d the land he lov’d so dear;
High was the sound, as thus again
The Bard resum’d his minstrel strain.
Canto VI
I
Breathes there the man, with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne’er within him burn’d,
As home his footsteps he hath turn’d,
From wandering on a foreign strand!
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonor’d, and unsung.
II
O Caledonia! stern and wild,
Meet nurse for a poetic child!
Land of brown heath and shaggy wood,
Land of the mountain and the flood,
Land of my sires! what mortal hand
Can e’er untie the filial band,
That knits me to thy rugged strand!
Still as I view each wellknown scene,
Think what is now, and what hath been,
Seems as, to me, of all bereft,
Sole friends thy woods and streams were left;
And thus I love them better still,
Even in extremity of ill.
By Yarrow’s stream still let me stray,
Though none should guide my feeble way;
Still feel the breeze down Ettrick break,
Although it chill my wither’d cheek:
Still lay my head by Teviot Stone,
Though there, forgotten and alone,
The Bard may draw his parting groan.
III
Not scorn’d like me! to Branksome Hall
The Minstrels came at festive call;
Trooping they came, from near and far
The jovial priests of mirth and war;
Alike for feast and fight prepar’d,
Battle and banquet both they shar’d.
Of late, before each martial clan,
They blew their death-note in the van,
But now, for every merry mate,
Rose the portcullis’ iron grate;
They sound the pipe, they strike the string,
They dance, they revel, and they sing,
Till the rude turrets shake and ring.
IV
Me lists not at this tide declare
The splendor of the spousal rite,
How muster’d in the chapel fair
Both maid and matron, squire and knight;
Me lists not tell of owches rare,
Of mantles green, and braided hair,
And kirtles furr’d with miniver;
What plumage wav’d the altar round,
How spurs and ringing chainlets sound;
And hard it were for bard to speak
The changeful hue of Margaret’s cheek,
That lovely hue which comes and flies
As awe and shame alternate rise!
V
Some bards have sung the Ladye high
Chapel or altar came not nigh;
Nor durst the rites of spousal grace,
So much she fear’d each holy place.
False slanders these: I trust right well
She wrought not by forbidden spell;
For mighty words and signs have power
O’er sprites in planetary hour:
Yet scarce I praise their venturous part,
Who tamper with such dangerous art.
But this for faithful truth I say,
The Ladye by the altar stood;
Of sable velvet her array,
And on her head a crimson hood
With pearls embroider’d and entwin’d,
Guarded with gold, with ermine lin’d;
A merlin sat upon her wrist
Held by a leash of silken twist.
VI
The spousal rites were ended soon:
‘Twas now the merry hour of noon
And in the lofty arched hall
Was spread the gorgeous festival.
Steward and squire, with heedful haste,
Marshall’d the rank of every guest;
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