We must hold, therefore, that Khufu did suddenly conceive a design without a parallel—did require his architect to construct him a tomb, which should put to shame all previous monuments, and should with difficulty be surpassed, or even equalled. He must have possessed much elevation of thought, and an intense ambition, together with inordinate selfishness, an overweening pride, and entire callousness to the sufferings of others, before he could have approved the plan which his master-builder set before him. That plan, including the employment of huge blocks of stone, their conveyance to the top of a hill a hundred feet high, and their emplacement, in some cases, at a further elevation of above 450 feet, involved, under the circumstances of the time, such an amount of human suffering, that no king who had any regard for the happiness of his subjects could have consented to it. Khufu must have forced his subjects to labour for a long term of years—twenty, according to Herodotus—at a servile work which was wholly unproductive, and was carried on amid their sighs and groans for no object but his own glorification, and the supposed safe custody of his remains. Shafra must have done nearly the same. Hence an evil repute attached to the pyramid builders, whose names were handed down to posterity as those of evil-minded and impious kings, who neglected the service of the gods to gratify their own vanity, and, so long as they could exalt themselves, did not care how much they oppressed their people. There was not even the poor apology for their conduct that their oppression fell on slaves, or foreigners, or prisoners of war. Egypt was not yet a conquering power; prisoners of war were few, slaves not very common. The labourers whom the pyramid builders employed were their own free subjects whom they impressed into the heavy service.
It is by a just Nemesis that the kings have in a great measure failed to secure the ends at which they aimed, and in hope of which they steeled their hearts against their subjects' cries. They have indeed handed down their names to a remote age: but it is as tyrants and oppressors. They are world-famous, or rather world-infamous. But that preservation of their corporeal frame which they especially sought, is exactly what they have missed attaining.
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheôps,
says the doggerel of the satiric Byron; and it is the absolute fact that while thousands of mummies buried in common graves remain untouched even to the present day, the very grandeur of the pyramid builders' tombs attracted attention to them, caused the monuments to be opened, the sarcophagi to be rifled, and the remains inclosed in them to be dispersed to the four winds of heaven.
Still, whatever gloomy associations attach to the pyramids in respect of the sufferings caused by their erection, as monuments they must always challenge a certain amount of admiration. A great authority declares: "No one can possibly examine the interior of the Great Pyramid without being struck with astonishment at the wonderful mechanical skill displayed in its construction. The immense blocks of granite brought from Syene, a distance of five hundred miles, polished like glass, and so fitted that the joints can scarcely be detected! Nothing can be more wonderful than the extraordinary amount of knowledge displayed in the construction of the discharging chambers over the roof of the principal apartment, in the alignment of the sloping galleries, in the provision of the ventilating shafts, and in all the wonderful contrivances of the structure. All these, too, are carried out with such precision that, notwithstanding the immense superincumbent weight, no settlement in any part can be detected to an appreciable fraction of an inch. Nothing more perfect mechanically has ever been erected since that time."8
The architectural effect of the two greatest of the pyramids is certainly magnificent. They do not greatly impress the beholder at first sight, for a pyramid, by the very law of its formation, never looks as large as it is—it slopes away from the eye in every direction, and eludes rather than courts observation. But as the spectator gazes, as he prolongs his examination and inspection, the pyramids gain upon him, their impressiveness increases. By the vastness of their mass, by the impression of solidity and durability which they produce, partly also, perhaps, by the symmetry and harmony of their lines and their perfect simplicity and freedom from ornament, they convey to the beholder a sense of grandeur and majesty, they produce within him a feeling of astonishment and awe, such as is scarcely caused by any other of the erections of man. In all ages travellers have felt and expressed the warmest admiration for them. They impressed Herodotus as no works that he had seen elsewhere, except, perhaps, the Babylonian. They astonished Germanicus, familiar as he was with the great constructions of Rome. They furnished Napoleon with the telling phrase, "Soldiers, forty centuries look down upon you from the top of the pyramids." Greece and Rome reckoned them among the Seven Wonders of the world. Moderns have doubted whether they could really be the work of human hands. If they possess only one of the elements of architectural excellence, they possess that element to so great an extent that in respect of it they are unsurpassed, and probably unsurpassable.
These remarks apply especially to the first and second pyramids. The "Third" is not a work of any very extraordinary grandeur. The bulk is not greater than that of the chief pyramid of Saccarah, which has never attracted much attention; and the height did not greatly exceed that of the chief Mexican temple-mound. Moreover, the stones of which the pyramid was composed are not excessively massive. The monument aimed at being beautiful rather than grand. It was coated for half its height with blocks of pink granite from Syene, bevelled at the edges, which remain still in place on two sides of the structure. The entrance to it, on the north side, was conspicuous, and seems to have had a metal ornamentation let into the stone. The sepulchral chamber was beautifully lined and roofed, and the sarcophagus was exquisitively carved. Menkaura, the constructor, was not regarded as a tyrant, or an oppressor, but as a mild and religious monarch, whom the gods ill-used by giving him too short a reign. His religious temper is indicated by the inscription on the coffin which contained his remains: "O Osiris," it reads, "King of Upper and Lower Egypt, Menkaura, living eternally, engendered by the Heaven, born of Nut, substance of Seb, thy mother Nut stretches herself over thee in her name of the abyss of heaven. She renders thee divine by destroying all thy enemies, O King Menkaura, living eternally."
The fashion of burying in pyramids continued to the close of Manetho's sixth dynasty, but no later monarchs rivalled the great works of Khufu and Shafra. The tombs of their successors were monuments of a moderate size, involving no oppression of the people, but perhaps rather improving their condition by causing a rise in the rate of wages. Certainly, the native remains of the period give a cheerful representation of the condition of all classes. The nation for the most part enjoys peace, and applies itself to production. The wealth of the nobles increases, and the position of their dependents is improved. Slaves were few, and there was ample employment for the labouring classes. We do not see the stick at work upon the backs of the labourers in the sculptures of the time; they seem to accomplish their various tasks with alacrity and gaiety of heart. They plough, and hoe, and reap; drive cattle or asses; winnow and store corn; gather grapes and tread them, singing in chorus as they tread; cluster round the winepress or the threshingfloor, on which the animals tramp out the grain; gather lotuses; save cattle from the inundation; engage in fowling or fishing; and do all with an apparent readiness and cheerfulness which seems indicative of real content. There may have been a darker side to the picture, and undoubtedly was while Khufu and Shafra held the throne; but kings of a morose and cruel temper seem to have been the exception, rather than the rule, in Egypt; and the moral code, which required kindness to be shown to dependents, seems, at this period at any rate, to have had a hold upon the consciences, and to have influenced the conduct, of the mass of the people. "Happy the nation that has no history!" Egypt during this golden age was neither assailed by any aggressive power beyond her borders, nor had herself conceived the idea of distant conquest. An occasional raid upon the negroes of the South, or chastisement of the nomades of the East, secured her interests in those quarters, and prevented her warlike virtues from dying out through lack of use. But otherwise tranquillity was undisturbed, and the energies of the nation were directed to increasing its material