"He sure branded me," the dealer grimly replied.
"Who was he? What outfit was he with?" was asked.
"Don't know what his name was," said Keno Bill "but I believe he rolled in with Missouri Jeff's bull-train."
"Let's pack him into the back room, boys, and I'll get word to his friends to come an' plant him."
This was done; the blood-stained chair was also re moved, ashes were scattered on some dark spots staining the floor, and after all hands had taken a drink on the house the games were resumed. Berry and I strolled out of the place. I felt queer; rather shaky in the legs and sick at the stomach. I had never before seen a man killed; for that matter, I had never even seen two men in a fist fight. I could not forget that terrible death gurgle, nor the sight of the dead man's distorted face and staring eyes.
"Awful, wasn't it?" I remarked.
"Oh, I don't know," Berry replied,"the fish got what he was looking for; these bad men always do, sooner or later. He started first to pull his gun, but he was a little too slow."
"And what next?" I asked. "Will not the dealer be arrested? Will not we be subpoenaed as witnesses in the case?"
"Who will arrest him?" my friend queried in turn. "There are no police, nor officers of the law here of any description."
"Why—why, how, then, with so many desperate characters as you evidently have here, how do you manage to preserve any form of law and order?"
"Seven—eleven—seventy-seven," Berry sententiously replied.
"Seven—eleven—seventy-seven," I mechanically repeated. "What is that?"
"That means the Vigilance Committee. You don't know exactly who they are, but you may be sure that they are representative men who stand for law and order; they are more feared by criminals than are the courts and prisons of the East, for they always hang a murderer or robber. Another thing; do not think that the men you saw sitting at the tables in Keno Bill's place are, as you termed them, desperate characters. True, they gamble some, and drink some, but on the whole they are honest, fearless, kind-hearted fellows, ready to stay with a friend to the end in a just cause, and to give their last dollar to one in need. But come, I see this little shooting affair has sort of unnerved you. I'll show you something a little more cheerful."
We went on up the street to a fair-sized adobe cabin. Through the open doors and windows came the strains of a violin and concertina, and the air was as lively a one as I ever had heard. Many and many a time I heard it in after years, that and its companion dance pieces, music that had crossed the seas in the ships of Louis XV., and, taught by father to son for generations, by ear, had been played by the voyageurs up the immense length of the Mississippi and the Missouri, to be come at last the popular music of the American in the Far Northwest.
We arrived at the open doorway and looked in. "Hello, Berry; come in, old boy," and "Bon soir, Mons. Berri, bon soir; entrez! entrez!" some of the dancers shouted; we went in and took seats on a bench against the wall. All of the females in the place were Indians, and for that matter they were the only women at that time in all Montana, barring a few white hurdy-gurdy girls at the mines of Helena and Virginia City, and of the latter the less said the better.
These Indian women, as I had remarked in the morning when I saw some of them on the levee, were comely, of good figure and height, and neatly dressed, even if they were corsetless and wore moccasins; far different indeed from the squat, broad, dark natives of the Eastern forests I had seen. And they were of much pride and dignity; that one could see at a glance. And yet they were what might be termed jolly, chattering and laugh ing like so many white women. That surprised me. I had read that Indians were a taciturn, a gloomy, silent people, seldom smiling, to say nothing of laughing and joking with the freedom and abandon of so many children.
"This," Berry told me, "is a traders' and trappers' dance. The owner of the house -is not at home, or I would introduce you to him. As to the others"—with a sweep of his hand—"they're too busy just now for any introduction ceremony. I can't introduce you to the women, for they do not speak English. However, you must dance with some of them."
"But, if they do not speak our language, how am I to ask them to dance with me?"
"You will walk up to one of them, the one you choose, and say: 'Ki-tak-stai pes-ka'—will you dance?"
I never was what you may call bashful or diffident. A quadrille had just ended. I boldly walked up to the nearest woman, repeating the words over and over that I might not forget them, bowed politely, and said, "Ki-tak-stai pes-ka?"
The woman laughed, nodded her head, replied, "Ah," which I later learned was yes, and extended her hand; I took it and led her to a place for another quadrille just forming. While we were waiting she spoke to me several times, but I could only shake my head and say: "I do not understand." Whereupon she would laugh merrily and say a lot more in her language to her neighbour, another comely young woman, who would also laugh and look at me with amusement in her eyes. I began to feel embarrassed; I'm not sure that I did not blush.
The music struck up and I found that my partner was a light and graceful dancer. I forgot my embarrassment and enjoyed the quadrille, my strange partner, the strange music, and strange surroundings immensely. And how those long-haired, buckskin-clad, moccasined plainsmen did caper and cut pigeon wings, and double shuffle, and leap and swing in the air! I wondered if I could ever, since that seemed to be the style, learn to do likewise. I determined to try it anyhow, but privately at first.
The quadrille ended, I started to lead my partner to a seat, but instead she led me over to Berry, who had also been dancing, and spoke rapidly to him for a moment.
"This," said he to me, "is Mrs. Sorrel Horse. (Her husband's Indian name.) She invites us to accompany her and her husband home and have a little feast."
Of course we accepted and after a few more dances departed. I had been introduced to Sorrel Horse. He was a very tall, slender man, sorrel haired, sorrel whiskered, blue eyed; a man, as I afterward learned, of extremely happy temperament under the most adverse conditions, a sincere and self-sacrificing friend to those he liked, but a terror to those who attempted to wrong him.
Sorrel Horse's home was a fine large Indian lodge of eighteen skins, set up beside his two canvas-covered wagons near the river's bank. His wife built a little fire, made some tea, and presently set before us the steaming beverage with some Dutch oven baked biscuits, broiled buffalo tongue, and stewed bull berries. We heartily enjoyed the meal, and I was especially taken with the luxurious comfort of the lodge; the soft buffalo robe couch upon which we sat, the sloping willow back rests at each end of it, the cheerful little fire in the centre, the oddly shaped, fringed and painted parfleches in which Madam Sorrel Horse kept her provisions and her various belongings. It was all very new and very delightful to me, and when after a smoke and a chat, Sorrel Horse said: "You had better camp here for the night, boys," my happiness was complete. We went to sleep on the soft couch covered with soft blankets and listening to the soft murmur of the river's current. This, my first day on the plains, had been, I thought, truly eventful.
Chapter II.
The Ruse of a Savage Lover
It was agreed that I should join Berry in the autumn, when he would begin the season's trade with the Indians. He owned a large bull-train, with which he hauled freight from Fort Benton to the mining camps in summer, finding in that much more profit than in trading for the deer, elk, and antelope skins, which were about the only things of value that the Indians had to barter at that season. Buffalo robes were valuable only from animals killed from November to February inclusive. I did not wish to remain in Fort Benton; I wanted to hunt and travel about in this land of glorious sunshine and dry, clear air; so I bought a roll of bedding, large quantities