The most important thing about it, however, was that this was his place, not theirs, and that fact reestablished their relations on a different level. Henceforth he was determined not to let his life and love be one. She had her world of the theatre and of her rich friends which he did not want to belong to, and he had his world of writing which he would have to manage alone. He would keep love a thing apart, and safeguard to himself the mastery of his life, his separate soul, his own integrity.
Would she accept this compromise? Would she take his love, but leave him free to live his life and do his work? That was the way he told her it must be, and she said yes, she understood. But could she do it? Was it in a woman’s nature to be content with all that a man could give her, and not for ever want what was not his to give? Already there were little portents that made him begin to doubt it.
One morning when she came to see him and was telling him with spirit and great good humour about a little comedy she had witnessed in the street, suddenly she stopped short in the middle of it, a cloud passed over her face, her eyes became troubled, and she turned to him and said:
“You do love me, don’t you, George?”
“Yes,” he said. “Of course. You know I do.”
“Will you never leave me again?” she asked, a little breathless. “Will you go on loving me for ever?”
Her abrupt change of mood and her easy assumption that he or any human being could honestly pledge himself to anyone or anything for ever struck him as ludicrous, and he laughed.
She made an impatient gesture with her hand. “Don’t laugh, George,” she said. “I need to know. Tell me. Will you go on loving me for ever?”
Her seriousness, and the impossibility of giving her an answer annoyed him now, and he rose from his chair, stared down blankly at her for a moment, and then began pacing back and forth across the room. He paused once or twice and turned to her as if to speak, but, finding it hard to say what he wanted to say, he resumed his nervous pacing.
Esther followed him with her eyes; their expression betraying her mixed feelings, in which amusement and exasperation were giving way to alarm.
“What have I done now?” she thought. “God, was there ever anybody like him! You never can tell what he’ll do! All I did was ask him a simple question and he acts like this! Still, it’s better than the way he used to act. He used to blow up and call me vile names. Now he just stews in his own juice and I can’t tell what he’s thinking. Look at him — pacing like a wild animal in a cage, like a temperamental and introspective monkey!”
As a matter of fact, in moments of excitement George did look rather like a monkey. Barrel-chested, with broad, heavy shoulders, he walked with a slight stoop, letting his arms swing loosely, and they were so long that they dangled almost to the knees, the big hands and spatulate fingers curving deeply in like paws. His head, set down solidly upon a short neck, was carried somewhat forward with a thrusting movement, so that his whole figure had a prowling and half-crouching posture. He looked even shorter than he was, for, although he was an inch or two above the middle height, around five feet nine or ten, his legs were not quite proportionate to the upper part of his body. Moreover, his features were small — somewhat pug-nosed, the eyes set very deep in beneath heavy brows, the forehead rather low, the hair beginning not far above the brows. And when he was agitated or interested in something, he had the trick of peering upward with a kind of packed attentiveness, and this, together with his general posture, the head thrust forward, the body prowling downwards, gave him a distinctly simian appearance. It was easy to see why some of his friends called him Monk.
Esther watched him a minute or two, feeling disappointed and hurt that he had not answered her. He stopped by the front window and stood looking out, and she went over to him and quietly put her arm through his. She saw the vein swell in his temple, and knew there was no use in speaking.
Outside, the little Jewish tailors were coming from the office of their union next door and were standing in the street. They were pale, dirty, and greasy, and very much alive. They shouted and gesticulated at one another, they stroked each other gently on the cheek in mounting fury, saying tenderly in a throttled voice: “Nah! Nah! Nah!” Then, still smiling in their rage, they began to slap each other gently in the face with itching finger-tips. At length they screamed and dealt each other stinging slaps. Others cursed and shouted, some laughed, and a few said nothing, but stood darkly, sombrely apart, feeding upon their entrails.
Then the young Irish cops charged in among them. There was something bought and corrupt about their look. They had brutal and brainless faces, full of pride. Their jaws were loose and coarse, they chewed gum constantly as they shoved and thrust their way along, and they kept saying:
“Break it up, now! Break it up! All right! Keep movin’!”
The motors roared by like projectiles, and people were passing along the pavement. There were the faces George and Esther had never seen before, and there were the faces they had always seen, everywhere: always different, they never changed; they welled up from the sourceless springs of life with unending fecundity, with limitless variety, with incessant movement, and with the monotony of everlasting repetition. There were the three girl-friends who pass along the streets of life for ever. One had a cruel and sensual face, she wore glasses, and her mouth was hard and vulgar. Another had the great nose and the little bony features of a rat. The face of the third was full and loose, jeering with fat rouged lips and oily volutes of the nostrils. And when they laughed, there was no warmth or joy in the sound: high, shrill, ugly, and hysterical, their laughter only asked the earth to notice them.
In the street the children played. They were dark and strong and violent, aping talk and toughness from their elders. They leaped on one another and hurled the weakest to the pavement. The policemen herded the noisy little tailors along before them, and they went away. The sky was blue and young and vital, there were no clouds in it; the trees were budding into leaf; the sunlight fell into the street, upon all the people there, with an innocent and fearless life.
Esther glanced at George and saw his face grow twisted as he looked. He wanted to say to her that we are all savage, foolish, violent, and mistaken; that, full of our fear and confusion, we walk in ignorance upon the living and beautiful earth, breathing young, vital air and bathing in the light of morning, seeing it not because of the murder in our hearts.
But he did not say these things. Wearily he turned away from the window.
“There’s for ever,” he said. “There’s your for ever.”
2. Fame’s First Wooing
In spite of the colourings of guilt that often tinged his brighter moods, George was happier than he had ever been. There can be no doubt about that. He exulted in the fact. The old madness had gone out of him, and for long stretches at a time he was now buoyed up by the glorious belief — not by any means a new one with him, though it was much stronger now than it had ever been before — that he was at last in triumphant control of his destiny. From his early childhood, when he was living like an orphan with his Joyner relatives back in Libya Hill, he had dreamed that one day he would go to New York and there find love and fame and fortune. For several years New York had been the place that he called home, and love was his already; and now he felt, with the assurance of deep conviction, that the time for fame and fortune was at hand.
Anyone is happy who confidently awaits the fulfilment