The Greatest Works of Frank L. Packard (30+ Titles in One Volume). Frank L. Packard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Frank L. Packard
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Жанр произведения: Языкознание
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isbn: 9788027221912
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to the police, the police will get—Reddy Mull.”

      Chapter XIX.

       The Beginning of the End

       Table of Contents

      How far away last night, with Forrester’s murder and the sordid denouement in Reddy Mull’s room, seemed! How far away even half an hour ago this very night seemed! Just half an hour ago! Then, with no thought but one of dogged perseverance to keep up his quest, with neither hint nor sign that his quest was any nearer the end than it had ever been, he had entered Bristol Bob’s, here, in the role of Smarlinghue; and now, as a rift that had opened in the clouds, there had come sudden and amazing joy. It held him now in thrall. It threatened even to make him forget that he was for the moment Smarlinghue—forget what, as Smarlinghue, Smarlinghue dare not forget—the role he played.

      He leaned forward suddenly and caught up his whisky glass—whose contents had previously and surreptitiously been spilled into the cuspidor on the floor beside his chair. He lifted the glass to his mouth, his head thrown back as though to drain a final, lingering drop, then he thumped the glass down on the table, licked his lips—thin and distorted by “Smarlinghue’s” makeup—and wiped them with the sleeve of his threadbare coat.

      A man at the next table, well known as the Pippin, young, flashily dressed, his almost effeminate features giving an added touch of viciousness, through incongruity, to his general appearance, twisted his head around and grinned with malicious derision.

      Jimmie Dale’s fingers searched hungrily now through first one and then another of his ragged pockets, and finally extricated a dime and a nickel. With these he tapped insistently on the table, until an attendant answered the summons and supplied him with another drink.

      He sat back then for a time; now eyeing the liquor, as though greedy for its taste, yet greedy, too, to prolong the anticipation, since from his actions there was apparently no means of further replenishing the supply; now glancing around the smoke-laden room where, on the polished section of the floor in the centre, a score of laughing, shrieking couples whirled and pranced in the unrestrained throes of the underworld’s latest dance; now permitting his eyes to rest with a sudden scowl on the man at the next table. He had no concern with the Pippin—nor had the Pippin any concern with him. The man, as he imbibed a number of drinks, simply seemed to find a certain: malevolent amusement in a contemptuous appraisal of his, Jimmie Dale’s, person; but the other, in spite of the new, glad exhilaration Jimmie Dale was experiencing, annoyed Jimmie Dale—the blatant expanse of pink shirt cuff, for instance, in order to display the Pippin’s diamond-snake links, famous from One end of the underworld to the other, was eminently typical of the man. The cuff links were undoubtedly an object of envy to the society in which the Pippin moved; they were even beautiful cuff links, it was true, oriental in design, never to be mistaken by any one who had ever seen them, and the stones with which they were set were credited generally in the underworld as being genuine, but—Jimmie Dale was hesitantly lifting his glass again in a queer, miserly sort of way. The Pippin had jerked a cigarette box from his pocket, stuck what was evidently the single cigarette it had contained between his lips; and now, tossing away the box, he pushed back his chair and stood up—but on the floor beneath the table, where it had fluttered unobserved when the cigarette box had been jerked from the pocket, lay a small folded piece of paper.

      “If you hang around long enough, Smarly,” gibed the Pippin, as he passed by on his way toward the door, “maybe some of the rubber-necks off the gape-wagon will take pity on you and buy you another—the slumming parties are just crazy about broken-down artists!”

      “You go chase yourself!” said Smarlinghue politely, through one corner of his twisted mouth.

      Jimmie Dale’s eyes followed the other. The Pippin, threading his way amongst the tables, gained the door, and passed out into the street. And then Jimmie Dale’s eyes reverted to the piece of paper under the adjacent table. It was not at all likely that it was of the slightest importance or significance, and yet—Jimmie Dale stretched out his foot, drew the paper toward him, and, stooping over, picked it up. He unfolded it, and found it to contain several typewritten lines. He frowned in a puzzled way as he read them; then read them over again, and his frown deepened.

      Melinoff has the goods. Go the limit if he squeals. Not later than ten-thirty to-night.

      Jimmie Dale’s eyes lifted and strayed around the noisy, riotous dance hall. Just what exactly did the message mean? The Pippin was a bad actor—literally, as well as metaphorically. The Pippin, if asked, would probably still have styled himself an actor; but, though still young, his career on the stage had ended several years ago rather abruptly—with a year’s imprisonment! Jimmie Dale did not recall the details of the particular offence of which the Pippin had been found guilty, save that it had been for theft. It did not, however, matter very much. The Pippin of to-day as he was known to the underworld, to which strata of society he had immediately gravitated on his release from prison, was all that was of immediate interest. He had associated himself with a gang run by one Steve Barlow, commonly known as the Mole, and under this august patronage and protection had already more than one “job” of the first magnitude to his credit. The Pippin, in a word, was both an ugly and an unpleasant customer.

      Jimmie Dale’s eyes continued to circuit the seedy dance hall. What was it that the Pippin was to procure from Melinoff, and for which, if necessary, the Pippin was to go “the limit”? Melinoff himself was not without reproach, either! What was the game? Melinoff was an old-clothes and junk dealer, and, as a side line, at times a very profitable side line, had been known to act as a “fence” for stolen goods. He had skirted for years on the ragged edge with the police, and then, caught red-handed at last, had changed his occupation for a more useful one during a somewhat prolonged sojourn in Sing Sing. Affairs after that had not prospered with Melinoff. His wife, honest if her husband was not, and already an old woman, had been hard put to it with the shabby shop and the meagre business she was able to transact; so hard put to it, indeed, that the wonder had been that she had managed to keep the roof over her head. She had died a few months after her husband’s release. Melinoff, if he had had no other virtue, had at least loved his wife, and the Melinoff of old, then a sprightly enough man for his years, was no more, and it was a decrepit, stoop-shouldered, dirty and grey-bearded figure that shuffled now around the old-clothes shop, apathetic of “bargains,” where before it had been a man whose keenness was matched only by the sort of eager craft and low cunning with which he had conducted his business.

      A smile, half grim, half whimsical, flickered across Jimmie Dale’s lips. There were strange lives, strange undercurrents, always, ceaselessly, at work here in the underworld, here where the grist from the human mill found its place. Melinoff, the Pippin, each of those whirling figures out there on the floor, each of those men and women whose laughter rose raucously from the tables, or whose whisperings, as heads were lowered and held close together, seemed an unsavoury, vicious thing, had known a strange and tortuous path; yet strangest, most tortuous of them all, was—his own!

      His fingers, as he thrust the Pippin’s note into the side pocket of his coat, touched the torn fragments of another note, tiny little particles of paper, torn over and over again into fine and minute shreds—the Tocsin’s note—the note that seemed suddenly to have changed all his life. It had come as her communications had always come—without bridging the way that lay between them, without furnishing him with a clue through the method employed for their transmission that would avail him anything, or supply him with any means of reaching her. It had been thrust into his hand by a street urchin, as he had entered the door of Bristol Bob’s that half an hour before. He had not even questioned the urchin—it would have been useless, futile, barren of results. A hundred previous experiences had at least taught him that! He could surmise about it, though, if he would; and, in view of the contents of the note itself, surmise, in all probability, with fair accuracy. The Tocsin had satisfied herself that he was neither at home nor at the club, and had, therefore, chosen an inconspicuous messenger to search for “Smarlinghue” through the underworld. And there would have been no risk. For the first time in all the