The window was shoulder high. He was peering in through the blind. There was no light in the room itself, but a faint glow came in through the open doorway of a lighted room beyond—enough to enable him to make out a woman’s form, the grizzled hair streaming over the threadbare cloak, as she lay on a cheap cot across the room, her face to the wall, her hands bound together behind her back.
It was Jimmie Dale working with all the art he knew; now; and those slim, sensitive, wonderful fingers were swift and silent as they had never been before. A steel jimmy loosened the shutters, and they swung apart with out a sound. He could see better now—see, at least, that she was alone in the room. He tapped softly on the window pane. It was too dark to see her face, but he saw her raise her head quickly, and then, evidently, quick to meet an emergency as she always was, rise from the cot and steal to the edge of the open door. He was working at the window now. A fever of anxiety was him—it seemed that his fingers stumbled, that they lost their cunning, that an eternity passed as she stood there apparently on guard by the door, her bound hands behind her back like some piteous appeal to him to hurry—to hurry—and, in the name of all that life meant to both of them, to make haste.
And now cautiously, inch by inch, he was raising the window; and in another moment, in obedience to his whisper, the bound wrists were thrust within his reach, and he was severing the cords with his knife.
“Thank God!” breathed Jimmie Dale fervently. “Now jump—across the yard—the door of Foo Sen’s shed—it’s open—quick—”
There came a sudden crash from the front of the house, a sudden turmoil from within, a burst of shouts, a chorus of yells. The police! And now another shout, another burst of yells—from the rear—from the lane! Jimmie Dale’s lips were like a thin, straight line. She was free from the house now, standing beside him here in the darkness. He reached swiftly up and closed the shutters—left open they invited immediate attention. His mind was working in lightning flashes. The police were at the front and rear, of course—they would not raid the front and leave the rear unguarded! But why the shouts out there in the lane—why had they not rushed in at once—and why now that shot! It was followed by another, and still another—and then a fusillade of them, as though the shots were returned.
“Quick!” he whispered again, and led the way toward the gate in the fence. The police would be pouring out of the house from the back door in a minute—the only chance was a dash for it. His mind was groping now, bewildered. What did it mean? The police who had obviously been detailed to the lane at the rear of the Mole’s were fighting now—with whom—why? But the fight was working further on down the lane in the opposite direction from that shed door. “Quick!” he said again. “The shed door—on the other side—quick!”
Together they darted into the lane. From behind, the back door of the Mole’s house was flung open, and there came the rush of feet. From down the lane the short, vicious tongue-flames of revolvers stabbed through the black. But in the darkness, save for those quick, myriad flashes like gigantic fireflies winking in the night, he could see nothing. They were racing, racing like mad, he and this form beside him for whose safety he prayed so wildly, so passionately in his soul now. It was only a step further—just another one—and the police, coming out of the Mole’s, had not reached the gate yet. Just another step—and then a bullet, straying from the fight down there along the lane, drummed past his ear in an angry buzz—and the form beside him lurched heavily, stumbled, and pitched forward. And, with a low, broken cry, Jimmie Dale swung out a supporting arm, and pushing the shed door open with his elbow, gained the interior, and lowered his burden gently, a dead weight now, to the floor.
And then Jimmie Dale sprang to the door, and swung a heavy bolt that was there into place; then, running across the shed, he locked the other door as well. It was, perhaps, needless precaution. No one had seen them enter here, and there was little chance of the police developing any interest in the shed; while from the other side—Foo Sen’s—the fact that there was a police battle in the lane would only cause the inmates of the dive to give the shed and lane the widest possible berth!
It had taken scarcely a second to lock the doors, and now he knelt beside a form that was ominously still upon the floor, and called her name over and over again.
“Marie! Marie! Marie!” he whispered frantically.
There was no answer—no movement. The strong, steady hands shook, those marvellous fingers, usually so deft and sure, faltered now as they loosened the cloak and threw the hood back over the wig of tangled, matted hair. It was not the darkness alone that would not let him see—there was a mist and a blur before his eyes. And now he loosened the heavy wig itself to give her relief—she would have no further need of that, for it would not be as Silver Mag that she left here—if she left here at all—no, no!—his mind seemed breaking—she would leave here, she must—yes, yes, she was breathing now—she was not dead—not dead!
He wrenched his flashlight from his pocket. To find the wound and stop the flow of blood! The ray shot out—there was a cry from Jimmie Dale—and like a man distraught he reeled to his feet—and like a man distraught stared at the upturned face, ghastly white under the flashlight’s glare.
It was the Pippin.
The wig of grizzled hair that he had unconsciously been holding dropped from Jimmie Dale’s hand, and his hand went upward to his temple. Was he mad! Was this joy, relief, rage or fury that, surging upon him, was robbing him of his senses! The Pippin! How could it be the Pippin! The cloak with its hood, and the long, gray matted wig were very like Silver Mag’s—very like Silver Mag’s! The Pippin! The Pippin!—one-time actor who had murdered old Melinoff, the old-clothes dealer! No—he was not mad! Dimly, his mind groping in the darkness, he began to see.
The Pippin’s eyes opened.
“Who’s there?” he demanded weakly.
Jimmie Dale, without a word, leaned forward, and threw the ray of light upon his own face.
A queer smile flickered across the Pippin’s lips; his voice, weak as it was, was debonair and careless.
“Well, we nearly got you, Larry—at that! You fell for it, all right. Only—only some one”—his voice weakened still farther—“must have spilled the beans—to the—police.”
Jimmie Dale made no answer. His lips were thinned and tight together. It was plain enough now. It had been a plant to get him—to get Larry the Bat, who was known to the underworld to be the Gray Seal—to get the Gray Seal through an appeal to the Gray Seal’s loyalty toward his pal, Silver Mag! A plant, devilish enough in its ingenuity—Silver Mag impersonated—the “news” of her capture spread broadcast through the underworld on the chance that it would reach the ears of Larry the Bat, and tempt Larry the Bat into the open—as it had done! He knew now why the Pippin had gone to Melinoff’s—old Melinoff’s stock, more than any other dealer’s, would be the most likely to supply the Pippin with the garments that, if not too closely inspected, would pass muster for Silver Mag’s. He knew now why the underworld, believing what it had been told, had been warned to keep away from the Mole’s—he knew now that it was because