The Greatest Works of Frank L. Packard (30+ Titles in One Volume). Frank L. Packard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Frank L. Packard
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 9788027221912
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rapidly approaching; and here, where the lights showed but sparsely, many buildings, small and large, loomed out in queer, grotesque and fanciful shapes.

      Jimmie Dale's dark eyes lighted. All this was as it always was and always had been—only it was changed. It held a promise now that it had never held before. He felt his pulse beat quicken.

      The Port of Dawn!

      “Here we are, Marie!” he cried.

      The bow of the boat touched the edge of a low wharf—and then Jimmie Dale, like a man stunned, bewildered, his mind and brain in turmoil and riot, was standing up in the stern of the boat. Quick, like a flash, the Tocsin had lifted the oars from the rowlocks, flung them away in the water, and, springing to the string-piece of the wharf, had pushed the boat out again.

      “Jimmie! Oh, Jimmie!” Her voice reached him in a low, broken sob. “There was no other way. It's in your pocket, Jimmie. I put it there when—when you were—were holding me.”

      “Marie!” he cried out wildly. “In God's name, what are you doing, Marie!” He flung himself upon his knees and began to paddle furiously with his hands. “Marie!” he cried again.

      A shadow flitted swiftly along the wharf shorewards; it grew filmy and mingled with a thousand other shadows—and was lost.

      She was gone! The Tocsin was gone—as she had gone so many times before. He paddled on with his hands, but the act was purely mechanical. Gone! A cold chill was at his heart; an agony of fear seized upon him. Gone—when life in all its fulness....Gone! Why? An abyss seemed to yawn before him.

      After a time the boat bumped against the wharf. He sprang out and ran madly to the shore. He found himself groping like a blind man amongst buildings, in alleys, along dimly lighted streets. And then suddenly he stood still with the consciousness of stark futility upon him. Had he learned no lesson from the past? It was useless to search for her. He might have known that from the first! He had known it, only—only things had seemed so changed to-night.

      Fear took its toll of him again. It brought the sweat beads out upon his forehead. Fear for her. Subconsciously he realised now that something, somewhere, had, after all, gone wrong to-night; that she was still in danger, a danger that she still meant he should not share. No other reason save that brave, unselfish love of hers would have prompted her to this.

      “It's in your pocket, Jimmie.” Her words came back to him.

      He searched quickly, and with a sharp little cry of pain drew out a sealed envelope. Under a street lamp in a deserted street, he tore it open. Words that he had never thought to see again danced unsteadily before his eyes.

      “Dear Philanthropic Crook—since you must be that again,” he read. “I do not know under what circumstances you will receive this. I only know that before the night is over I shall be with you, and we will be together—for a little while. And, Jimmie, I am writing this instead of telling you what I must say, because I am afraid of myself and our love, afraid that I would not be strong enough to hold out against the plea of our hearts that at all costs we should remain together, and against your arguments, and perhaps against your physical restraint—for you are masterful, Jimmie. I cannot bring you any more into the shadows in which I know now I must live again. I must not, Jimmie; for it might only too well mean your certain destruction, the certain revelation to both the police and the underworld that the Gray Seal and Larry the Bat and Smarlinghue are none other than Jimmie Dale, the Riverside Drive millionaire and clubman. You see, I am writing without reserve, putting upon paper what has never been put upon paper before, because I know that in some way I shall personally place this letter in your possession, and that no other hands shall touch it and no other eyes shall see it save yours and mine.

      “I am writing this half an hour before midnight, while I am waiting for midnight to come with its disclosure at the old junk-shop on the East River that Hunchback Joe is Wizard Marre—and Clarke. And only a day or so ago, Jimmie, I wrote you another letter telling you that once Clarke was in the hands of the police I would be safe for always. And Clarke will be caught to-night, and you will believe that a new world stretches before us, and that all our hopes and aspirations are to come true at last, and you will be happier perhaps in that moment than you have ever been before. Oh, Jimmie, it is so hard even to write this, for I love you so; but it is because I do love you with all my heart and soul and life that I will not, shall not, must not let a breath of suspicion exist that there is anything between Marie LaSalle and Jimmie Dale. God keep and guard you! I shall pray always and always for that. And some day, some time perhaps—no, not perhaps, but surely, surely....

      “Jimmie, I did not mean to write like this. Listen! You know, through the letter to which I referred above, why during all these past months I have 'disappeared.' You know that I was the only one who could identify Clarke as one of the leaders of the old Crime Club, and that it was a question of my life or his. You know that he went into hiding, and that there followed attempt after attempt upon my life. And then I 'left the city for an extended trip,' as my bankers informed you. And while you sought to find me, which, for the same reasons that still exist to-night, I could not let you do, I fought Clarke under cover with his own weapons. A few days ago I believed I had won; it seemed only a question of hours. I had placed Clarke in his true person as Marre, the shyster lawyer, and in his other alias as Hunchback Joe. And then suddenly, as though he had never existed, I lost him.

      “You now know why. He and some of his band were at work under the bank making that opening into the president's private office that resulted this afternoon in the murder of Jathan Lane. I was too late to prevent that, but almost immediately afterwards I picked up Clarke's trail again. I found out that in some way, to cover their own tracks, to end all investigation, false evidence was somehow to be planted, and that to bear this out another murder was to be added to that of the bank president. Jimmie, what could I do? I could not stand passively aside, even when by so doing my own victory was assured. I had to go on. It was to save a man's life. There was a way to get the information necessary to forestall them, though it involved a risk that I would otherwise never have taken. In a measure I succeeded; I learned how the papers and money, and the black-jack with which the murder was committed, were to be placed in Klanner's, the bank janitor's, trunk in his boarding house, and that the man was to be lured into Baldy Jack's dance hall, where, in a riot staged for the occasion, their victim, apparently an innocent bystander, but with his reputation further blasted by being found in that unsavory resort, was to be shot. A dead man could refute no false evidence! I managed to get word to you, and, thank God, in time. But I was caught—and in my own character of Marie LaSalle. I was carried to one of Clarke's lairs, and left there a prisoner. They meant to finish me when the rest of the night's work was over.

      “But I must hurry on, Jimmie. It is getting late.

      “As I shall have been with you for a little while before you will have read this, you will know of course that I escaped. I have no time now to tell you how. The details do not matter. What matters is this: That while, before, Clarke was the only one who had any concern in putting me out of the way, and that for his own personal safety, that enmity is now transferred to an even more formidable enemy—those, and particularly one, who during the last year have been associated with Clarke. They will be actuated by two motives. First, revenge for the trap that will place Clarke in the hands of the police for the murder of Jathan Lane, and revenge for my interference in their attempt upon Klanner; and, second, the fear—a much more potent motive—that I know far more about them and who they are than I really do, the fear that I am in possession of all the knowledge needed to place them too behind the bars of the death house in Sing Sing. I do not know them, Jimmie—except one man, and that man I am not sure of at all. He is a bigger, brainier, far more crafty man than ever Clarke was, and far more powerful. There are times when I think I know him, and times when I am equally sure that I do not. I have come to call him the Phantom. If I am right, he has a score of aliases, a score of domiciles, and possesses the facility of appearing convincingly in each one of a bewildering number of different characters. I said that they had caught me in my own person. I do not need to tell you now, Jimmie, that if I were to go back to New York and resume my life as Marie LaSalle it would but be going to certain death.