“It is not worthy your perusal — a scrap of a translation — My dear Miss Vernon, it would be too severe a trial, that you, who understand the original so well, should sit in judgment.”
“Mine honest friend,” replied Diana, “do not, if you will be guided by my advice, bait your hook with too much humility; for, ten to one, it will not catch a single compliment. You know I belong to the unpopular family of Tell-truths, and would not flatter Apollo for his lyre.”
She proceeded to read the first stanza, which was nearly to the following purpose:—
“Ladies, and knights, and arms, and love’s fair flame,
Deeds of emprize and courtesy, I sing;
What time the Moors from sultry Africk came,
Led on by Agramant, their youthful king —
He whom revenge and hasty ire did bring
O’er the broad wave, in France to waste and war;
Such ills from old Trojano’s death did spring,
Which to avenge he came from realms afar,
And menaced Christian Charles, the Roman Emperor.
Of dauntless Roland, too, my strain shall sound,
In import never known in prose or rhyme,
How He, the chief, of judgment deemed profound,
For luckless love was crazed upon a time”—
“There is a great deal of it,” said she, glancing along the paper, and interrupting the sweetest sounds which mortal ears can drink in,— those of a youthful poet’s verses, namely, read by the lips which are dearest to him.
“Much more than ought to engage your attention, Miss Vernon,” I replied, something mortified; and I took the verses from her unreluctant hand — “And yet,” I continued, “shut up as I am in this retired situation, I have felt sometimes I could not amuse myself better than by carrying on — merely for my own amusement, you will of course understand — the version of this fascinating author, which I began some months since when I was on the banks of the Garonne.”
“The question would only be,” said Diana, gravely, “whether you could not spend your time to better purpose?”
“You mean in original composition?” said I, greatly flattered —“But, to say truth, my genius rather lies in finding words and rhymes than ideas; and therefore I am happy to use those which Ariosto has prepared to my hand. However, Miss Vernon, with the encouragement you give”—
“Pardon me, Frank — it is encouragement not of my giving, but of your taking. I meant neither original composition nor translation, since I think you might employ your time to far better purpose than in either. You are mortified,” she continued, “and I am sorry to be the cause.”
“Not mortified,— certainly not mortified,” said I, with the best grace I could muster, and it was but indifferently assumed; “I am too much obliged by the interest you take in me.”
“Nay, but,” resumed the relentless Diana, “there is both mortification and a little grain of anger in that constrained tone of voice; do not be angry if I probe your feelings to the bottom — perhaps what I am about to say will affect them still more.”
I felt the childishness of my own conduct, and the superior manliness of Miss Vernon’s, and assured her, that she need not fear my wincing under criticism which I knew to be kindly meant.
“That was honestly meant and said,” she replied; “I knew full well that the fiend of poetical irritability flew away with the little preluding cough which ushered in the declaration. And now I must be serious — Have you heard from your father lately?”
“Not a word,” I replied; “he has not honoured me with a single line during the several months of my residence here.”
“That is strange!— you are a singular race, you bold Osbaldistones. Then you are not aware that he has gone to Holland, to arrange some pressing affairs which required his own immediate presence?”
“I never heard a word of it until this moment.”
“And farther, it must be news to you, and I presume scarcely the most agreeable, that he has left Rashleigh in the almost uncontrolled management of his affairs until his return.”
I started, and could not suppress my surprise and apprehension.
“You have reason for alarm,” said Miss Vernon, very gravely; “and were I you, I would endeavour to meet and obviate the dangers which arise from so undesirable an arrangement.”
“And how is it possible for me to do so?”
“Everything is possible for him who possesses courage and activity,” she said, with a look resembling one of those heroines of the age of chivalry, whose encouragement was wont to give champions double valour at the hour of need; “and to the timid and hesitating, everything is impossible, because it seems so.”
“And what would you advise, Miss Vernon?” I replied, wishing, yet dreading, to hear her answer.
She paused a moment, then answered firmly —“That you instantly leave Osbaldistone Hall, and return to London. You have perhaps already,” she continued, in a softer tone, “been here too long; that fault was not yours. Every succeeding moment you waste here will be a crime. Yes, a crime: for I tell you plainly, that if Rashleigh long manages your father’s affairs, you may consider his ruin as consummated.”
“How is this possible?”
“Ask no questions,” she said; “but believe me, Rashleigh’s views extend far beyond the possession or increase of commercial wealth: he will only make the command of Mr. Osbaldistone’s revenues and property the means of putting in motion his own ambitious and extensive schemes. While your father was in Britain this was impossible; during his absence, Rashleigh will possess many opportunities, and he will not neglect to use them.”
“But how can I, in disgrace with my father, and divested of all control over his affairs, prevent this danger by my mere presence in London?”
“That presence alone will do much. Your claim to interfere is a part of your birthright, and it is inalienable. You will have the countenance, doubtless, of your father’s head-clerk, and confidential friends and partners. Above all, Rashleigh’s schemes are of a nature that”—(she stopped abruptly, as if fearful of saying too much)—“are, in short,” she resumed, “of the nature of all selfish and unconscientious plans, which are speedily abandoned as soon as those who frame them perceive their arts are discovered and watched. Therefore, in the language of your favourite poet —
To horse! to horse! Urge doubts to those that fear.”
A feeling, irresistible in its impulse, induced me to reply —“Ah! Diana, can you give me advice to leave Osbaldistone Hall?— then indeed I have already been a resident here too long!”
Miss Vernon coloured, but proceeded with great firmness —“Indeed, I do give you this advice — not only to quit Osbaldistone Hall, but never to return to it more. You have only one friend to regret here,” she continued, forcing a smile, “and she has been long accustomed to sacrifice her friendships and her comforts to the welfare of others. In the world you will meet a hundred whose friendship will be as disinterested — more useful — less encumbered by untoward circumstances — less influenced by evil tongues and evil times.”
“Never!” I exclaimed, “never!— the world can afford me nothing to repay what I must leave behind me.” Here I took her hand, and pressed it to my lips.
“This is folly!” she exclaimed —“this is madness!” and she struggled to withdraw her hand from my grasp, but not so stubbornly as actually to succeed until I had held it for nearly a minute. “Hear me, sir!” she