'Those for whom I invented the name of Sisyphians—there are plenty of 'em about now—well, I divide 'em into two sets, both, I need hardly say, equally distasteful to me. The one kind cultivates platonic friendships with the women'—Mr. Gumberg made a slight grimace. 'Their arguments appeal to feminine sensibility; "Make yourself happier by making others happy," that's the notion, and I understand that they're fairly successful as regards the primary object, but there seems some doubt as to how far they succeed in the other—eh? I should hate to be made happy myself. That sort of fellow is the husband's best friend. Not only does he keep the wife out of mischief, but he will act as special constable on occasion, and when everything else fails he's always there, ready to put his arm round the dear erring creature's waist and implore her to remember her duties! The other set undertake a more difficult task, and they don't find it so easy. That sort don't put their arms round even their own wives' waists; their dream is to embrace Humanity. She's a jealous mistress, and, from all I hear, I doubt if she's as grateful as some of 'em make out!'
The old man sat down again. He drew the rug over his knees, and propped up the small portfolio on a sloping mahogany desk which always stood at his elbow. With a certain eagerness he turned over its contents, still talking the while.
'Young Robinson was their founder, their leader. He built the first of the palaces in the slums. I'm told they call the place the Melancthon Settlement. I'm bound to say that he took it—and himself—quite seriously, lived down there, and, what was much more strange, persuaded Penelope to live there, too. Oh, not for long. She would soon have tired of the whole business!' He added in a lower tone, his head bent over the open portfolio: 'I don't find things as easily as I used to do. Yet I know it's here.' Then he cried eagerly, 'I've found it!' and held up triumphantly a rudely-coloured print of which the reverse side was covered with much close writing.
Downing put out his hand with a certain excitement; he knew that what the old man was about to show him had a bearing on the story he was being told.
The print, obviously a caricature, represented a horsewoman sitting a huge roan and clad in the long riding-habit, almost touching the ground, which women wore in the twenties and thirties of last century. A large black hat shaded, and almost entirely concealed, the oval face beneath. In one hand the horsewoman held a hunting crop, with the other she reined in her horse, presenting a dauntless front to some twenty couple of yelping and snarling foxhounds. The colour was crude, but the drawing clear, and full of rough power.
Downing suddenly realized that each hound had the face of a man; also that the countenance of the foremost dog was oddly familiar: he seemed to have seen it looking down on him from innumerable engravings, in particular from one which had hung in the hall of his parents' town house. This dog, almost alone clean-shaven among its companions, held between its paws the baton of a field-marshal. Below the print was engraved in faded gilt letters the words 'The Lady and her Pack.'
'A valuable and very rare family portrait,' said Mr. Gumberg grimly. 'The lady is Penelope's grandmother, Lady Wantley's mother, and the Pack——' He checked himself, surprised at the look which passed over the other's face.
'Her grandmother?' Downing interrupted almost roughly. 'Why, you showed me that print years ago, when I was a boy. I have never forgotten it.' Then, in a more natural tone, he added: 'I suppose it's really unique?'
'As far as I know, absolutely unique, but such odious surprises are nowadays sprung upon collectors! I believe this copy is the only one which has survived the many determined efforts to destroy the whole edition, which was never at any time a large one. I fancy such things were produced speculatively, you understand, doubtless with a view to the pack. These good people'—Mr. Gumberg pointed with his long, lean finger to the human-faced dogs—'were naturally quite ready to buy up all the available copies, and then, later, John Oglethorpe, after he had become the fair huntswoman's husband, also most naturally made it his business to get hold of the few which had found their way into collections. I've been told also that Lord Wantley during many years made a point of keeping his eye on one copy, which finally disappeared, no one knows how, just on the eve of its being safely stored in the British Museum! I got mine in Paris quite thirty years ago by an extraordinary bit of good fortune. And so I showed it you, did I? I wonder why. I so seldom show it, unless, of course, there's some special reason why I should do so.'
Mr. Gumberg stopped and thought for a few minutes. 'Let me see,' he added thoughtfully, 'the last person who saw it was old Mrs. Byng. It was the day of Penelope's marriage. It's a good way from Hanover Square, and the old lady never takes a cab—too stingy. I knew how a sight of this picture would revive her, poor old soul! One of my very few remaining contemporaries, George.' Mr. Gumberg sighed a little heavily; then, with a certain regret, 'So you know all about that strange creature, Rosina Bellamont?'
Again he took up the print between his lean fingers. He hated being done out of telling a story, and Downing, well aware of this peculiarity, smiled and said kindly enough: 'When you showed me this thing before, you told me more of the pack than of the lady. In fact, if I remember rightly, it was just after the death——'
Mr. Gumberg again interrupted with returning good-humour: 'Of course I remember: it was just after the death of poor Jack Storks. You came in as I was reading his obituary in the Times, and I showed you the print to prove that he had not always been the grave and reverend signior they made him out to have been!'
'And Lady Wantley's mother, what of her?' Downing feared once more that his venerable friend would start off on a reminiscent excursion of more general than particular interest.
'She was a very remarkable woman,' answered Mr. Gumberg, 'and I will tell you how and where I first made her acquaintance and that of her daughter.'
III
'When I was a lad of fifteen,' began the old man, with a marked change of tone and even of manner, 'my uncle, who was, as you are aware, a Russia merchant, the kindest and wisest man I have ever known, and the most delightful of companions, took me a walking tour through the Yorkshire dales. Now, those were the days when all inns were bad and all houses hospitable. We walked miles without meeting a living creature, being the more solitary that my uncle preferred the bridle-paths to the highroads, but he generally contrived that we should find a kind welcome and comfortable quarters at the end of each day.
'One afternoon, when climbing a stiff hillside not far from the place whence five dales can be seen stretching fanstickwise, we came on two figures standing against the skyline, a lady and a young girl, hand in hand, curiously dressed—for those were the days of the crinoline—in long, straight grey gowns and circular cloaks. Their faces, the one pale, the other fresh and rosy, were framed by unbecoming close bonnets, each lined with a frill of stiff white stuff. Even I, foolish boy that I was, and while considering the strange pair most inelegantly dressed, saw that they were in a sense distinguished, utterly unlike the often oddly-gowned country wives and maids we met now and again trudging past us.
'To my surprise, my uncle, when he had become aware of their presence, quickened his steps, and when we had reached the lonely stretch of grass on which they were standing—that is, when we were close to the singular couple, mother and daughter or grandmother and granddaughter; I could not help wondering what relationship existed between them—he bowed, saying: "Have I the honour of greeting Mrs. Oglethorpe?" The elder lady's cheek turned as rosy, but only for a moment, as that of the girl by her side, and as she answered, "Yes," the colour receding seemed to leave her cheek even paler than before. "That is my name," she said; and then looking, or so it seemed to me, very pleadingly at my uncle, she added quickly: "This is my young daughter. Adelaide, curtsey to the gentleman." "Your father and I, young lady," said my uncle, again bowing, "have had business dealings together for many years, and I am honoured to meet his daughter."
'Well, George, we followed them, retracing our steps down the dale, and there, hidden in a park surrounded by high walls, we came at last on a fine old house of grey stone. Our approach brought no sign of life or animation. The formal gardens lacked the grace and brilliancy afforded by flowers, and yet were in