* On this subject, see Mr. Sidney Hartland’s Legend of
Perseus, vol. i.
We shall see hereafter that these two points—the gradual growth of a myth or legend, and affiliation upon earlier local religious ideas—are common features in the evolution of gods in general, and of the God of monotheism in particular. In almost every case where we can definitely track him to his rise, the deity thus begins with a Deified Man, elevated by his worshippers to divine rank, and provided with a history of miraculous incident, often connected with the personality of preexistent deities.
In the earlier stages, it seems pretty clear that the relations of nascent Christianity to Judaism were vague and undefined: the Christians regarded themselves as a mere sect of the Jews, who paid special reverence to a particular dead teacher, now raised to heaven by a special apotheosis of a kind with which everyone was then familiar. But as the Christian church spread to other lands, by the great seaports, it became on the one hand more distinct and exclusive, while on the other hand it became more definitely dogmatic and theological. It was in Egypt, it would seem, that the Christian Pantheon (if I may be allowed the expression in the case of a religion nominally monotheistic) first took its definite Trinitarian shape. Under the influence of the old Egyptian love for Triads or Trinities of gods, a sort of mystical triune deity was at last erected out of the Hebrew Jahweh and the man Jesus, with the aid of the Holy Spirit or Wisdom of Jahweh, which had come to be regarded by early Christian minds (under the influence of direct divine inspiration or otherwise) as a separate and coordinate person of this composite godhead. How far the familiar Egyptian Trinity of Osiris, Isis, and Horus may have influenced the conception of the Christian Trinity, thus finally made up of Father, Son, and Holy Ghost, we shall discuss at a later stage of our enquiry; for the present, it may suffice to point out that the Græco-Egyptian Athanasius was the great upholder of the definite dogma of the Trinity against opposing (heretical) Christian thinkers; and that the hymn or so-called creed known by his name (though not in all probability of his own composition) bears the impress of the mystical Egyptian spirit, tempered by the Alexandrian Greek delight in definiteness and minuteness of philosophical distinction.
In this respect, too, we shall observe in the sequel that the history of Christianity, the most known among the religions, was exactly parallel to that of earlier and obscurer creeds. At first, the relations of the gods to one another are vague and undetermined; their pedigree is often confused and even contradictory; and the pantheon lacks anything like due hierarchical system or subordination of persons. But as time goes on, and questions of theology or mythology are debated among the priests and other interested parties, details of this sort get settled in the form of rigid dogmas, while subtle distinctions of a philosophical or metaphysical sort tend to be imported by more civilised men into the crude primitive faith. The belief that began with frank acceptance of Judaism, plus a personal worship of the Deified Man, Jesus, crystallised at last into the Catholic Faith in one God, of three persons, the Father, the Son, and the Holy Ghost.
Quibbles are even made, and discussions raised at last as to the question whether Father and Son are “of one substance” or only “of like substance”; whether the Holy Ghost proceeds from the Father and the Son, or from the Father only; and so on ad infinitum.
It was largely in other countries than Judæa, and especially in Gaul, Rome, and Egypt, too, as I believe, that symbolism came to the aid of mysticism: that the cross, the tau, the labarum, the fish, the Alpha and Omega, and all the other early Christian emblems were evolved and perfected; and that the beginnings of Christian art took their first definite forms. Such forms were especially to a great extent evolved in the Roman catacombs. Christianity, being a universal, not a local or national, religion, has adopted in its course many diverse elements from most varied sources.
Originally, it would seem, the Christian pantheon was almost exclusively filled by the triune God, in his three developments or “persons,” as thus rigorously conceived by the Alexandrian intelligence. But from a very early time, if not from the first dawn of the Christian cult, it was customary to reverence the remains of those who had suffered for the faith, and perhaps even to invoke their aid with Christ and the Father. The Roman branch of the church, especially, accustomed to the Roman ancestor-worship and the Roman reverence for the Du Manes, had its chief places of prayer in the catacombs, where its dead were laid. Thus arose the practice of the invocation of saints, at whose graves or relics prayers were offered, both to the supreme deity and to the faithful dead themselves as intercessors with Christ and the Father. The early Christians, accustomed in their heathen stage to pay respect and even worship to the spirits of their deceased friends, could not immediately give up this pious custom after their conversion to the new creed, and so grafted it on to their adopted religion. Thus the subsidiary founders of Christianity, Paul, Peter, the Apostles, the Evangelists, the martyrs, the confessors, came to form, as it were, a subsidiary pantheon, and to rank to some extent almost as an inferior order of deities.
Among the persons who thus shared in the honours of the new faith, the mother of Jesus early assumed a peculiar prominence. Goddesses had filled a very large part in the devotional spirit of the older religions: it was but natural that the devotees of Isis and Pasht, of Artemis and Aphrodite, should look for some corresponding object of feminine worship in the younger faith. The Theotokos, the mother of God, the blessed Madonna, soon came to possess a practical importance in Christian worship scarcely inferior to that enjoyed by the persons of the Trinity themselves—in certain southern countries, indeed, actually superior to it. The Virgin and Child, in pictorial representation, grew to be the favourite subject of Christian art. How far this particular development of the Christian spirit had its origin in Egypt, and was related to the well-known Egyptian figures of the goddess Isis with the child Horus in her lap, is a question which may demand consideration in some future treatise. For the present, it will be enough to call attention in passing to the fact that in this secondary rank of deities or semi-divine persons, the saints and martyrs, all alike, from the Blessed Virgin Mary down to the newest canonised among Roman Catholic prelates, were at one time or another Living Men and Women. In other words, besides the one Deified Man, Jesus, round whom the entire system of Christianity centres, the Church now worships also in the second degree a whole host of minor Dead Men and Women, bishops, priests, virgins, and confessors.
From the earliest to the latest ages of the Church, the complexity thus long ago introduced into her practice has gone on increasing with every generation. Nominally from the very outset a monotheistic religion, Christianity gave up its strict monotheism almost at the first start by admitting the existence of three persons in the godhead, whom it vainly endeavoured to unify by its mystic but confessedly incomprehensible Athanasian dogma. The Madonna (with the Child) rose in time practically to the rank of an independent goddess (in all but esoteric Catholic theory): while St. Sebastian, St. George, St. John Baptist, St. Catherine, and even St. Thomas of Canterbury himself, became as important objects of worship in certain places as the deity in person. At Milan, for example, San Carlo Borromeo, at Compostella, Santiago, at Venice, St. Mark, usurped to a great extent the place of the original God. As more and more saints died in each generation, while the cult of the older saints still lingered on everywhere more or less locally, the secondary pantheon grew ever fuller and fuller. Obscure personages, like St. Crispin and St. Cosmas, St. Chad and St. Cuthbert rose to the rank of departmental or local patrons, like the departmental and local gods of earlier religions. Every trade, every guild, every nation, every province, had its peculiar saint. And at the same time, the theory of the Church underwent a constant evolution. Creed was added to creed—Apostles’, Nicene, Athanasian, and so forth, each embodying some new and often subtle increment to the whole mass of accepted dogma. Council after council made fresh additions of articles of faith—the Unity of Substance, the Doctrine of the Atonement, the Immaculate Conception, the Authority of the Church, the Infallibility of the Pope in his spiritual